Showing 103 results

Authority record
Corporate body

A. Beller & Co.

  • US.20191212.001
  • Corporate body
  • 1890-1931

A. Beller & Co. was a cloak and suit manufacturer established in 1890 by Abraham Beller. The A. Beller & Co. adaptions of imported models as well as the company's own original designs were of the highest quality and retailed at high-end department stores. The company's product was considered the gold standard for American manufacturers, and the company's executives, Abraham Beller and Max Meyer, were widely respected within the industry. The company shuttered its doors in 1931 amid the Great Depression.

American Institute of Architects

  • US.20200125.013
  • Corporate body
  • 1857-

The American Institute of Architects (AIA) was founded in 1857 and is headquartered in Washington, DC.

Andre Studio

  • US.20180702.068
  • Corporate body
  • 1930-1941

André Studios was a sketch, or croquis, subscription service for garment industry professionals, located at 570 Seventh Avenue in New York City. The company was founded by designer Pearl Levy and her business partner, salesman Leonard Schwartzbach, sometime during the year 1930. André Studios was one of the many design services which relied heavily on copying and adapting existing models in order to supply a sufficient, up-to-date product to their customers.

Aris Glove Company

  • US.20200118.008
  • Corporate body
  • 1910-

The Aris Glove Company, a European maker of fine leather gloves and knit accessories, was founded in 1910. The company moved to the United States and in the early 1970s, created a unique glove made from a nylon/spandex fabric with leather trim. Recognizing the glove’s unique 4-way stretch and massaging properties, Aris named the glove isotoner by combining the words “isometric” and “toning.” The isotoner glove was a major success with a name so recognizable that Aris adopted it and became ARIS Isotoner, Inc.

In 1997 the Totes Corporation merged with Aris Isotoner forming the Totes Isotoner Corporation.

Aston Magna Foundation for Music and the Humanities

  • US.20200118.016
  • Corporate body
  • 1972-

The Aston Magna Foundation sponsors educational programs that bring to communities the study of music and other arts of the 17th, 18th, and early 19th centuries and organized performances at various concert halls.

Balenciaga (Firm)

  • US.20180927-008
  • Corporate body
  • 1919 (date of establishment)

Beer

  • US.20190412.003
  • Corporate body
  • 1890-

Founded around 1890, the fashion house Beer was one of the four oldest in Paris, its only predecessors being Worth, Doucet, and Paquin. Designer Gustave Beer’s design philosophy was “conservative elegance for conservative customers,” which included the who’s who of international royalty. The former Czarina of Russia and queens of Belgium, Italy and Romania were patrons of the house, which was reputed to have the highest prices in Paris. The house was especially known for their evening gowns, rich embroideries, furs and lingerie. Founder, Gustave passed away in 1908 after which time Beer continued under the direction of Paul Trimbach and Monsieur Pierre, who served as the head designer into the 1920s.Merged with Drecoll in 1929 under the name Drecoll-Beer. Drecoll-Beer merged with House of Agnes in 1931, dropped Beer from name.

Bergdorf Goodman (New York, N.Y.)

  • US.20180702.069
  • Corporate body
  • 1901 (date of establishment)

Bergdorf Goodman began as a custom tailoring shop in 1901, named such after Edwin Goodman (1876-1953) bought out his partners in what had previously been the tailoring firm of Bergdorf and Voigt. Goodman had acquired a reputation for immaculate tailoring and an inspired understanding of cut and materials. Bergdorf Goodman expanded into ready-to-wear in 1923, but continued to offer custom clothing and millinery well into the 1960s. It was one of the last department stores to offer this service, indicative of the very wealthy clientele who favored Bergdorf Goodman and placed orders from around the globe. Primary couturier to New York society, Edwin Bergman and the Bergdorf Goodman custom salon also outfitted international royalty, Broadway and Hollywood stars, and the elites of Pittsburgh, St. Louis, and the West Coast, many of whom spent $100,000/year in the store. Bergdorf Goodman was known for the immaculate craftsmanship of its clothes, and later for furs.

The custom salon was never strictly profitable for Bergdorf Goodman because of the high cost of labor and materials, and the cost of research and buying trips to Paris and Italy. A 1951 Business Week article on the department store reported that the custom salon “has not made money since 1929.” The salon employed 3 top-notch designers, 115 dressmakers, 55 tailors, 14 dressers, a “string of saleswomen, models, and assistants,” not to mention the sketch-makers and watercolorists who produced the sketches that comprise most of this collection. But this boutique service raised the profile of the department store and the house designers who worked in the custom salon also contributed designs for Bergdorf Goodman’s ready-to-wear collection. Edwin Goodman has been credited with extending the construction techniques of higher-end garments (deep hems and cutting on the true bias) to ready-to-wear, and raising the standards for the mass manufacture of clothing in the United States.

Andrew Goodman (1907-1993) succeeded his father as President of the store in 1951 on the occasion of the store’s 50th anniversary, and remained active until 1975, three years after it became part of the Broadway-Hale department store chain. Bergdorf Goodman subsequently became a division of the Neiman Marcus group. The store has been at its present location at 58th Street and Fifth Avenue since 1928. Unlike other department stores, Bergdorf Goodman never expanded to include branches in the suburbs.

Bergdorf Goodman Inc. is a luxury goods department store based on Fifth Avenue in Midtown Manhattan in New York City. The company was founded in 1899 by Herman Bergdorf and was later owned and managed by Edwin Goodman, and later his son Andrew Goodman.

Bianchini-Férier (Firm)

  • US.20190412.006
  • Corporate body
  • 1889-

The textile firm was founded in 1889 in the city of Lyon—the center of French luxury textile production since the days of Louis XIV. Bianchini-Férier set the industry standard with innovative and novel fabrics and cultivated a close relationship with the couture industry. Many of their most innovative fabrics, such as silk charmeuse and crepe georgette, were designed specifically for their use in couture gowns. From 1912 to 1928, the company collaborated with artist and designer Raoul Dufy whose bold, distinctive patterns often played out within the pages of Gazette du bon ton. The company survives to this day, albeit under a different name: in 1992, it was taken over by Tissages Bauman and later by Cédric Brochier.

Bloomingdale's (Firm)

  • US.20181109-016
  • Corporate body
  • 1861 (date of establishment)

Bloomingdale's began in 1861 as a hoop-skirt shop run by brothers Joseph and Lyman G. Bloomingdale on the lower east side of Manhattan. Eventually moving to its current location at 59th and Lexington in 1886, the store is now an upscale department store featuring men and women's ready-to-wear, furnishings, accessories, jewelry, and cosmetics. This interview takes place at the beginning of a period of drastic change at Bloomingdale's, including extremely high employee turnover, changes in ownership, and the effects of an overall retail slump at the end of the 1980s. After over a decade of major promotional activity at Bloomingdale's, the financial year and a half after this interview, in May 1988, Campeau Corporation bought Bloomingdale's parent company, Federated Department Stores in a highly publicized and notorious leverage buyout. It is interesting to note that at the time of this interview, Bloomingdale's President Marvin S. Traub was soon to receive the "Person Who Makes the Difference" award from FIT, even as the department store was heading into serious financial troubles. Saks Fifth Avenue found itself in a similar position when it received the same award four years later amidst its highly publicized sale.

Board of Trustees

  • US.20180702.070
  • Corporate body
  • 1951 (date of establishment)

The Board of Trustees of the Fashion Institute of Technology establishes policies governing the college. Subject to the approval of the Board of Trustees of the State University of New York, the Board appoints the college president, approves curricula, approves budgets, establishes tuition and fees within legal limits, and approves sites and facilities. It is responsible for the care, custody, control and management of the college’s physical facilities. The Board sets policies and delegates to the president or her designees the responsibility for implementing them, including personnel policies; the creation of divisions, departments, and administrative and academic positions; rules governing student conduct; the use of college facilities by outside organizations; the admission of students; and the preparation of the budget. The Board also has such other powers and duties as provided by New York law or prescribed by the SUNY Board of Trustees.

By State law, there are sixteen trustees: eight are appointed by the college’s local sponsor, through the New York City Panel for Educational Policy; seven are appointed by the governor, but must reside in New York City; and one, a student at the college, is elected by the other students of the college. Other than the student trustee, all trustees appointed after August 5, 2003 have seven-year terms; trustees appointed previously had nine-year terms. The student trustee serves for one year but has the same parliamentary privileges, including the right to vote, as the other members. The Board selects its chair from among its voting membership.The first Board of Trustees meeting was held on 1951 November 5 where all oaths of office were administered by Justice Charles D. Breitel, Justice of the Supreme Court, First Judicial District. Dr. Lawrence L. Jarvie served as the first and temporary chair and then Max Meyer served as the first elected chair. Also elected was Mortimer Ritter as President of the College. The first Secretary of the Board was Shirley Goodman. Minutes are produced as a result of each meeting. In the early days of the College, the Board met much more frequently, as often as once a month whereas now, the Board meets four (4) times per year.

Calvin Klein, Inc.

  • US.20181012-020
  • Corporate body
  • 1968 (date of establishment)

Camille Roger

  • US.20190412.007
  • Corporate body
  • 1885-

Formed by its namesake in 1885, the millinery firm Camille Roger was considered one of the finest hat-making establishments in Paris for decades. Roger, herself, eschewed the limelight brought by the renown of her hats, and fostered a familial atmosphere within her establishment; her employees were fiercely loyal to their boss who demanded the utmost quality of workmanship and personally inspected each model produced. After her death in 1905, the house was headed by a succession of female directors, most notably Madame Prisca during the 1920s and 1930s.

Chambre Syndicale des Teinturiers

  • US.20190723.001
  • Corporate body
  • circa 1930s

Chambre Syndicale des Teinturiers was a professional organization which governed the dye trades in France.

Chéruit

  • US.20190412.009
  • Corporate body
  • 1900-1936

The Maison Cheruit was one of the premiere couture houses of the early 20th century, founded by Louise Chéruit in 1906. Chéruit was one of the original sponsors of the luxury fashion magazine Gazette du bon ton, and during WWI was one of a handful of couture houses that remained open. In 1914, a scandal regarding her Austrian lover forced Chéruit to flee Paris, leaving her business in the hands of Julie Wormser and Louise Boulanger. The house remained open, under the direction of various designers, until 1935 when Elsa Schiaparelli took over the premises for her own couture business.

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