Showing 1219 results

Authority record

Bader, Irving

  • US.20200328.014
  • Person
  • 1915-1996

Irving Bader, and his brother Nat, ran Originala, a high-end Seventh Avenue suit and coat house, founded by their father Louis Bader. The company went public in 1961.

Bader, Nat

  • US.20200328.015
  • Person
  • 1907-2000

Nat Bader, and his brother Irving, ran Originala, a high-end Seventh Avenue suit and coat house, founded by their father Louis Bader. The company went public in 1961.

Badgley Mischka (Firm)

  • US.20200804.019
  • Corporate body

Badgley Mischka is a fashion house launched by Mark Badgley and James Mischka in 1988. Their focus is on sophisticated and wearable evening wear and accessories.

Baghsarian, Arsho

  • US.20181012-011
  • Person

Arsho Baghsarian was born in Turkey to Armenian parents and immigrated to the United States in 1957, during her teen years, eager to study design. She would receive her Bachelor of Fine Arts degree with honors in fashion design From the Pratt Institute in New York in 1962.
That same year, after she competed in a competition for best student fashion design among the top ten fashion students in the country and received the prestigious annual N.Y. Fashion Designer Celanese Award, Baghsarian briefly designed sportswear on 7th Avenue. However, a phone call from former professor Laura Tosato Busgang was the catalyst that caused the young woman, who during adolescence had cut out and laced cardboard soles with bright ribbons, to begin what would become a successful career spanning more than forty-five years in the footwear industry. The phone call concerned a position with Genesco that was designed to reinvigorate it Christian Dior, a position Baghsarian gladly accepted in 1963. Six months later the Christian Dior division of Genesco merged with I Miller, another division of Genesco. Baghsarian took over design for the new label until 1969. Before leaving the label and pursuing other projects within the footwear industry, Baghsarian received the Pellon Award, as well as won the Leather Industries of America’s American Shoe Designer Award in the women’s best footwear category in 1968.
From 1969 to 1971, Baghsarian designed for Andrew Geller’s Etcetera & Adlib lines. After she teamed up with Jerry Miller and helped design his Margaret Jerrold and Shoe Biz lines. (Jerry Miller’s grandfather founded I. Miller, which he worked for until I. Miller was bought by Genesco and he started his own line.) She credits her fifteen years at the company as having a huge influence on her career years at the company run by Jerry Miller—credits him as having huge influence on her career since Miller’s Margaret Jerrold, Shoe Strings and Shoe Biz lines had her creating footwear in factories around the world from Spain to Italy to France and even becoming the first company to make fashion sandals at a price in mainland China. Miller was so impressed by Arsho’s work he created the Arsho for Shoe Biz label. The title of the line was fitting for a designer who did not remain behind the scenes and preferred instead to present her designs at trunk shows, such as at Lord & Taylor and Bonwit Teller and be on a first-name basis with customers.
In 1986 until 2008, Baghsarian designed for Stuart Weitzman & Company. During this time she also designed a couture line under the Arsho label, however, her talent led to Weitzman awarding her the label Arsho for Stuart Weitzman. She became the first full-time designer he collaborated with on his collection, which was not limited to casual stretch shoes, thongs, sneakers, mules, clogs, fur and mouton boots, bridal shoes and evening footwear complete with with pave stones and jeweled architectural heels. Within the company, Baghsarian was able to fully express her creativity, whether displaying her affinity for whimsical designs or her taste for glamor.
In January 2008, Baghsarian retired from the footwear industry and was inducted into Footwear News Hall of Fame. She now divides her time between Manhattan and Southhampton with her husband of more than forty years, fashion photographer and sculptor Avedis Baghsarian. Despite her retirement, she admits she will never stop designing.

Baldwin, Alec, 1958-

  • US.20200715.001
  • Person
  • 1958-

Alec Baldwin is an American actor, producer, director, writer.

Baldwin, Jim

  • US.20200404.027
  • Person
  • active 1970s

American fashion designer.

Balenciaga (Firm)

  • US.20180927-008
  • Corporate body
  • 1919 (date of establishment)

Balenciaga, Cristobal, 1895-1972

  • US.20180927-004
  • Person
  • 1895-1972

Cristobal Balenciaga (1895-1972) was a Spanish Basque fashion designer. He was a leading couturier in Spain. After moving to Paris during the Spanish Civil War, Balenciaga founded the Balenciaga fashion house, becoming renowned for his innovations in silhouettes and structural design. Although the House of Balenciaga closed following his death, it was later re-opened in 1986.

Balmain, Pierre, 1914-1982

  • US.20180927-005
  • Person
  • 1914-1982

Pierre Balmain (1914-1982) was the founder of the the Balmain fashion house in 1945. The House of Balmain was a leading post-war fashion house, dressing royalty and famous actresses. Balmain's designs are well-known for their graceful and classic silhouettes. Balmain also designed costumes for film and theatre, as well as a line of perfumes.

Barbier, George, 1882-1932

  • US.20180702.007
  • Person
  • 1882-1932

George Barbier was one of the great French illustrators of the early 20th century. Born in Nantes, France October 10, 1882, he was a student of J.P. Laurens at the Beaux-Arts and exhibited at the Salon des Humoristes in 1910 under the name of Edouard William. The following year he began working at the gallery of Boutet de Monvel. From 1912 to his death he regularly figured into Salon des Artistes Décorateurs and was the recipient of many prizes. For the next 20 years Barbier led a group from the École des Beaux Arts whom Vogue nicknamed "The Knights of the Bracelet"—a tribute to their fashionable and flamboyant mannerisms and style of dress. Included in this élite circle were Paul Iribe, Georges Lepape, Charles Martin, and his cousins Bernard Boutet de Monvel and Pierre Brissaud. He contributed to Gazette du Bon Ton, le Jardin des Dames et des Modes, Modes et Manières d'Aujourd'hui, Les Feuillets d'Art, Fémina, Vogue, and Comœdia Illustré. His career also included jewelry, glass, and wallpaper designs. Through the Max Weldy Studios he created a number of décors and costumes for the Folies Bergère and other music halls. He is credited with the costume for Rudolph Valentino in the movie Monsieur Beaucaire. In the mid 1920s he worked with Erté to design sets and costumes. In 1929 he wrote the introduction for Erté's acclaimed exhibition and achieved mainstream popularity through regular appearances in L'Illustration magazine. Barbier was also one of many artists who made a living illustrating limited "editions de luxe," intended to be collectors’ items due to their rarity and high standards of printing. Eagerly collected In France in the teens and twenties these classics and contemporary works were illustrated by leading artists of the day and often bound in lavish, specially designed bindings. Artists such as Guy Arnoux, George Barbier, Leon Benigni, Benito, Brunelleschi, Georges Lepape, Charles Martin, and Andre Marty found a lucrative demand for contributions which brought a considerable amount of prestige. The first book of this kind done by Barbier, in 1913, was an album of drawings of Nijinsky, the dancer, done in his various roles in the Ballets Russes. 1914 saw a similar album of Karsavina. Done mostly in black and white, it is in these that the similarity to Beardsley's style is most evident. After these albums, Barbier seemed to pull away from this style, using more color and less outlining to make his graphic statements. Barbier died in 1932 at the very pinnacle of his success.

One of the great French illustrators of the early 20th century, he was also a designer of theater and ballet costumes, a journalist and writer.
Barbier was born in Nantes, France and moved to Paris to study at the École des Beaux-Arts. There he studied alongside many of the fellow artists and illustrators later dubbed "The Knights of the Bracelet," by Vogue, which included Paul Iribe, Georges Lepape, and Charles Martin. Over the course of his career, he contributed to many popular journals of the day including Gazette du bon ton, Les feuillets d'art, Fémina, Vogue, and Comoedia Illustré. He created set designs and costumes for the Folies Bergère, and worked as an illustrator for artists’ books and “editions de luxe.” Very little documentation of Barbier’s personal life survives today; he died at the pinnacle of his success at the age of 50.

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