Colección SC.239 - Eric de Juan sketch collection, 1927-1989

Original Sketch by Eric De Juan for Josephine Baker's Stage Costumes Original Sketch by Eric De Juan for Josephine Baker's Stage Costumes Original Sketch by Eric De Juan for Josephine Baker's Stage Costumes Original Sketch by Eric De Juan for Josephine Baker's Stage Costumes

Área de identidad

Código de referencia

US NNFIT SC.239

Título

Eric de Juan sketch collection, 1927-1989

Fecha(s)

  • 1927-1989 (Creación)

Nivel de descripción

Colección

Volumen y soporte

24 linear feet, 2523 sketches

Área de contexto

Nombre del productor

Historia biográfica

Primary sources are conflicting as to whether half-French, half-Cuban Eric de Juan was born in Cuba or France, but ancedotal evidence suggests he spent time as a youth in both, being educated mainly in France. At the age of 15 he dismayed his parents with the proclamation that he intended to become a couturier. As the son of a wealthy family, he was expected to take over his father's successful import business. His grandmother— "a great French lady,"—felt differently, and backed her grandson's dream whole-heartedly, converting a portion of her sumptuous home into a workroom and salon for him. Perhaps fleeing from the Nazi occupation of Paris, sometime around 1939, de Juan established a couture house in Cuba, where he became known as the "Mainbocher of Havana." Here he says, "I was very spoiled there...It got so that I could choose my own customers," from the the millionaire glitterati who flocked to the popular resort destination during the 1940s and 1950s. After being jailed six times by Castro for his "association with wealthy clients," and having his business and property seized by the state—his home was converted into the Soviet Embassay—de Juan fled to the US in February of 1964. de Juan's first job stateside was with the noted 7th Avenue coat and suit manufacturer Ben Zuckerman. Three years later, de Juan would replace Leslie Morris as the inhouse designer for the Bergdorf Goodman custom salon; perhaps his friendship as a youth in Cuba with Nena Menach, who was to become Mrs. Andrew Goodman facilitated this opportunity. This arrangement was not to last long; the custom salon would close its doors for financial reasons in May of 1969. de Juan remained on at Bergdorf's for a short period, designing for the store's Plaza Collection. By the mid 1970s, de Juan had left New York for sunnier shores, setting up a custom shop on Seaview Avenue in Palm Beach, Florida. Socialites and heiresses would rely upon him for day and evening looks as well as the wedding gowns of their daughters until at least the mid-1980s. The full extent of de Juan's operations in Florida is unclear, but at this point he had been working in the fashion industry for at least five decades. Information regarding date of death cannot be found.

Historia archivística

This collection was a gift from Suzanne le Bienvenu to the Costume Institute at the Metropolitan Museum of Art.

Origen del ingreso o transferencia

This collection was donated by the Costume Institute at the Metropolitan Museum of Art to The Library of the Fashion Institute of Technology, Department of Special Collections and FIT Archives on 2011511.

Área de contenido y estructura

Alcance y contenido

This collection consists of over 2500 sketches by designer Eric de Juan, from 1927 through 1989. The sketches include several done for Josephine Baker in 1949, as well as sketches from de Juan's two years spent as the in-house designer for the Bergdorf Goodman custom salon. Some sketches from the Bergdorf Goodman custom salon have swatches attached.

Valorización, destrucción y programación

Acumulaciones

Sistema de arreglo

collections series folder

Área de condiciones de acceso y uso

Condiciones de acceso

Access is open to researchers by appointment at the Fashion Institute of Technology Library, Department of Special Collections and FIT Archives.

Condiciones

The Department of Special Collections and FIT Archives does not own copyright for all material held in its physical custody. It is the researcher's obligation to abide by and satisfy copyright law (http://www.copyright.gov/title17/92chap1.html#108) when copying or using materials (including digital materials) found in or made available from the department. When possible, the department will inform a researcher about the copyright status of material, the researcher's obligations with regard to such material, and, wherever possible, the owner or owners of the copyrights. Any and all reproduction of originals is at the archivist's discretion.

Idioma del material

  • inglés

Escritura del material

Notas sobre las lenguas y escrituras

Características físicas y requisitos técnicos

Rehoused 2014; portfolios disassembled

Instrumentos de descripción

Instrumento de descripción

Área de materiales relacionados

Existencia y localización de originales

The Library of the Fashion Institute of Technology, Department of Special Collections and FIT Archives, 27th St. at 7th Ave., NY, NY, USA, 10001

Existencia y localización de copias

Unidades de descripción relacionadas

Descripciones relacionadas

Área de notas

Identificador/es alternativo(os)

Puntos de acceso

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control de la descripción

Identificador de la descripción

Identificador de la institución

Reglas y/o convenciones usadas

AAT; ANSI; DACS; DCMI; ISAD(G); ISO; LoC; NISO; etc

Estado de elaboración

Nivel de detalle

Fechas de creación revisión eliminación

Idioma(s)

  • inglés

Escritura(s)

Fuentes

Nota del archivista

Arrangement, description, and/or archival processing by April Calahan and Melissa Perlzweig, FIT, NY, NY, USA.

Área de Ingreso