12 Archival description results for Handbags
12 results directly related Exclude narrower terms
- US NNFIT SC.211
Donated in March 2009, the Arsho Baghsarian shoe design collection comprises approximately 26 cubic feet (14 cubic feet for the sketches and 12 cubic feet for the sample shoes and embellishments). The collection contains 561 shoe prototypes (210 total pairs and 141 total single shoes), 9 original boxes, 4 accessories (2 pairs of Shin-Shams) and 4752 design sketches, some handbags but mostly shoes shown in profile. Many, especially during the later part of her career are sketch copies since the originals remain at the factory. The original sketches are done in pencil, ink and gouache and photocopied. Additionally, there are numerous fabric and leather swatches, samples of ornament and color charts, roughly 102 pattern pieces, 224 advertisements primarily from The New York Times and Footwear News, 47 photographs primarily from the Margaret Jerrold retrospective exhibition held at Lord and Taylor in 1982, assorted press clippings, and 43 spiral-bound shoe forecasts from the 1950’s and 1960’s from the Mademoiselle Shoe Company. This is undoubtedly an important collection due in part to Baghsarian’s artistry and sculptural sensibility. She was able to utilize and craft a wide variety of materials to produce throughout the world during a career that spanned more than forty years from 1963 through 2008. The range of materials makes the collection an important tool for conservation, while the collection of design sketches, actual shoe prototypes and marketing, sometimes in publications that have greatly transformed or no longer exist, gives students a sense of art marketing and fashion history.
- US NNFIT SC.FITA.184.108.40.206.4.7
- 1994 December 15
Part of Academic Affairs records
Ellen Goldstein, the Chair of the Accessories Design and Millinery Department, started with FIT’s Fashion Design Department as a part-time instructor. In 1981, the school received a federal grant for industries affected by imports and was able to start an accessories department. With additional support from the industry, the department has taken off. Goldstein explains her beginnings as a tapestry weaver and how she got into handbag design. She then describes the demographics of her department’s diverse student body. She discusses how both the 1-year and 2-year program are feeding the accessories industry and how FIT’s millinery program has revitalized an industry thought to be dead.
- US NNFIT SC.220.127.116.112
This folder contains a column on handbags and black and white photocopies of handbags by De Vecchi, Carlos Falchi, Joan and David, Barry Keiselstein-Cord, Tiffany & Co., Judith Leiber and a black and white portrait of Leiber with a selection of her bags.
- US NNFIT SC.187.1.176
Alligator purse, shoe and belt on Louis XV chair; B&W: graphite; Signed; Client Lord & Taylor
Stavrinos, George, 1948-
- US NNFIT SC.187.1.77
- circa 1980s
"Elizabeth Arden." Ad with head, purse and cosmetics; B&W: charcoal; Signed; Client Bonwit Teller
Crawford, Jay H.
- US NNFIT SC.187.1.177
Fendi handbag; B&W: graphite; Signed; Client Bergdorf Goodman
Stavrinos, George, 1948-