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Symposium records
US NNFIT SC.FITA.3.10.1.2.24 · folder · 2014
Parte de Academic Affairs records

Includes the papers and presentation delivered at the 2014 Symposium "Modes of Modernity The Ephemeral & the Eternal in 20th Century Fashion." The names of the presenters and the title of their presentations contained in this folder are: Jasmine Helm, "Abstract Becoming Modern: The Directoire Revival Style;" Diana Dalmas, "Period Films and the Decline of the Modern 1930-1953;" Danielle Morrin, "Clara Bow: The Rise and Fall of the Fashionable Flapper;" Tae In Ahn, "All that Glitters is not Gold: Shine in Modern Fashion;" Vanessa Garver, "Clothed in the Cosmos: Astronomy in Fashion and Textile Design, 1920-1945."

Susan Rietman interview, 2019 February 20
US NNFIT SC.FITA.3.20.4.9.10.23 · Item · 2019 February 20
Parte de Academic Affairs records

Alex Joseph, Managing Editor of FIT's Hue Magazine interviews Susan Rietman, a professor from FIT's Textile Service Design and Fabric Styling program. Susan recalls her childhood and how her life led to fashion, particularly how a serigraphy course led her into the field textiles. She talks about her mother's designer clothing collection that she has kept, and about her move to New York right after college in 1961. Her first job was with Leslie Tillet at "D.D. and Leslie Tillett" where she helped him design bathing suits, and custom fabric, including fabrics for the 1964 American Worlds Fair pavilions. She talks about her freelance work with Jack Lenor Larsen, and the shoe company she worked on with the Tillets called Shoe Fou, which led to her work for Magnin. She then talks about how she began teaching for the Textile Department at FIT in 1966, a year before the union was introduced, what the college looked like, as well as what the students were like at that time (beehive hairdos, patent leather mascara, classroom smoking), and how things have changed. She recounts her time as acting dean, and the transition the textile department made to using digital technology. She discusses her husband's art book store Jaap Rietman, and how she kept the books after the store closed. She finally discusses the first sustainable project conducted in the Textile program called SOS, Save our Surface, and about a book she's writing about a journalist's archive that was donated to her.

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