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Sketches by Albert Goudy and Julio Laffitte. Goudy's sketches of 1960s women's wear are in ink and watercolor. A few have fabric swatches attached. Laffitte's sketches of women's sportswear, eveningwear, and suits are in pencil and watercolor; many are dated 1947.

Sketches signed by John Paul Bozett, done on tissue paper in colored pencil and ink, are of eveningwear, suits and sportswear for women and date to the 1950s. A few sketches have fabric swatches are included.

Unsorted sketches of various media, patterns, fabric swatches, tear sheet, some of which are stamped on the back with John Paul Bozett.

Unsigned sketches of 1950s women's evening and sportswear, done on tissue paper in pencil and watercolors.

Unsigned sketches of 1950s women's evening and sportswear. These sketches are done on tissue or tracing paper in pencil and watercolor.

Sketches of women's eveningwear and sportswear (1950s-60s) done in a variety of media: ink, watercolor, and pencil. Each sketch is stamped "Made in France." Seven flat technical sketches of women's suits and coats (1940s) drawn to scale on graph paper with attached fabric samples and two patterns.

Unsigned sketches of women's suits and coats from the 1940s and 1950s.

Unsigned sketches of women's suits, coats, sportswear, and swimwear from the late 1940s, in pencil and/or watercolor. In several cases, it appears that signatures may have been purposely cut off of the sketches. Some sketches are grouped with letters from from Lea Thompson to Adam Gimbel, dated in 1947.

Correspondence from Gimbel-Saks Purchasing S.A. in Paris to Ms. Gimbel. The letters are dated 1950 and include reports detailing the colors, materials, and silhouettes employed by major French fashion designers. These letters originally accompanied sketches of French designs and many of the unsigned sketches bear numbers that, in some cases, correspond to the sketch numbers cited in the letters.