64 photographs, models #37-#91
80 photographs, models #1-#37
111 photographs, models #22-#74
51 photographs, models #1-#21
50 photographs, models #75-#105
14 photographs, models unnumbered
58 photographs, models #1-#24
48 photographs, models #48-#78
61 photographs, models #25-#47
78 photographs, models #1-#32
45 photographs, models #33-#47
45 photographs, models #48-#91
39 photographs, models #1-#17
36 photographs, models #18-#42
40 photographs, models #43-#69
21 photograph, models #69-#88, contains many fur coat designs
2 photocopies of the scrapbook cover
69 photographs, models #1-#44, mostly coats and walking suits; a clipping from 'Town and Country' advertising presentation of the line in a private viewing event; photocopy of a scrapbook cover.
50 photographs, models #45-#73; coats and walking suits end midway through, and dresses and gowns begin
57 photographs, models #73-#112
24 photographs
61 photograph, models #113-#140; some dresses, evening cloaks, wraps, and coats
22 photographs and 2 pages with orders listing prices.
10 (ten) loose photographs documenting ensembles, each encased in Mylar. There are seven photographs of full ensembles, one of which is mounted on Masonite. The remaining three photographs are of hat designs from 1919.
68 photographs, models #8-#41. There are many numbers missing, including numbers 9-11, 14, 17, 19, 23-25, 34, 36-37, 39-40, 43-44, and 46. Each ensemble is numbered and described, untitled.
20 photographs
10 photographs, numbered and described photographs #42, #45, #47 and #48.
77 photographs. The ensembles documented in this folder are numbered #1-#7, 11, 19, 25, 32, 35, 38, #43 -#65, and #67-#69.
77 photographs, models #48-#92; mostly dresses and gowns.
61 photographs, models #1-#23
50 photographs, models #58-#78
48 photographs, models #24-#39
62 photographs, models #40-#54
32 photographs, models #79-#102
52 photographs
96 photographs
26 photographs. The scrapbook that this material comes from was titled "McHorter". Evelyn McHorter's was Lucile Ltd. employee under Lady Duff Gordon, and took over the artistic control after Lucile left. These photographs were originally in the scrapbooks of fashion plates. There is no proof of significance of these sketches and Model Photographs being in the same volume, however, it may suggest that the designs were made by Evelyn McHorter, and represent a portfolio of her work.
Directional x01 - to locate moved material
12 phototransfers of sketches on two sheets of paper. These phototransfers are glued onto two leaves from a scrapbook, both of which hold three phototransfers per side. The official transfers are embossed with Lucile stamp and bear Lucile's signature and model title such as "No. 46 The Bleeding Heart".
78 photographs of sketches and phototransfers, several items dated, one Jan 1916, another 29th march 1916. There is also a Christmas card from 1909.
Directional x06 - to locate moved material
77 photographs of sketches, one item dated 12-Feb-1916, another 27th Feb 1916, some have notes with price such as "log $310".
44 photographs of sketches;
73 photographs of sketches and phototransfers, few items dated, one 29 March 1916, and one 1916
70 photographs of sketches and phototransfers, few items dated 1916, one 25 March, 1916. There are few photographs where the binding or an original sketch being pinned can be seen. Among the models "#48 "Venetia, #61 "Fair as Eve", #14 "Leap Gear", #69 "Sweet Lyra"
45 sketches, models #1-#60
51 sketches, models #1-#57
72 sketches, models #1-#65
43 sketches, models #1-#49, 10 annotated empty pages
30 sketches, models #51-#75, 8 annotated empty pages.
25 sketches .1-25. volume 72. All sketches are protected by Mylar sleeves.
15 sketches .26-40. volume 72. All sketches are encased in Mylar sleeves.
25 sketches .26-.50 of volume 71
30 sketches .51-.80. of volume 71
30 sketches .81-.110 of volume 71
26 sketches .1-.25 +1. unnumbered, volume 71
25 sketches .1-.25, volume .74
7 unannotated sketches
25 sketches .26-.50 of theatrical costumes, volume .74
Directional folder indicating location where original material can be seen