This folder is comprised of fashion photographs depicting Pauline Trigère designs.
This folder contains notes, a press release, and a 5x7 black and white photograph of a polka dot outfit.
This folder contains one page from Vogue.
This folder contains shedules of showings, lists of invitees and attendees, and correspondance pertaining to the American Designer Series showins held in January 1964. Designers participating in this showing include Little Craft, Helen Lee, Alyssa, Lilly Daché, Wells-Treister, Mollie Parnis, Christian Dior-New York, Anne Fogarty, Scassi for Martini, Oleg CAssini, Ship N'Shore, Castillo for Zacari, Luis Estevez, Adele Simpson, Frechtel, Ceil Chapman, Adolof, Bud Kilpatrick, Rudi Gernreich, Jerry Silverman, Herbert and Beth Levine, B.H. Wragge, Trigere, Warner Slimear, Pat Sandler, Stavropoulos, Dynasty of Hong Kong, Guastave TAssell, Ritter Furs, Ben Zuckerman, Geoffrey Beene, Mam'selle, Eric Lund for Dezon, Cathertne Scott, Jane Derby, John Moore, Jean Louis and Norman Norell.
This folder contains memberhip lists, correspondance, membership lists, press clippings, a bio for Robert di Mauro, press releases, and invitations for The Roundtable of Fashion Executives.
The Roundtable of Fashion ExecutivesThis folder contains eight 9 x 12 3/4" pencil and watercolor sketches of dresses, hats and coats. One 8 1/4x 10 1/2" pencil sketch of bodice and jacket variations and one 8 1/4x 10 1/2" pencil sketch of a dress stamped "Création Jacques Griffe."
Daché, Lilly, 1898-198948 photographs, models #48-#78
This folder contains miscellaneous photos of street scenes.
This folder contains Liz Claiborne fabric history reports from 1999.
This folder contains sketches of pencil, watercolor, and pen designs for womenswear.
Anonymous sketches, Spring 1956-Fall 1957
This folder contains 5 color, fine-quality bridal gown sketches on heavy board, as well as five fabric swatches.
This folder contains marketing records; as records are filed in numerical order by style number, data entries show costs for fabric/lining, yardage, notions, sundries, labor, total cost/item, total cost including markup.
This folder contains pencil, wash and pen sketches of designs for womenswear. Some sketches have handwritten descriptions: Palm Beach 1941.
This folder contains color photographs, film negatives, printouts and contact sheets.
This series contains personal artwork by Newey.
Photographs of professors and students desiging clothes, working on dress forms, doing research in museums, working in the design room, learning draping, making children's clothing, working from patterns, and sketching designs.
The records of Lawrence L. Jarvie include President's Reviews and programs from his inauguration.
Jarvie, Lawrence L.Contains two scrapbooks relating to the Lord and Taylor Advertising: 1) December 1943-April 1944 and 2) September-December 1944
This series consists of a single folder containing miscellaneous ads and press clippings which largely do not pertain to Lord & Taylor.
Fourth of four in Surreal Robe Series: robe with classical heads; Black and white: graphite and ink finished illustration; Signed
Lopez, Antonio, 1943-1987Alfred Sloan discusses his life growing up in NYC, his time in the service, and how he got to FIT.
Trivette, Karen JamisonThis folder contains 23 fashion plates from various publications. 2 Le monde elegant, women's 1960-1862; 1 L'Ami des dames, women's 1861; 1 La Toilette de Paris, women's, c. 1865; 4 Ladies' Fair, 1866; 9 Ladies' Friend, 1868-1869; 1 La gazette des dames et demoiselles, women's 1866; Journal des dames et demosielles, women's c.1865; 1 Allgemine Moden-Zeitung Liepzig, men's 1867; 3 unknown women's 1861-1868.
This folder contains a collection of letters from the FIT Jubilee.
This folder contains articles written for a syndicated column of fashion tips and forecasting for 1968.
Slides of runway show(s) by Azzedine Alaïa, spring/summer 1990.
Alaïa, AzzedineFramed 18 x 16" black and white photograph of model Pat Cleveland seated at the dinner table wearing a coat with a large fur collar and cuffs.
This folder contains tear sheets.
Detailed summary showing sound values of the Crown Mills One for each of the two mills.
This folder contains spiral-bound "Claiboards" detailing the Pre-Spring, Spring I, Spring II, Summer, Fall and Holiday 1992 collections.
This folder contains fall wools and dress, suit and coat sketches.
Sketches by Descat, 1947- Spring/Summer 1949
Research notes; Booton Herndon's article on Bergdorf's, published in Collier's
This bound scrapbook is comprised of press clippings and correspondence from 1933-1938 pertaining to women's fashions designed by Eta for "ETA, Incorporated." The letter announcing the incorporation of "Eta" dated June 23, 1933, and the dissolution of "Eta," dated April 29, 1938, are included.
This folder contains reorder charts and small sketches of models with fabric swatches attached.
The series is comprised of 13 black and white photographs.
Fath, Jacques, 1912-1954Volume 9 includes coverage of Mainbocher's designs for the theatre from 1947 to 1951. He dressed Tallulah Bankhead in Private Lives; Ruth Gordon for her roles in The Leading Lady, The Smile of the World and A Month in the Country; Ethel Merman in Call Me Madam; Elliott Nugent and Betty Field in Not for Children; and ?? in Point of No Return. Folders include a typed contents page, many of the original programs for these shows and articles from Flair and Newsweek magazines. This scrapbook also contains articles from The New York Times Magazine, Collier's, Life, New York Post Week-End Magazine and Vogue; handwritten notes to Mainbocher from actor Henry Fonda and playwright Russel Crouse; and telegrams from actress Mary Martin and producer Leland Hayward.
This folder contains photographs and correspondence relating to the Lord and Taylor elevator being featured in newsletter, as well as an article XXXX
Chair of the Textile Development and Marketing Department Ingrid Johnson discusses developments in textile studies since her start at FIT in 1981. Johnson notes that course work has evolved from a more science-oriented approach to one that favors reverse-engineering textiles to fit end-use applications. She then illustrates the end-use applications of various fibers. Johnson describes her work as a home furnishing fabric developer before being recruited by Arthur Price to join FIT, and goes on to discuss successful alumni placement at companies such as Liz Claiborne, J. Crew, and Patagonia. Johnson notes the complexity of international sourcing and product development, and then describes the invention of EcoSpun, a recycled polyester textile, patented by alumni of the program. She discusses close connections with the industry and professional organizations such as the Textile Distributors Association. Finally, she describes the demographics of FIT’s student body and how the school attracts students with its international reputation.
Johnson, Ingrid, 1951-Conducted by Estelle Ellis in the late 1980s into the early 1990s, this is a series of interviews of executives who worked for Saks Fifth Avenue throughout the 20th century. Interviewees discuss the goals of the store's president, Adam Gimbel, others they worked with, and the fashion retail industry, and the various experiences they had while working for Saks Fifth Avenue.
Interviewees include: Arnold Aronson, Bill Berta, Mel Jacobs, Allan R. Johnson, Paul Leblang, Helen O'Hagan, Jay Rossbach, Ellen Saltzman, Doris Shaw, Robert Suslow, Burton Tansky, Norman Wechsler, Charlotte Kramer, Sid Mayar, Janet Reese, and William Lucas
Articles and interview of Theodore Fred Kuper about the origins of the Fashion Institute of Technology (New York, N.Y.), conducted by the Oral History Research Office of Columbia University in 1969. "These reminiscences of Theodore Fred Kuper refer to the creation and development of the Fashion Institute of Technology, a Community College of the City of New York under the program of the University of the State of New York, together with the creation of the Educational Foundation for the Fashion Industry. The tape recording of these recollections was started on September 29, 1967 by Lionel White, Fashion Institute, serving as recorder for Columbia University Oral History Office and continued from time to time in California by Mr. Kuper until completion on August 15, 1969." Kuper describes the Fashion Institute of Technology (New York, N.Y.)'s roots in the immigrant-run garment industry. He details early leaders in its development, and how, under the leadership of personalities such as Shirley Goodman, they sought support and funding to expand the institution's reputation and place in New York City.
Columbia Center for Oral HistoryIn this interview, Bauer discusses his career as a male model, working first in Europe and then the United States from roughly 1968 through the early 1990s. Bauer discusses his professional and personal relationships with modeling industry insiders Jerry Ford, Joey Hunter, Nina Blanchard, and actress Barbara Stanwyck.
Bauer, BruceThis folder contains materials related to Pauline Trigère's Dear John advertisement campaign.
This folder contains Trigère Inc. purchase orders, labels, and invoices.
This folder contains the award program for the 1944 COTY awards.