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Press (1997-2009)
US NNFIT SC.FITA.3.7.9.2.2.6 · folder · 1997-2009
Parte de Academic Affairs records

This folder is comprised of miscellaneous press clippings dating from 1997 to 2009.

Symposium records
US NNFIT SC.FITA.3.10.1.2.12 · folder · 2009
Parte de Academic Affairs records

Includes the papers and presentation delivered at the 2009 Symposium "costume<3fashion Designers, Stars, and Muses of the New York Stage." The names of the presenters and the title of their presentations contained in this folder are: Aisling Joe, "Aline Bernstein: Grande Dame of Costume Design and Fashion History;" Alison Castaneda, "Theatrical Truth: The Role of Costume in Staging History." Presenter bios included.

Fashion catalogs
US NNFIT SC.483.2.2 · folder · 1935 - 2009
Parte de Robert Bryan collection, 1926- circa 2016

This folder contains vintage catalogs, the earliest featuring Richman Brothers 1935 Fall/Winter Styles. It also includes more recent catalogs, such as "The Genius of Charles James" from 1983, CFDA from 1985, David Chu, styled by Robert Bryan from 2008, Sebastien Meunier (2001-2002), Zac Posen (2002), Ralph Lauren (2005), JCPenney (2007), Benjamin Bixby (2008), John Bartlett (2009), Pendleton (2009), Aeve, and Alan Flusser.

Other fashion designers
US NNFIT SC.483.4.4 · folder · 1992-2009
Parte de Robert Bryan collection, 1926- circa 2016

This folder contains VHS tapes of Mark Baker fashion show in 1992, John Bartlett's Men's Fall 1998 fashion show, and DSquared Spring/Summer 1999 fashion show. It also includes a CD-R of John Bartlett Fall 2009 fashion show styled by Robert Bryan.

Press (2005-2009)
US NNFIT SC.FITA.3.7.9.2.2.4 · folder · 2005-2009
Parte de Academic Affairs records

This folder is comprised of miscellaneous press clippings dating from 2005 to 2009.

Symposium records
US NNFIT SC.FITA.3.10.1.2.11 · folder · 2009
Parte de Academic Affairs records

Includes the schedule of events, papers, and presentations delivered at the 2009 Symposium "costume<3fashion Designers, Stars, and Muses of the New York Stage" which occurred on Saturday, April 25, 2009 in partnership with the New York Public Library for the Performing Arts. The symposium coincided with the Library's Exhibition "Curtain Call: Celebrating a Century of Women Designing for Live Performance." Two pamphlet from the exhibition are included in the file. Seven Graduate Students from the Department of Fashion and Textile Studies: History, Theory, Museum Practice delivered presentations. Each presenter's paper and presentation is represented. Barbara Cohen-Statyner and Jane Greenwood delivered the welcoming addresses, but their presentations are not included in the file. The names of the presenters and the title of their presentations contained in this folder are: April Calahan, "Fashion or Fiction: Tina Leser and Park Avenue;" Ashley Frankel, "Drama King: Mainbocher's Most Demanding Role;" Jaclyn Lerner, "Valentina: Designing for the Stars" (presentation only); Alexis Walker, "Three Graces of Broadway: Ina Claire, Gertrude Lawrence, and Tallulah Bankhead;" Anne Reilly, "Fashionable Follies: Lucille's Designs for Ziegfeld."

2008
US NNFIT SC.418.27 · folder · 2008
Parte de UCE of FIT records, 1982-2011

This folder contains single copies of the Union News bulletin dated September and October 2008, a memo pertaining to the Equity Fund and a memo from Dr. Brown pertaining to adjunct pay.

Symposium records
US NNFIT SC.FITA.3.10.1.2.10 · folder · 2008
Parte de Academic Affairs records

Includes the advertisitng flyer, schedule of events, and papers delivered at the 2008 Symposium "Fashion and the Televised Woman" which occurred on Friday May 2, 2008. Fourteen Graduate Students from the Department of Fashion and Textile Studies: History, Theory, Museum Practice delivered presentations. The names of the presenters and the title of their presentations contained in this folder are: Nadine Stewart, "What Not to Wear on TV: The Image of the Professional Woman;" Alyssa Panetta, "You're Gonna Wear It After All: Fashion and the Single Career Woman;" Christina Pasquet, "Dynasty: Prime Time Power Play;" Ayse Weinberg, "Absolutely Fabulous? Fashion, Fad, & Satire;" Kristen Elizabeth Stewart, "Witch Dressing: Suburban Assimilation in Bewitched;" Julie Ann Orsini, "Dandies & Mods: Fashion in The Avengers;" Marjorie V. Jonas, "The Prisoner of Surreal Sportswear;" Whitney A. Jones, "Dressing Miss Solar System: The Jetsons & Space Age Fashion" (only presentation included); George Veale, "Fashion for Time Travel: The Companions of Dr. Who;" Emily Ripley, "Soul Train Fashion Parade;" Julianna Rose Dow, "My So-called Style: Identity in a Television High School;" Erica Scott, "Raised by Darren Starr: Fashion, Fiction, & Third-Wave Feminism;" Lubna Contractor, "Undercover Style: The Fashions of Alias;" Monica Murgia, "Death Defying Fashion: Pushing Daisies."

US NNFIT SC.211 · Colección · 1963-2008

Donated in March 2009, the Arsho Baghsarian shoe design collection comprises approximately 26 cubic feet (14 cubic feet for the sketches and 12 cubic feet for the sample shoes and embellishments). The collection contains 561 shoe prototypes (210 total pairs and 141 total single shoes), 9 original boxes, 4 accessories (2 pairs of Shin-Shams) and 4752 design sketches, some handbags but mostly shoes shown in profile. Many, especially during the later part of her career are sketch copies since the originals remain at the factory. The original sketches are done in pencil, ink and gouache and photocopied. Additionally, there are numerous fabric and leather swatches, samples of ornament and color charts, roughly 102 pattern pieces, 224 advertisements primarily from The New York Times and Footwear News, 47 photographs primarily from the Margaret Jerrold retrospective exhibition held at Lord and Taylor in 1982, assorted press clippings, and 43 spiral-bound shoe forecasts from the 1950’s and 1960’s from the Mademoiselle Shoe Company. This is undoubtedly an important collection due in part to Baghsarian’s artistry and sculptural sensibility. She was able to utilize and craft a wide variety of materials to produce throughout the world during a career that spanned more than forty years from 1963 through 2008. The range of materials makes the collection an important tool for conservation, while the collection of design sketches, actual shoe prototypes and marketing, sometimes in publications that have greatly transformed or no longer exist, gives students a sense of art marketing and fashion history.

Sin título
US NNFIT SC.211.1 · Serie · 1963-2008
Parte de Arsho Baghsarian shoe design collection, 1963-2008

Donated in March 2009 and currently housed in 9 boxes and 163 folders, the volume of Arsho Baghsarian shoe design sketch series is approximately 14 cubic feet (approximately 24000 sketches), which covers the complete output of Arsho Baghsarian from 1963 to 2008.
The series starts with a red pump sketch for Christian Dior dated back to 1963. This sketch is also the only Dior shoe sketch in this collection. Most original sketches are from 1960s to 1990s, which involve brands such as I.Miller, Andrew Geller, Shoebiz, and Arsho for Shoebiz. The original sketches were done in pencil, ink and gouache. The sketches for Stuart Weitzman (including Stuart Weitzman, Stuart, Arsho for Stuart Weitzman) account for approximately two-thirds of this series. Since the original sketches especially those in Arsho’s late career remain in the factory, the sketches of this part in the collection are photocopies. Arsho devotes her entire career and talents to shoe designs. She has designed the full spectrum of women’s footwear: from sandals to boots and from wedding slippers to sports shoes.
The range of materials makes the series an important tool for conservation, while the collection of design sketches, actual shoe prototypes and marketing, even those in publications that have been greatly transformed or no longer exist, give students a sense of art marketing and fashion history.

Sin título
2008
US NNFIT SC.418.28 · folder · 2008
Parte de UCE of FIT records, 1982-2011

This folder contains one copy of the Bargaining Agreement 2008-2018, two copies of a document detailing the conditions agreed upon in the 2008 Bargaining Agreement and a copy of the UCE for FIT benefits booklet dated March 2008.