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This folder contains press statements and releases.

This folder contains biographies of Jhane Barnes and Norma Kamali, 8x10" black and white portrait of Jhane Barnes and Norma Kamali with black and white negatives, and 8x10" black and white photographs of ensembles by Mary McFadden.

This folder contains a press release.

This folder contains an award program.

This folder contains correspondence, 8 x 10 black and white photographs of designer portraits and ensembles by the designers, and biographies of winning designers. Designers photographed include: Mollie Parnis, Halston, Trigere, David Evans, Calvin Klein, Adrian, Arnold Scaasi, Anna Potok, John Weitz, Thomas Brigance, Sydney Wragge, Bill Blass, and Willi Smith.

This folder contains correspondence, show schedules, show programs, press clippings, and press releases.

This folder contains a show program.

This collection contains black and white press photographs and tear sheets dating from 1933-1976.

This folder contains the personal resume/CV of Ethan Minsker, film submission to Oscilloscope Laboratories, and a business case study of the Antagonist Art Movement conducted by Judith E. McCaffrey.

This folder contains published paperbacks titled Rich Boy Cries for Momma and Barstool Prophets, Antagonist Press zine no. 3, East Coast Exchange articles written by ethan H. Minsker, and short illustrated works.

This folder contains artwork created by Ethan Minsker including drawings, book cover sketches, logo sketches for the Antagonist Art Movement, stickers, patches and modified photographs for The Man in Camo.

This folder contains a personal notebook of Ethan Minsker containing his sketches and personal notes. This folder also contains a copy of Dictionary of the Arts written by Martin L. Wolf which Minsker modified with drawings within the text.

This collection consists of original designer sketches, copies of sketches, advertisements, and related items Valerie Fuchs executed for the Aris Glove Company. Eight albums containing

This folder includes short gloves samples, several in machine washed leather, some with details which include crochet or contrasting color stitches and a few non-leather samples.

This folder contains loose files of glove design specs with details, along with some photocopies. A separate file of motif detail sketches. A few promotional layouts along with a proof. A single glove with swatch detail and misc. items-- 2 landscape paintings.

This folder contains loose files of promotional advertisements, catalogs, product tags and one color chart.

This folder contains sketches of pencil, wash and pen designs for children's clothing, some with swatches.

This folder contains sketches of pencil, wash and pen designs for girl's clothing. Some sketches include handwritten notes, embroideries and fabric samples. Also, included are pencil and color pencil sketches of appliques and animals, and magazine and newspaper clippings.

This folder contains sketches of pencil, wash and pen designs for girl's clothing. Also included is trim sample.

This folder contains sketches of pencil and wash designs for children's clothing. Also, included are pencil and wash sketches of striped fabric patterns.

This collection contains a diverse assortment of business and personal items pertaining to French-born fashion designer Pauline Trigère dating to 1939 - 2008 and encompassing the period of her New York fashion career, retirement and after her death in 2002. It includes fashion and personal photographs, marketing materials, tear sheets, correspondence, scrapbooks, original illustrations, packaging, (including hang tags and labels), two hand-drafted paper patterns, and philanthropic records, (including records of her involvement with the Fashion Institute of Technology). In addition to paper items, the collection includes her awards, various types of media such as slides, slide carousels and videocassettes, as well as fragrance bottles and packaging for her perfume Liquid Chic, Trigère brand hosiery in original packaging, three pairs of Beth Levine shoes, two suitcases, and a rustic La Tortue house-sign.

This folder includes digital copies of the papers and presentations delivered at the 2020 Symposium, which occurred completely online due to restrictions placed upon students and faculty due to the Coronavirus Pandemic, 2020. The names of the presenters and the title of their presentations contained in this folder are:

• Bobbi Wall - "Ruth Reeves’ Lasting Imprint on Modern American Fashion"
• Anna Lucia Uihlein: "Louella Ballerino: Fashioning California"
• Brynnea Irvine: "The Fall of Luxury: The Forgotten History of Farquharson & Wheelock"
• Molly Hartvigsen: "Tobé-Coburn School for Fashion Careers"
• Brigid Gerstenecker: "Elizabeth Hawes: Mass Production for the Millions?"

This interview opens with Mollie Parnis talking about her latest project, a prize for three young journalists that she began in memory of her son. She then segues into the origins of her company and her early biography. She commenced her career by designing blouses after being frustrated at the quality of the designs while working in a design showroom on Madison Avenue. The Parnis-Livingston company began in a studio Seventh Avenue about five-years after Mollie Parnis and Leon Livingston married in 1930, with Mollie designing and Leon managing the business needs. After her husband died in 1960 she closed the business for three-months. Diana Vreeland convinced Mollie to stay open by putting two of her sketches in Harper’s Bazaar. The name of the business remained Parnis-Livingston until 1970 when it changed to Mollie Parnis. She now has three divisions: Mollie Parnis, Inc.; Mollie Parnis Studio; and Mollie Parnis at Home. Upon success, she began doing philanthropic work, including a grant foundation called “Mollie Parnis Dress up Your Neighborhood”; scholarships at FIT and Parsons; and the aforementioned journalistic prizes. Topics touched on include: the impersonalization of the current fashion industry; her friendship with various First Ladies, including Mamie Eisenhower, Lady Bird Johnson, and Nancy Reagan; how the changes in the industry have necessitated changes in her business-model, including the prevalence of licensing from designers in the 1980s.

This collection consists of sketches, shoe patterns, embellishments, photographs, promotional materials, scrapbooks, and metal stamps from women's footwear company Seymour Troy Originals. The majority of the collection is undated, although it is estimated that most of it is from the 1930s and 1940s. At least one piece of promotional material is from yrto, and there is a scrapbook cover stamped with yrto. Previous documentation of the collection noted that some sketches were by other designers for Seymour Troy, and specifically named Emery Blau, Al Lewis, and "Cohen." It appears that the collection was added to after Seymour Troy's death, as there are at least two sketches dated 1977.

This collection consists of over 2500 sketches by designer Eric de Juan, from 1927 through 1989. The sketches include several done for Josephine Baker in 1949, as well as sketches from de Juan's two years spent as the in-house designer for the Bergdorf Goodman custom salon. Some sketches from the Bergdorf Goodman custom salon have swatches attached.

This folder contains two black and white 8x10 photographs of Cameo Fashions designs from the Summer 1966 collection with descriptions.

This series contains the files Lambert kept on designers, both client and non-client.

April Calahan, Curator of Manuscripts at the Special Collections and College Archives unit of the Fashion Institute of Technology library, interviews street style fashion photographer Jamel Shabazz. Mr. Shabazz talks of his life growing up in New York City as a child of divorce. He recalls how he started learning photography in Germany while serving in the armed forces. He began documenting his world in 1980 when he began taking photographs of young people who reminded him of his own life growing up, and found his camera facilitated his ability to engage with and mentor young people. He talks about the importance of mentorship, the trust that he honed between him and his subjects. He discusses how discounted clothing was often purchased from stores around Delancey and Orchard streets in the 1970s as well as other hubs where urban fashion originated from. He compares the photographic work he's done in the studio to his preference to shooting on the street. Calahan and Shabazz review the specific processes behind a number of Shabazz's favorite photographs. He finally discusses his respect for FIT, and his reasons for donating a collection of photographs to FIT's archive, and how important he believes photography is for documenting history. Alex Joseph, editor of Hue Magazine, joins in as interviewer to ask Mr. Shabazz about his personal clothing collection, which consists of pieces he designed himself or has kept over several decades, and which he uses in his fashion shoots. Finally, Mr. Shabazz recalls how fashion has changed over time.

In this interview, Rebecca Arnold interviews Gavrik Losey about his mother, American fashion designer Elizabeth Hawes.

Photocopied, pasted, and laminated articles, especially from Crain's New York Business, concerning retail business in Brooklyn and Brooklyn neighborhoods in terms of demographics and urban development. This folder also contains booklets from the City of New York's Department of City Planning concerning neighborhoods and revitalization in Brooklyn.

Photocopied, pasted, and laminated articles concerning retail business and urban planning in Manhattan, from 14th Street to 42nd Street and from 5th Avenue to the Hudson River. Folder includes articles from Crain's New York Business.

Five photocopied, pasted, and laminated articles concerning retail business and urban planning in Upper Manhattan (96th Street and above). Folder also includes a booklet from the New York Department of City Planning.

This folder contains a memorandum about fashion projects proposed to the NEA.

This folder contains correspondence, black and white portraits of unidentified individuals, fashion and jewelry designs, press releases.

Contains 61 fragile articles of correspondence from the 1890s, graduation announcement, poem-prayer book, pressed flowers, wedding invitations, 2 book marks, 2 spools of thread, 1 round silk or satin rigid ribbon, and photograph. Publications include E. Marcus Reynolds: Joy Taylor System; Teacher's College: The Domestic Art Review 1909; Boston Dress Cutting College, Directions for Harriet A Brown's Scientific Rules; Unity Union SS Library Catalogue of Books; National School Domestic Arts and Science brochure; Dormitory brochure; The Model House brochure.

This folder contains mid-length leather glove samples in several colors which include white, tan, black, etc. Examples of original glove packaging are included with some pairs.

This folder contains loose files of promotional advertisements, catalogs, product tags and one color chart.

Scrapbook containing a collection of short gloves; 2 singles & 7 pairs--finished product, along with a few newspaper clippings.

Scrapbook containing 22 pencil "doodles", 15 hand painted Christmas cards and 7 cartoon drawings--"Mature Lady".

This scrapbook contains sketches and hand painted artworks along with final print for advertisements, catalogs and tags. It also includes glove design specs with sample swatches.

This collection contains correspondence, newsletters and Bargaining Agreements pertaining to the operations of the United College Employees of FIT union.

Publications, blank and completed test answer sheets, and ephemera.

This folder contains correspondence, invitations, program production directions, press releases, and press clippings.

This folder contains five 8x10 black and white photographs, a copy of the panel discussion at the costume institute, correspondence, show schedules, and invitations.

This folder contains show programs, press clippings, correspondence, members lists, invoices,

This folder contains correspondence, and show programs.

This folder contains minutes of the meeting at the Demonico Hotel on June 11, 1969. Discussed is the CFDA fashion show for the United Nations.

This folder contains correspondence involving the committee members and honorary committee members of the CFDA. Included is correspondence on the 1971 presentation of "Fashion On Stage" and what shows are involved. Also included are members lists.

This folder contains correspondence, memo for show directions, press releases, a show program, an 8x10 black and white photograph, and members lists.

This folder contains correspondence, members lists, contact lists, award show check lists, show notes, and press releases in regards to the CFDA awards dinner.

This folder contains a draft of the letter sent to jury members for the CFDA awards.

This folder contains correspondence, jury lists, and questions regarding the finalization of jury.

This folder contains jury invitations and envelopes.

This folder contains a CFDA awards program.

This folder contains a large book of press clippings in relations to the CFDA awards and a program for the 1963 Washington DC fashion show.

This folder contains 8x10" black and white press photos, most with text press releases attached for : Adri, John Anthony, Geoffrey Beene, Bill Blass; Stephen Burrows, DDDominick, John Kloss, Kasper for Joan Leslie, Ralph Lauren, Rafael and Clovis Ruffin.

This folder contains correspondance, press releases, lists of attendees, catering bills and the menu for a banquet at the St. Regis, and schedules for the Fall 1963 American Designer showings. Also included are fifteen 8x10" black and white press photos for Gustave Tassell and Rudi Gernreich (as modeled by Peggy Moffitt) Designers represented in this folder are: Adolfo, Alyssa, Burke-Amey, Caprolan, Ciel Chapman, Geroge Carmel, Oleg Cassini, Lilly Daché, Jane Derby, Christian Dior-New York, Luis Estevez, Anne Fogarty, Harry Frechtel, Rudi Gernreich, Bud Kilpatrick, Koret, Helen Lee, Tina Leser for David Goodstein, Herbert and Beth Levine, Jean Louis, Mam'selle, Marquise, John Moore for Talmack, Norman Norell, Mollie Parnis, Edwin Pearl , Pellon, Leo Ritter for Ritter Brothers, Pat Sandler, Sarmi,Scaasi Couture, Scaasi for Martini, Ship N' Shore, Adele Simpson, Gustave Tassell, Jacques Tiffeau,John Weitz, Samuel Winston, and B.H.Wragge.