This folder contains various media including the original films The Dolls of Lisbon and Anything Boys Can Do. Movie posters, critic reviews, press clippings, promotional materials, and screening information are included in this folder.
This folder contains full size movie posters titled, The Man in Camo, This is Berlin not New York, and Self Medicated.
The interview covers O’Connell’s career as a professional model working internationally during the 1980s and early 1990s. O’Connell offers insight into the differing agency standards and working conditions she experienced as a model in countries such as Japan, Paris, Italy, Brazil, the United States, and Australia. At the end of the interview, O’Connell offers her perspective on the dangers and pitfalls that can plague many working models and offers her opinion on how booking agents can offer their clients more support and security.
Sans titreAlfred Sloan discusses his life growing up in NYC, his time in the service, and how he got to FIT.
Sans titreThis collection is comprised of 121 black marker millinery sketches and photographs.
Sans titreThis folder contains 51 8x10" color photographs of a runway presentation.
This folder contains 49 8x11" color photographs of a runway presentation.
This folder contains 79 8x10" color and photographs of a ensembles shot against a studio background.
This folder contains 55 8x11" color photographs of a runway presentation.
This folder contains 51 8x10" color and photographs of a runway presentation.
This folder contains 45 8x11" color photographs of a runway presentation.
This folder contains 36 8x11" color photographs of a runway presentation.
This folder contains 54 8x10" color and photographs of a runway presentation.
This folder contains 64 8x10" color and photographs of a runway presentation.
This folder contains 64 8x10" color and photographs of a runway presentation.
This folder contains 40 8x10" color photographs of a runway presentation.
This folder contains two copis of a seven-page list of looks presented in the Fall II 1982 collection indluing descriptions and prices and 61 8x10" color photographs of a runway presentation.
This folder contains 26 8x10" photographs of a runway presentation.
This folder contains 16 8x10" color and 1 black & white photographs of a runway presentation.
This folder contains 23 8x10" color photographs of a runway presentation and one black and white photocopy of images that appear to be from the same presentation, as well as one black and white photocopy of a sketch.
This folder contains 71 8x10" color and 1 black & white photographs of a runway presentation.
This folder contains 54 8x10" color and photographs of a runway presentation.
This folder contains 61 8x10" color photographs of a runway presentation and three black and white photocopies of images that appear to be from the same presentation.
This folder contains 24 8x10" photographs of a runway presentation.
This folder contains an seven-page list of looks presented in the Resort 1981 collection including descriptions and prices and 74 8x10" color photographs of a runway presentation. Some notations on rear of photographs read "Marked Liza."
This folder contains a nine-page list of looks presented in the Resort 1980 collection including descriptions and prices and 61 8x10" color photographs of a runway presentation.
This folder contains an eleven-page list of looks presented in the Fall 1980 collection including descriptions and prices and 65 8x10" color photographs of a runway presentation and two black & white photocopy of a images that appear to be from the same presentation.
This folder contains 59 8x10" color photographs of a runway presentation.
This folder contains 74 8x10" color photographs of a runway presentation and three black and white photocopies of images that appear to be from the same presentation.
This folder contains an eight-page list of looks presented in the Spring 1982 collection including descriptions and prices and 47 8x10" color photographs of a runway presentation.
This folder contains 43 8x10" color photographs of a runway presentation.
This folder contains 61 8x10" color photographs of a runway presentation.
This folder contains 121 sketches of millinery designs. Each sketch is rendered in black marker and measures 9x12". All sketches were labled Halston at the time of their creation.
This folder contains 45 8x10" color photographs of a runway presentation and one black and white photocopy of an image that appears to be from the same presentation.
This folder contains 42 8x10" color photographs of a runway presentation and one black and white photocopy of an image that appears to be from the same presentation. Most of these images are duplicates of images in folder US.NNFIT.SC.311.2.1.
This folder contains 121 sketches of millinery designs. Each sketch is rendered in black marker and measures 9x12". While 62 of the sketches were labled Halston at the time of their creation, the remaining 59 bear the designation of other fashion brands including Adele Simpson, Jerry Silverman, Partos, Luksus and Talmac. It is unclear if Halston designed these hats for other brands, or if they were created by the brands noted.
This folder contains 44 8x10" color photographs. 17 of these photographs are of a runway presentation and and there is one black and white photocopy of an image from the same presentation. There are 22 photographs of models shot against a studio background.
This collection is comprised of original fashion illustrations and other related materials documenting the work of illustrator Anneliese Kapp.
Sans titreAlex Joseph, Managing Editor of FIT's Hue Magazine interviews Roberta Elins, Professor in FIT's Advertising and Marketing Communications program, and President, United College Employees of FIT.
Sans titreJosie Natori, founder of The Natori Company, met with Phyllis Dillon to discuss her career as a lingerie designer. Growing up in the Philippines, Josie Natori was surrounded by go-getters; her father, aunts and uncles, and paternal grandmother were all successful entrepreneurs. Natori shares how after seven years of working on Wall Street, she no longer felt excited by it, leading her to look for a new career. She found it in fashion. At first, Natori bought and sold Fillipino-designed garments in the American market before growing her brand into one of the largest selling lingerie brands in the country. Natori treats her designs as clothes first; clothes that people just happen to sleep in. Discussing her growth into foreign markets, Natori shares her thoughts on changing times and the development of online shopping. Natori reveals that she finds designing lingerie so rewarding because it is such a personal set of garments for a woman to buy and (she hopes) loves
Sans titreAlex Joseph, Managing Editor of FIT's Hue Magazine interviews Susan Rietman, a professor from FIT's Textile Service Design and Fabric Styling program. Susan recalls her childhood and how her life led to fashion, particularly how a serigraphy course led her into the field textiles. She talks about her mother's designer clothing collection that she has kept, and about her move to New York right after college in 1961. Her first job was with Leslie Tillet at "D.D. and Leslie Tillett" where she helped him design bathing suits, and custom fabric, including fabrics for the 1964 American Worlds Fair pavilions. She talks about her freelance work with Jack Lenor Larsen, and the shoe company she worked on with the Tillets called Shoe Fou, which led to her work for Magnin. She then talks about how she began teaching for the Textile Department at FIT in 1966, a year before the union was introduced, what the college looked like, as well as what the students were like at that time (beehive hairdos, patent leather mascara, classroom smoking), and how things have changed. She recounts her time as acting dean, and the transition the textile department made to using digital technology. She discusses her husband's art book store Jaap Rietman, and how she kept the books after the store closed. She finally discusses the first sustainable project conducted in the Textile program called SOS, Save our Surface, and about a book she's writing about a journalist's archive that was donated to her.
Sans titreJudith Parkas, the Executive Vice President of FIT’s union, discusses her many roles at FIT. In addition to her union work, Parkas was a professor of Biology and Physical Anthropology as well as the project director of the Tech Prep Grant. Over the years, she helped develop and evolve FIT’s curriculum. She discusses the inception of the union and their early contentions with the Board of Trustees. There were also initial difficulties in unifying adjunct and full-time faculty, but Parkas emphasizes how the inclusivity of the union has been hugely beneficial in affecting change at the institution. She discusses how contracts have evolved to be more effective over time, especially thanks to Lou Stoller. She mentions affiliate unions such as the New York State United Teachers union and how FIT’s supportive working conditions have led to low turnover. Parkas talks about the school’s founding around the time of the G.I. Bill, and Shirley Goodman’s lasting legacy at FIT. While FIT’s deep connection with the city and the fashion industry has remained, the student body has become increasingly diverse and international over time. Parkas briefly discusses the differences between the Board of Trustees and the Educational Foundation. Parkas then discusses the development of a 4-year program at FIT, and goes on to describe the Tech Prep Grant that FIT procured from Cauley-Perkins. This program has allowed FIT to implement preparatory curriculum for mid-range high schoolers as well as secure summer employment. Parkas mentions distinguished alumni, and a couple fond memories of her own at FIT. She finishes the interview with a run down of her political involvement around the city.
Sans titreMildred Klare reflecting on Maurice Rentner.
Sans titreThis series consists of original miscellaneous illustrations by Anneliese Kapp.
This folder contains fashion illustrations by Anneliese Kapp primarily from the 1970s.
This folder contains fashion illustrations by Anneliese Kapp primarily from the 1970s.
This series consists of original fashion illustrations by Anneliese Kapp primarily from the 1970s.
This series consists of original fashion and miscellaneous illustrations by Anneliese Kapp primarily from the 1970s.
This folder consists of tear sheets from the New York Times dating between 1972-1974 depicting fashion illustration advertisements by Anneliese Kapp.
This folder consists of tear sheets from the New York Times dated 1971 depicting fashion illustration advertisements by Anneliese Kapp.
This folder consists of tear sheets from the New York Times dating between 1963-1970 depicting fashion illustration advertisements by Anneliese Kapp.
This series is comprised of tear sheets from the New York Times dating between 1963-1974 depicting illustrated fashion advertisements by Anneliese Kapp. The advertisements are primarily for Bloomingdale's.
This series consists of production materials used by Anneliese Kapp for illustrated fashion advertisements. This series includes copies of her illustrations on paper and photo negatives.