Affichage de 43 résultats

38 hand-colored carte de visite photographs of individuals and groups wearing European national dress.

This collection contains scrapbooks from 1949-1953. These scrapbooks include print ads, editorial copy, and biographical sketches. Photographs from 1949-1974 include portraits of Fath, Halpert and their wives, and highlights from the 1952 collection. It also contains press clippings regarding both men and their businesses.

15 sketches of both women’s wear and men’s wear reproduced in color. The sketches are dated from Fall/Winter 1982/83 to Fall/Winter 1992/93 and represent some of Mugler’s sportswear and eveningwear lines.

The Marimekko collection includes sample books of pattern designs, textile swatches, pictures of modeled garments, fashion catalogues for different seasons , leaflets, a brochure, few photographs and promotional items.

This folder contains a printed publication on Scotland, 1963.

This collections is comprised of seventeen (17) 18x16" black and white framed photographs by Bill Cunninham taken at the Grand Divertissement à Versailles in 1973. Persons featured in photographs include Marisa Berenson, Karen Bjornson, Alva Chinn, Dennis Christopher, Pat Cleveland, Bill Dugan, Heidi Lieberfarb, China Machado, Nancy North, Chris Royer, Ramona Saunders, and Andy Warhol. Also included in the collection are twenty-five (25) 17 x 11" original marker sketches by Halston and a program for the Grand Divertissement à Versailles.

17 framed 18 x 16" black and white photographs of the American participants during the Grande Divertissement à Versailles.

Framed black and white photograph of models and assistants backstage at the Grande Divertissements à Versailles.

Framed 18 x 16" photograph of Nancy North and Bill Dugan rehearsing onstage for the Grande Divertissements à Versailles.

Framed 18 x 16" photograph of model Nancy North rehearsing onstage for the Grande Divertissements à Versailles.

This collection of 32 bound volumes of fashion sketches from the London dress firm Whittingham and Humphrey, later Humphrey. The sketches are in pencil and/or ink. Some sketches have suggested materials and colors noted.

This collection consists of photographs, press clippings, exhibition brochures, personal papers, and sketches that relate to the career of Austrian artist Vally Wieseltheir.

This collection contains a diverse assortment of business and personal items pertaining to French-born fashion designer Pauline Trigère dating to 1939 - 2008 and encompassing the period of her New York fashion career, retirement and after her death in 2002. It includes fashion and personal photographs, marketing materials, tear sheets, correspondence, scrapbooks, original illustrations, packaging, (including hang tags and labels), two hand-drafted paper patterns, and philanthropic records, (including records of her involvement with the Fashion Institute of Technology). In addition to paper items, the collection includes her awards, various types of media such as slides, slide carousels and videocassettes, as well as fragrance bottles and packaging for her perfume Liquid Chic, Trigère brand hosiery in original packaging, three pairs of Beth Levine shoes, two suitcases, and a rustic La Tortue house-sign.

The photographs in this sub-series are personal or promotional images.

This collection is comprised of fashion show invitations from French couture houses and American fashion brands.

This collection contains printed Comme des garçons promotion materials dating to circa 1999-2012.

This folder contains promotional materials for events and exhibition catalogs for Ethan Minsker and the Antagonist Art Movement.

This collection consists of postcards with color lithograph fashion illustrations by Mela Koehler and Edouard Joseph Wimmer-Wisgrill on the face and Wiener Werkstätte graphics on the reverse. From a series of six designs by Koehler created on the occasion of a Wiener Werkstätte fashion show held in April 1911; cards number 518A, 519-522 and 523B. Wimmer-Wisgrill cards are numbered 865 and 868.

This collection contains catalogs and almanacs produced by the Parisian department store Le Bon Marché.

Includes the papers and presentation delivered at the 2010 Symposium "Americans in Paris: Designers, Buyers, Editors, Photographers, Models, and Clients in Paris Fashion." The names of the presenters and the title of their presentations contained in this folder are: Alexis Anselmi, "Bettina Ballard: In Her Paris Fashion, 1935-1945;" Gwendolyn Donahue, "J'ai Deux Amours: African American Influence on Paris Fashion;" Laura Mina, "The Fashion for Franklin: A New American in Paris."

Includes the schedule of events, summary of papers, presenters' bios, papers, and presentations delivered at the 2011 Symposium "Undressing the Fashionable Myth" which occurred on Saturday, May 7, 2011. Nine Graduate Students from the Department of Fashion and Textile Studies: History, Theory, Museum Practice delivered presentations. Each presenter's paper and presentation is represented. Denyse Montegut and Lourdes Font delivered the welcoming addresses, but their presentations are not included in the files. The names of the presenters and the title of their presentations contained in this folder are: Larissa Shirley, "Horsefeathers! The Fabled Flapper;" Clara Berg, "The Rise and Fall of the Hemline Index;" Jessica M. Barber, "Stripped to the Bone: Myths About Corsetry;" Cassidy Percoco, "The Greek Myths of Fashion: from Antiquity to the Present;" Mariana Nannarone, "Another Look at the New Look."

Includes the papers and presentation delivered at the 2016 Symposium The names of the presenters and the title of their presentations contained in this folder are: Elisa Koizumi "Imagining a Revolution: a case study, The Black Panthers" ; Taylor Elyse Anderson "Tragedy, Sensationalism, and Cloth: A Theoretical Look at Jacqueline Kennedy's Pink Suit" ; Ilene Hacker "Jacques Estrel's 1971 Collection and the Gender Crisis of the 1970s" ; Doris Domoszlai-Lantner "Constructing A Soviet Narrative: Jean Paul Gaultier's Russian Constructivist Collection, 1986" ; Naomi Sosnovsky "I Gave Gold for Iron: Theme of Patriotism in Berlin Ironwork Jewelry" .

Includes the papers and presentation delivered at the 2019 Symposium. The names of the presenters and the title of their presentations contained in this folder are: Anna Muller "Counterculture, Craft, and Feminine Power: Crochet from 1966-1976" ; Monica Geraffo "DIY-stopia: Archizoom's 'Dressing Design' and 'Dressing is Easy' and the Paradox of Hand Sewing in Technological Utopias" ; Megan Gillen "The Honeycomb Stitch: Smocking on Garments from 1887 to 1910" ; Faith Cooper "Punk of the 1970s: Crafting an Image and Identity" ; Emily Nissen "Identifying Out: WLW T-shirts in the Post Stonewall World" ; Andrea Moreno "Decorating the Body: French Art Nouveau Jewelry" ; Avery Novitch "The Woman's Institute: Crafting a New Approach to Home Economics" ; Jessica Sachs "May Morris: Designer, Embroiderer, Educator" .

This folder includes digital copies of the papers and presentations delivered at the 2020 Symposium, which occurred completely online due to restrictions placed upon students and faculty due to the Coronavirus Pandemic, 2020. The names of the presenters and the title of their presentations contained in this folder are:

• Bobbi Wall - "Ruth Reeves’ Lasting Imprint on Modern American Fashion"
• Anna Lucia Uihlein: "Louella Ballerino: Fashioning California"
• Brynnea Irvine: "The Fall of Luxury: The Forgotten History of Farquharson & Wheelock"
• Molly Hartvigsen: "Tobé-Coburn School for Fashion Careers"
• Brigid Gerstenecker: "Elizabeth Hawes: Mass Production for the Millions?"

In this interview Brainard reflects on her career as a model working first in the United States, and then Europe during the late 1960s and early 1970s. Brainard begins the interview by discussing how she was discovered during her junior year of university, and how this led to occasional commercial work modeling sportswear. Brainard discusses how after college, she first worked as a photographer’s assistant for the photographer John Cochran before beginning her career as a professional model with the Ford Model agency. Brainard reflects on the year and a half she spent modeling in New York, commenting on working conditions for models at that time, and mentioning some of her favorite campaigns for Rheingold beer and the clothing company, Peck and Peck. Brainard then goes on to discuss moving to Europe, and the rest of the interview mostly focuses on her experiences modeling in Europe. Throughout the interview, Brainard provides commentary on the differences between working as a model in New York versus working as a model in Europe during the late 1960s and early 1970s. Present throughout the interview, but not shown on screen, is Brainard’s longtime friend and fellow Ford model, Linda Morand.

One photocopied and pasted page from International Designer Directory concerning the apparel firm Balenciaga.

Two articles concerning the apparel firm Burberry, one pasted from New York Daily News and one photocopied from Savvy.

Three photocopied, pasted, and laminated articles concerning the apparel firm Chanel.

Four photocopied, pasted, and laminated articles concerning the apparel firm Christian Lacroix.

Photocopied, pasted, and laminated articles concerning the apparel firm Christian Dior, as well as promotional literature.

Five photocopied, pasted, and laminated articles concerning the apparel firm Escada.

One laminated article from New York magazine concerning the apparel firm Giorgio Armani. Folder also contains one souvenir program from a 1990 exhibit at FIT.

Four photocopied, pasted, and laminated articles concerning the apparel firm Givenchy, including two articles from California Apparel News.

Nine photocopied, pasted, and laminated articles concerning the apparel firm Laura Ashley, including articles from Crain's New York Business.

One laminated article from The New Yorker concerning the apparel firm Prada.