One laminated article from The New Yorker concerning the apparel firm Prada.
Nine photocopied, pasted, and laminated articles concerning the apparel firm Laura Ashley, including articles from Crain's New York Business.
Four photocopied, pasted, and laminated articles concerning the apparel firm Givenchy, including two articles from California Apparel News.
One laminated article from New York magazine concerning the apparel firm Giorgio Armani. Folder also contains one souvenir program from a 1990 exhibit at FIT.
Five photocopied, pasted, and laminated articles concerning the apparel firm Escada.
Photocopied, pasted, and laminated articles concerning the apparel firm Christian Dior, as well as promotional literature.
Four photocopied, pasted, and laminated articles concerning the apparel firm Christian Lacroix.
Three photocopied, pasted, and laminated articles concerning the apparel firm Chanel.
Two articles concerning the apparel firm Burberry, one pasted from New York Daily News and one photocopied from Savvy.
One photocopied and pasted page from International Designer Directory concerning the apparel firm Balenciaga.
Includes the papers and presentation delivered at the 2019 Symposium. The names of the presenters and the title of their presentations contained in this folder are: Anna Muller "Counterculture, Craft, and Feminine Power: Crochet from 1966-1976" ; Monica Geraffo "DIY-stopia: Archizoom's 'Dressing Design' and 'Dressing is Easy' and the Paradox of Hand Sewing in Technological Utopias" ; Megan Gillen "The Honeycomb Stitch: Smocking on Garments from 1887 to 1910" ; Faith Cooper "Punk of the 1970s: Crafting an Image and Identity" ; Emily Nissen "Identifying Out: WLW T-shirts in the Post Stonewall World" ; Andrea Moreno "Decorating the Body: French Art Nouveau Jewelry" ; Avery Novitch "The Woman's Institute: Crafting a New Approach to Home Economics" ; Jessica Sachs "May Morris: Designer, Embroiderer, Educator" .
Includes the papers and presentation delivered at the 2016 Symposium The names of the presenters and the title of their presentations contained in this folder are: Elisa Koizumi "Imagining a Revolution: a case study, The Black Panthers" ; Taylor Elyse Anderson "Tragedy, Sensationalism, and Cloth: A Theoretical Look at Jacqueline Kennedy's Pink Suit" ; Ilene Hacker "Jacques Estrel's 1971 Collection and the Gender Crisis of the 1970s" ; Doris Domoszlai-Lantner "Constructing A Soviet Narrative: Jean Paul Gaultier's Russian Constructivist Collection, 1986" ; Naomi Sosnovsky "I Gave Gold for Iron: Theme of Patriotism in Berlin Ironwork Jewelry" .
Includes the schedule of events, summary of papers, presenters' bios, papers, and presentations delivered at the 2011 Symposium "Undressing the Fashionable Myth" which occurred on Saturday, May 7, 2011. Nine Graduate Students from the Department of Fashion and Textile Studies: History, Theory, Museum Practice delivered presentations. Each presenter's paper and presentation is represented. Denyse Montegut and Lourdes Font delivered the welcoming addresses, but their presentations are not included in the files. The names of the presenters and the title of their presentations contained in this folder are: Larissa Shirley, "Horsefeathers! The Fabled Flapper;" Clara Berg, "The Rise and Fall of the Hemline Index;" Jessica M. Barber, "Stripped to the Bone: Myths About Corsetry;" Cassidy Percoco, "The Greek Myths of Fashion: from Antiquity to the Present;" Mariana Nannarone, "Another Look at the New Look."
Includes the papers and presentation delivered at the 2010 Symposium "Americans in Paris: Designers, Buyers, Editors, Photographers, Models, and Clients in Paris Fashion." The names of the presenters and the title of their presentations contained in this folder are: Alexis Anselmi, "Bettina Ballard: In Her Paris Fashion, 1935-1945;" Gwendolyn Donahue, "J'ai Deux Amours: African American Influence on Paris Fashion;" Laura Mina, "The Fashion for Franklin: A New American in Paris."
This folder contains promotional materials for events and exhibition catalogs for Ethan Minsker and the Antagonist Art Movement.
This folder contains a printed publication on Scotland, 1963.