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Archival description
Symposium records
US NNFIT SC.FITA.3.10.1.2.36 · digital folder · 2021
Part of Academic Affairs records

This folder includes digital video presentations and the symposium invitation graphic delivered by the Fashion Textiles Studies Symposium 2021: Wiggle Room - The Lived Experience of Dress, which occurred completely online due to restrictions placed upon students and faculty due to the Coronavirus Pandemic.

Presentations include

  • “I Was a Mighty Dressed Up Bride”: Wedding Dress in the WPA Narratives by Kenna Libes;
  • “Hippety-Hop, I'm a Bunny”: An Examination of the Objectification of the Female Body Through the Bunny Costume by Ellen Greene;
  • Building the Wardrobe that Lasts: The Aesthetic Formula of 1970s Fashionable Anti-Fashion, by Alina Osokina;
  • Afropunk: A Carnival of Fashion Consciousness by Christianna Rice
Symposium records
US NNFIT SC.FITA.3.10.1.2.35 · digital folder · 2020
Part of Academic Affairs records

This folder includes digital copies of the papers and presentations delivered at the 2020 Symposium, which occurred completely online due to restrictions placed upon students and faculty due to the Coronavirus Pandemic, 2020. The names of the presenters and the title of their presentations contained in this folder are:

  • Bobbi Wall - "Ruth Reeves’ Lasting Imprint on Modern American Fashion"
  • Anna Lucia Uihlein: "Louella Ballerino: Fashioning California"
  • Brynnea Irvine: "The Fall of Luxury: The Forgotten History of Farquharson & Wheelock"
  • Molly Hartvigsen: "Tobé-Coburn School for Fashion Careers"
  • Brigid Gerstenecker: "Elizabeth Hawes: Mass Production for the Millions?"
Symposium records
US NNFIT SC.FITA.3.10.1.2.25 · folder · 2015
Part of Academic Affairs records

Includes the advertisitng flyer, schedule of events, papers, and presentations delivered at the 2015 Symposium "Acts of Fashion: Inspiration, Imitation, Appropriation" which occurred on Saturday, May 9, 2015. Eleven Graduate Students from the Department of Fashion and Textile Studies: History, Theory, Museum Practice delivered presentations. Each presenter's paper and presentation is represented. Panelists Sass Brown, Ariele Elia, and Lucille A. Roussin presented as part of a council, but their presentations are not included in the files. The names of the presenters and the title of their presentations contained in this folder are: Hannah Adkins, "Le Vrai et le Faux Chic: Translation and Interpretation;" Sarah Finley, "Paris in Ohio: An Analysis of a Poiret Personal Print;" Jennifer Nieling, "Imitation and Innovation: Rayon's Identity Crisis as Artificial Silk; "Joy Davis, "Majo Splendor: Inspiration from an Iberian Subculture;" Christine Hopkins, "Guilty Kilts and Plundered Plaid: The Appropriation of Tartan in Fashion;" Kristine Engemann, "Fighting with Pretty: Violence, Appropriation, and Mardi Gras Indian Dress."