Affichage de 9 résultats

This folder includes digital copies of the papers and presentations delivered at the 2020 Symposium, which occurred completely online due to restrictions placed upon students and faculty due to the Coronavirus Pandemic, 2020. The names of the presenters and the title of their presentations contained in this folder are:

• Bobbi Wall - "Ruth Reeves’ Lasting Imprint on Modern American Fashion"
• Anna Lucia Uihlein: "Louella Ballerino: Fashioning California"
• Brynnea Irvine: "The Fall of Luxury: The Forgotten History of Farquharson & Wheelock"
• Molly Hartvigsen: "Tobé-Coburn School for Fashion Careers"
• Brigid Gerstenecker: "Elizabeth Hawes: Mass Production for the Millions?"

The Museum at FIT records are arranged into six (6) series; they are Administrative records, Exhibition records, Promotional material, Symposia records, Correspondence, and Fashion Culture records.

This collection is comprised of original sketches and photographs, business and promotional materials, and materials related to the fashion career of George Simonton as well as his work at the Fashion Institute of Technology.

Photographs of professors and students desiging clothes, working on dress forms, doing research in museums, working in the design room, learning draping, making children's clothing, working from patterns, and sketching designs.

Stan Herman discusses his career as a fashion designer starting in the mid century and continuing into the 2010s with a successful design business for QVC.

This interview opens with Mollie Parnis talking about her latest project, a prize for three young journalists that she began in memory of her son. She then segues into the origins of her company and her early biography. She commenced her career by designing blouses after being frustrated at the quality of the designs while working in a design showroom on Madison Avenue. The Parnis-Livingston company began in a studio Seventh Avenue about five-years after Mollie Parnis and Leon Livingston married in 1930, with Mollie designing and Leon managing the business needs. After her husband died in 1960 she closed the business for three-months. Diana Vreeland convinced Mollie to stay open by putting two of her sketches in Harper’s Bazaar. The name of the business remained Parnis-Livingston until 1970 when it changed to Mollie Parnis. She now has three divisions: Mollie Parnis, Inc.; Mollie Parnis Studio; and Mollie Parnis at Home. Upon success, she began doing philanthropic work, including a grant foundation called “Mollie Parnis Dress up Your Neighborhood”; scholarships at FIT and Parsons; and the aforementioned journalistic prizes. Topics touched on include: the impersonalization of the current fashion industry; her friendship with various First Ladies, including Mamie Eisenhower, Lady Bird Johnson, and Nancy Reagan; how the changes in the industry have necessitated changes in her business-model, including the prevalence of licensing from designers in the 1980s.