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Gordon Cooke interview, 1986 November 5
US NNFIT SC.FITA.3.20.4.9.3.1 · Unidad documental simple · 1986 November 5
Parte de Academic Affairs records

This interview takes place at a time when Bloomingdale's President Marvin S. Traub was being awarded the "Person Who Makes the Difference" award from the Fashion Institute of Technology. Gordon Cooke discusses the various ways in which Traub's style of leadership and business has made a difference in Bloomingdale's success not just as a department store but as an innovator in the world of promotions and business relations. Cooke uses Bloomingdale's country promotions as examples of Traub's creativity and insight regarding promotions. Cooke discusses the team-syle development of ideas, describing the equal value placed on promotions, design, sales, etc. as being instrumental in the creative development of Bloomingdale's. Cooke credits Bloomingale's with opening up trade with various countries before even the U.S. government had fully developed trade with these countries. Finally, Cooke talks about Traub's collaboration with both established and cutting-edge artists in advertisements and promotions.

Sin título
Miscellaneous, undated
US NNFIT SC.105.7.1 · folder
Parte de Seymour Troy collection, 1936-1977, bulk 1936-1940

This folder contains a paper placemat, dress sketches, what appears to be a mockup for a print ad, an internal order form, and two 2-D models of shoes made of suede and leather, one undated and one dated 1964.

Sin título
Hattie Carnegie Menswear Sketch
US NNFIT SC.242.2.1 · Unidad documental simple · 1940-1955
Parte de Hattie Carnegie sketches, 1940-1955

This is a Hattie Carnegie Menswear sketch for her boutique on 49st in NYC. High-waisted pleated trousers with a fitted waist and relaxed fit pant leg and a pointed collar button down shirt.

Sin título
US NNFIT SC.211.1 · Serie · 1963-2008
Parte de Arsho Baghsarian shoe design collection, 1963-2008

Donated in March 2009 and currently housed in 9 boxes and 163 folders, the volume of Arsho Baghsarian shoe design sketch series is approximately 14 cubic feet (approximately 24000 sketches), which covers the complete output of Arsho Baghsarian from 1963 to 2008.
The series starts with a red pump sketch for Christian Dior dated back to 1963. This sketch is also the only Dior shoe sketch in this collection. Most original sketches are from 1960s to 1990s, which involve brands such as I.Miller, Andrew Geller, Shoebiz, and Arsho for Shoebiz. The original sketches were done in pencil, ink and gouache. The sketches for Stuart Weitzman (including Stuart Weitzman, Stuart, Arsho for Stuart Weitzman) account for approximately two-thirds of this series. Since the original sketches especially those in Arsho’s late career remain in the factory, the sketches of this part in the collection are photocopies. Arsho devotes her entire career and talents to shoe designs. She has designed the full spectrum of women’s footwear: from sandals to boots and from wedding slippers to sports shoes.
The range of materials makes the series an important tool for conservation, while the collection of design sketches, actual shoe prototypes and marketing, even those in publications that have been greatly transformed or no longer exist, give students a sense of art marketing and fashion history.

Sin título
US NNFIT SC.FITA.3.20.4.9.12.1 · Unidad documental simple · 1984 November 1
Parte de Academic Affairs records

Rosalind Snyder, Founder Dean Emeritus 1944-1963 of FIT, discusses the Institute’s inception at the Central High School of Needle Trades, it’s founding vision, and it’s progression to a college-level institution. Snyder describes the educational trajectory that led to her initial post as Assistant Director alongside Dr. Mortimer Ritter at the Fashion Institute of Technology (New York, N.Y.). She describes the early demographics of students and the evolution of the Fashion Institute of Technology (New York, N.Y.)’s curriculum and educational policy, detailing close relationships with the fashion industry itself. Snyder discusses the spirit of collaboration and creativity in the early days of the Fashion Institute of Technology (New York, N.Y.), listing founding educators and innovators who helped the Institute flourish. Snyder pays particular attention to the 1950s wherein the Fashion Institute of Technology (New York, N.Y.) found a home on 27th street and, in 1951, was authorized as a community college; cementing its status as an academic institution of note. Snyder retired from her post in 1963, but asserts her continued belief in the permanence of the Fashion Institute of Technology (New York, N.Y.)’s unique vision of creative exploration.

Commencement programs, 1946-2018
US NNFIT SC.FITA.5.2.6.1 · sub-sub-series · 1946-2018
Parte de Institutional Advancement and External Relations records

The commencement programs document the order of exercises and the names of graduates, including which graduates received honors or awards. Starting in 2003, the programs also include a history of the academic costume, and starting in 2011, the programs include a letter from the current president of the college, the history of the college and its commencement traditions, and a message from the office of alumni relations. From 2011 to 2015, the programs include short biographies of the guest speakers and honorees. In 1946, commencement included the student fashion show.

Commencement programs from 1947-1951 and 1953-1955 are not included.

Designs, 1973-2011
US NNFIT SC.332.1 · Serie
Parte de Stephen Burrows collection, 1969-2012

This series contains designs by Stephen Burrows in the form of sketches (both xerox scans and originals), fashion photographs of designs, and perfume designs/materials (1974-1975).

Film records
US NNFIT SC.479.1.1 · folder · 1996-2011
Parte de Ethan Minsker collection, 1990-2021

This folder contains original screenplays written by Ethan H. Minsker titled Sunday Service, Killing the Messenger, and The Stick Up Artist or Steal Drive.

Personal and professional records
US NNFIT SC.479.2.1 · folder · 2009-2015
Parte de Ethan Minsker collection, 1990-2021

This folder contains the personal resume/CV of Ethan Minsker, film submission to Oscilloscope Laboratories, and a business case study of the Antagonist Art Movement conducted by Judith E. McCaffrey.

Original works and sketches
US NNFIT SC.347.2.1 · folder
Parte de Valerie Fuchs collection, 1940-1986

This folder contains loose files of glove design specs with details, along with some photocopies. A separate file of motif detail sketches. A few promotional layouts along with a proof. A single glove with swatch detail and misc. items-- 2 landscape paintings.

John Paul Bozett sketches
US NNFIT SC.40.1 · Serie · circa 1950s
Parte de Sophie of Saks Fifth Avenue sketches

Sketches signed by John Paul Bozett, done on tissue paper in colored pencil and ink, are of eveningwear, suits and sportswear for women and date to the 1950s. A few sketches have fabric swatches are included.

Sin título
US NNFIT SC.400.1 · folder · 1943-1967
Parte de Madame Eta collection, 1933-1967

This folder contains the pages of a deconstructed scrapbook comprised of press clippings from 1943-1967 pertaining to women's fashions designed by Eta. The Greek Revival gowns of 1944 are featured, as well as sketches and press relating to the Metropolitan Museum of Art exhibit, "The Greek Revival in the United States," which featured Madame Eta designs. The folder also contains correspondence from Metropolitan Museum of Art and the Museum of Fine Arts in Boston pertaining to Madame Eta donations to their institutions.