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Descripción archivística
Ford Models Inc., 1936-2014
US NNFIT SC.478 · Colección · 1936-2014

This collection is comprised of 32 folders containing the archives of the Ford Models, Inc. There are press clippings from 1936-2012, correspondence, public relations, Eileen Ford's speeches and book manuscripts, the Ford Book look books, as well personal information. Additionally there is more detailed information about Ford Models, Vendela, and Ted Dawson.

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Photographs, probably 1970s
US NNFIT SC.FITA.0.3.1.6 · folder · 1970-1979
Parte de FIT general historical material

Random assortment of photographs. Several copies of a photograph of Madeline Wilson, FBM 1970, who was the runner-up for Miss Black America. Photograph of a group of students at the Carnegie Mansion in period costume. Photograph of students holding signs displaying the names of their departments. Contact sheet of janitorial staff and a woman and man with a dog exiting a building.

US NNFIT SC.187 · Colección · 1913-

The Frances Neady collection of Original Fashion Illustrations was established in 1984 to honor its namesake, an inspirational teacher of fashion illustration. The collection encompasses over a century of fashion art. Its earliest example, a watercolor by Pierre Brissaud for Gazette du Bon Ton, is dated 1913; its most recent donation is by contemporary artist Ruben Toledo. Among other stars represented in the collection are Eric (Carl Erickson), René Bouché, Dorothy Hood, George Stavrinos, and Antonio (Lopez). Donations to the collection come from artists, collectors, and industry professionals. The donated works fulfill criteria established by the Neady Collection Advisory Board, which acknowledges artists who exhibit high standards of draftsmanship and esthetic quality, demonstrate an individual approach, possess technical virtuosity, have worked for high-end magazines, stores or corporations, and have earned the admiration of their peers. The Frances Neady collection’s mission is to encourage and facilitate research by students and industry professionals in the art of fashion illustration. The collection presents a graphic record of the art’s evolution since the 1910s. In addition, it provides a vivid cultural and visual reflection of its time.

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