Affichage de 122 résultats

38 hand-colored carte de visite photographs of individuals and groups wearing European national dress.

This collection is comprised of 14 original illustrations of academic robes and official robes created for Encyclopaedia Britannica 11th Edition, 1910.

This collection consists of postcards with color lithograph fashion illustrations by Mela Koehler and Edouard Joseph Wimmer-Wisgrill on the face and Wiener Werkstätte graphics on the reverse. From a series of six designs by Koehler created on the occasion of a Wiener Werkstätte fashion show held in April 1911; cards number 518A, 519-522 and 523B. Wimmer-Wisgrill cards are numbered 865 and 868.

Contains 61 fragile articles of correspondence from the 1890s, graduation announcement, poem-prayer book, pressed flowers, wedding invitations, 2 book marks, 2 spools of thread, 1 round silk or satin rigid ribbon, and photograph. Publications include E. Marcus Reynolds: Joy Taylor System; Teacher's College: The Domestic Art Review 1909; Boston Dress Cutting College, Directions for Harriet A Brown's Scientific Rules; Unity Union SS Library Catalogue of Books; National School Domestic Arts and Science brochure; Dormitory brochure; The Model House brochure.

Two paper and wood promotional fans for the French perfume company Rosine, which was founded by couturier Paul Poiret in 1911. Printed on both sides, one side with abstract botanicals and the other side with the name of the company and a selection of perfumes. Each fan bears a red sticker with the name of a single perfume. The fan would have been scented with that perfume. The fans were part of a series promoting different fragrances. Advertisements, the perfume bottles, and associated products like perfumed cards or fans were all part of Poiret's merchandising artistry.

This collection consists of two matted pochoir prints:
-one depicting the torso of a woman in a pink ensemble holding a blue feather, limited edition, 19/30, 1913-1914
-one depicting two woman and one man viewing prints on paper, original 1912, print 1920

Publications, blank and completed test answer sheets, and ephemera.

This collection is comprised of A. Beller & Co. sketches for womenswear designs, 1914 - 1929

Advertisements for lingerie, corsets, and brassieres ranging in size from 26 x 31 to 28 x 53 cm. Includes advertisements from 1906 to the 1930s.

17 examples of magazines of photographs of nude women: Artists’ notebook; Real art studies; Dawn: psychology of eugenics, art, love; Classic art; Art stories magazine; Art quarterly; Artists and models review; Art group quarterly; French art; Camera art; Studio art studies.

This collection contains a photograph of Eleanor Lambert posing against a wall near a floral arrangement. Stamped en verso, "Ref. Dept./July 16, 1932/N.E.A."

Dye sample book containing various bundles of colored thread.

This collection is comprised of sketch designs for children's clothing, handwritten notes, promotional materials and magazine and newspaper clippings.

This collection contains promotional materials, photographs, stationary and a fashion show program pertaining to the Traphagen School of Fashion.

This collection contains fashion illustrations (mainly garments) executed for Harper's Bazaar between the years of 1940-1942 by Dagmar Freuchen-Gale, Sara Johns and Reynaldo Luza. On the back of the illustrations there are Harper's Bazaar issue numbers that the illustrations were published in.

This collection consists of photographs, press clippings, exhibition brochures, personal papers, and sketches that relate to the career of Austrian artist Vally Wieseltheir.

This collection contains two Schocking de Schiaparelli perfume bottles in their original packing and one example of the packaging for Schiaparelli lipstick.

This collection contains one partially full cardboard tube of Shocking de Schiaparelli bath sponges.

This collection contains training materials for Bloomingdales used by Nicole Emmerich Teweles as well as drafts and final copies of the Tobé Report, where Teweles was a Junior Editor.

This collection is comprised of 18 folders containing designer sketches, large fabric swatches many of which include embellishment, and press materials.

This collection is comprised of fashion sketches made for Hattie Carnegie, Inc. from 1940 - 1955. This collection contains millinery (hats) for which some designs can be attributed to Esther A. Kleeper in 1945. The remainder of the collection is ready-to-wear dresses and suits, along with evening wear, mostly ballgowns, that were adapted from French couturiers for the American woman. The sketches have been divided into millinery, ready-to-wear, and evening wear. Many of the sketches are not dated, but based upon a survey of the collection and dates of similar physical garments made by Hattie Carnegie, Inc. it is assumed that the sketches are from the aforementioned dates.

This collection is comprised of 18 folders containing black and white photographs depicting women wearing fashions from various designers (1954-1955).

This collection is comprised of 27 original womenswear sketches by former FIT professor Ted Roberts.

This collection is contains 262 original fashion sketches by John Derro.

This collection is comprised of 46 folders containing primarily black and white photographs depicting clothed women wearing Victor's hats (1930's to 1960's).

Miscellaneous fashion plates, sketches, and photographs from various sources. The fashion plates from unknown or miscellaneous publications consist of various styles and techniques of printmaking in both color and black and white. Fashion sketches in pencil, marker, or watercolor on paper represent designs available from department stores and miscellaneous designers. The fashion photograph series includes people in fashionable dress for varying purposes, including advertisements.

This collection is comprised of original fashion sketches, illustrations and costume design sketches as well as limited amounts of educational ephemera, correspondence and tearsheets.

Documents and data related to Edward Moir in his roles as businessman and political activist for the interests of the Carded Woolen Manufactures' Association. However some of the items were collected after Moir's death, and relate mostly to the later years of the mill he ran.

This collection is comprised of 7 folders of patents, largely for sewing machinery, registered by the Man-Sew Corporation between 1933 and 1964.

This collection is comprised of materials pertraining to Norman Norell millinery designs. It contains handwritten notes that describe Halston hats. Also included are thirty-one photos of Halston hats and pen sketches of design details of hats from Spring 1965.

This collection contains original sketches of clothing and millinery purportedly by Daché herself, as well as sketches of models from Parisian couture houses dating to the 1950s. A selection of black and white press photographs and accompanying press releases documents her millinery output between 1962 and 1966.

This collection contains sixty-six original sketches (23 pencil and watercolor and 43 pencil) by Marc Bohan for Christian Dior with fabric swatches attached. All on Christian Dior letterhead.

This collection is comprised of press clippings, photographs, correspondence, and other materials relating to the designs of Madame Eta Hentz for "Ren-Eta" and "Eta."

The Bergdorf Goodman Custom Salon sketches collection contains 8,976 pencil, ink, and watercolor sketches by staff artists representing clothing and millinery available in Bergdorf's custom salon. These garments were made to order either from designs purchased by special arrangement from the leading coutouriers of the day or from sketches by Bergdorf's then well known in-house designers. Representative designers include Dior, Balenciaga, Halson and Courreges. House designers include Leslie Morris, Mary Gleason, and Bernard Newman. There is a complete run from 1950 to 1969. In addition, there is a representative sampling of sketches from the 1930s and 40s.
In addition to the sketches, the collection contains preliminary manuscripts and galley proofs of Booton Herndon's book Bergdorf's on the Plaza (NY: Alfred A. Knopf, 1956) as well as typescripts of his interviews with and about members of the Goodman family and with and about such key members of the staff as Ethel Frankau, Odna Brandeis, and house designers Bernard Newman, Leslie Morris, and Mary Gleason.
The last series contains the original finding aid for the collection.

This collection contains contact sheets and photographic negatives of designs by Jo Copeland, Larry Aldrich, Hannah Troy, Havey Berin, Mignon and J.H. Bridals.

This collection contains four folders of fashion sketches accumulated as part of subscription services.

This collection holds mostly advertisements and newspaper clippings, along with photographs relating to the work of fashion designer Lee Evans.

This collection is comprised of one folder containing scrapbook material, including publicity photos, press packet, tear sheets, and sketches with fabric swatches pertaining to Continental Airlines stewardess uniforms designed by Adele Simpson.

This collection is comprised of working manuscripts and drafts of essays.

This collection consists of one folder of press releases and one folder of press clippings pertaining to the counterculture magazine Rags, which was in publication 1970-1971.

This collections is comprised of seventeen (17) 18x16" black and white framed photographs by Bill Cunninham taken at the Grand Divertissement à Versailles in 1973. Persons featured in photographs include Marisa Berenson, Karen Bjornson, Alva Chinn, Dennis Christopher, Pat Cleveland, Bill Dugan, Heidi Lieberfarb, China Machado, Nancy North, Chris Royer, Ramona Saunders, and Andy Warhol. Also included in the collection are twenty-five (25) 17 x 11" original marker sketches by Halston and a program for the Grand Divertissement à Versailles.

This collection is comprised of 5 folders containing tear sheets of Morton Kaish original illustrations, 1 folder containing Tod Draz original illustrations, 1 folder of containing photographs of Morton Kaish working in his studio, and media containing Morton Kaish illustrations.

This collection contains scrapbooks from 1949-1953. These scrapbooks include print ads, editorial copy, and biographical sketches. Photographs from 1949-1974 include portraits of Fath, Halpert and their wives, and highlights from the 1952 collection. It also contains press clippings regarding both men and their businesses.

The collection includes Claire McCardell's sketches and illustrations as a student, as well as sketches, newspaper and magazines clippings, correspondence, advertisements, invitations to fashion-related events and original photographs from her career as a fashion designer.

This collection contains black and white press photographs and tear sheets dating from 1933-1976.

The bulk of this collection, which was donated by Nancy White in the early 1980s to the FIT Library, consists of 49 scrapbooks relating to Mainbocher, with additional correspondence written by Mainbocher, Nancy White, and Carmel Snow.

This collection consists of sketches, shoe patterns, embellishments, photographs, promotional materials, scrapbooks, and metal stamps from women's footwear company Seymour Troy Originals. The majority of the collection is undated, although it is estimated that most of it is from the 1930s and 1940s. At least one piece of promotional material is from yrto, and there is a scrapbook cover stamped with yrto. Previous documentation of the collection noted that some sketches were by other designers for Seymour Troy, and specifically named Emery Blau, Al Lewis, and "Cohen." It appears that the collection was added to after Seymour Troy's death, as there are at least two sketches dated 1977.

The Marimekko collection includes sample books of pattern designs, textile swatches, pictures of modeled garments, fashion catalogues for different seasons , leaflets, a brochure, few photographs and promotional items.

This collection is a single framed illustration by Hubert de Givenchy of three female figures in dresses.

This collection consists of illustrations, photographs, print materials, awards, and other ephemera relating to the career of American fashion illustrator Jane Bixby Weller.

This collections contain Coty Award programs for 1976-1978 and 1980-1984 and Coty Award press clippings from 1975-1980, 1982 and 1985. Two award show tickets are also included one undated, the other from 1982.

This collection consists of original designer sketches, copies of sketches, advertisements, and related items Valerie Fuchs executed for the Aris Glove Company. Eight albums containing

This collection contains twenty-seven 7 x 4 1/2" ringed booklets containing textile swatches used for Calvin Klein ties, with accompanying notations on style numbers and pricing.

This collection is comprised of one Banana Republic catalog (Summer 1988), two Bonwit Teller catalogs (1973-undated 1970s), and eleven Lord & Taylor catalogs (1974-undated 1970s).

Miriam Russo Enders surface designs and FIT records, circa 1960-1989

Seventeen pencil renderings of interior elevations for retail design on paper. Brands represented include Estée Lauder, Jordan Marsh, Bamberger's, and Liz Claiborne.