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Symposium records

Includes the papers and presentation delivered at the 2017 Symposium "Dressing New York" on Saturday, May 13, 2017. The names of the presenters and the title of their presentations contained in this folder are: Lucy Carey "The Great Divide of 1960: Norman Norell's Coulotte" ; Sarah Jean Culbreth "'Who Are the Mystery Girls?': Deconstructing the New York Doll's Image ; Loggans "Fantaies of Opulence: Racial Dynamics of Drag Balls in New York City, 1890-1969" ; Daniel Gustina "Depression Era New York: Dress & Photographs of Fashionable Society" .

FIT Oral histories project

Launched in 1978, an oral history of the fashion industries has been maintained by the Gladys Marcus Library’s Special Collections and Archives department, amassing nearly 375 oral history holdings in various formats, to date, and growing.

In anticipation of FIT's 75th anniversary in 2019, “FIT Talks” was established and institutionalized in [2012?] to make available previously inaccessible content, and to continue to build a rich library of oral histories representative of the fashion and broader creative industries that will be of interest and available to the public at large.

Interviews already include current and former members of the FIT community as well as significant and well-known figures in the fashion industry. For example, charming dialogue about fashion between Princess Grace of Monaco and designer Vera Maxwell is now available to any researcher. Interviews provided through Ford Models, Inc. are also part of the collection.

Fashion Institute of Technology (New York, N.Y.). Gladys Marcus Library

The Future of Beauty symposium program, 1989

  • US NNFIT SC.385
  • Raccolta
  • 1989

Bi-fold program for a Revlon Symposium title The Future of Beauty which was held in New York City on April 6, 1989. Speakers included Nancy Friday, Lionel Tiger, Georgia Witkin, Molly Haskell and Warren Farrell. Also included is a letter from Nancy Friday addressed to the donor David Katzive.

Revlon, Inc.

Stephen Burrows collection, 1969-2012

  • US NNFIT SC.332
  • Raccolta
  • 1969-2012

This collection contains fashion sketches (originals and digital facsimiles), fashion photographs, and press/promotional materials documenting the career of Stephen Burrows in the fashion industry from 1969-2012. There is a gap of press materials from 1990-2000 when he left Henri Bendel to open his own business on seventh avenue. His fragrance named, Stephen B., is briefly documented in photographs, press, and a silver wave necklace solid perfume. Ephemeral materials such as personal photographs and an E.R.A ribbon are also a part of the collection.

Burrows, Stephen, 1943-

Jane Bixby Weller collection, 1939-1984

  • US NNFIT SC.416
  • Raccolta
  • 1939-1984

This collection consists of illustrations, photographs, print materials, awards, and other ephemera relating to the career of American fashion illustrator Jane Bixby Weller.

Bixby Weller, Jane

Arthur Jablow interview, 1982 May 14

Arthur Jablow reflecting on his father-in-law, Maurice Rentner. There is a most interesting section in the Oral Memoirs of Maurice Rentner, (his father-in-law) which provides considerable insight into other facets of the ready-to-wear business.

Jablow, Arthur

N.Y. - NYC - Bronx, 1977-1988

Photocopied, pasted, and laminated articles concerning retail business, urban renewal, and neighborhoods in the Bronx, including articles from Crain's New York Business and The New York Times. Folder also contains three booklets from the City of New York's Department of City Planning concerning neighborhoods and revitalization in the Bronx.

Frances Neady collection of original fashion illustrations, 1913-

  • US NNFIT SC.187
  • Raccolta
  • 1913-

The Frances Neady collection of Original Fashion Illustrations was established in 1984 to honor its namesake, an inspirational teacher of fashion illustration. The collection encompasses over a century of fashion art. Its earliest example, a watercolor by Pierre Brissaud for Gazette du Bon Ton, is dated 1913; its most recent donation is by contemporary artist Ruben Toledo. Among other stars represented in the collection are Eric (Carl Erickson), René Bouché, Dorothy Hood, George Stavrinos, and Antonio (Lopez). Donations to the collection come from artists, collectors, and industry professionals. The donated works fulfill criteria established by the Neady Collection Advisory Board, which acknowledges artists who exhibit high standards of draftsmanship and esthetic quality, demonstrate an individual approach, possess technical virtuosity, have worked for high-end magazines, stores or corporations, and have earned the admiration of their peers. The Frances Neady collection’s mission is to encourage and facilitate research by students and industry professionals in the art of fashion illustration. The collection presents a graphic record of the art’s evolution since the 1910s. In addition, it provides a vivid cultural and visual reflection of its time.

Neady Collection Advisory Board

Lester Gribets interview, 1986 November 19

This conversation covers very little of Lester Gribetz' life and career at Bloomingdale's. There is a brief intro in which Gribetz lays out his professional trajectory from trainee under Martin S. Traub to his role in merchandising. Like most of Traub's employees at Bloomingdale's, Gribetz praises Traub as a boss and as a person. He describes him as exciting, challenging, enlightened, and demanding. Gribetz attributes Traub's high standards to keeping workers excited and motivated. Traub is described as charitable in a number of the Bloomingdale's interviews but Gribetz shares a specific story of Traub organizing a massive fundraising effort for AIDS research after one of his buyers passed away from the disease. In describing the retail environment, Gribetz explains that a retail career is demanding and varied, and the hard work has discouraged many where others have thrived. Prompted several times to define Bloomingdale's milestones, Gribetz first discusses the team before Martin S. Traub's era and then the transitions and departmental changes that marked a real turning point with Traub. Bloomingdale's food business is discussed as a distinction among other retailers as well as the elaborate country promotions which were at their peak success at the time of this interview. The Bloomingdale's customer is described as being educated, affluent, adventuresome, and inventive. While Gribetz describes these qualities as being somewhat inherent in New Yorkers, he goes on to say that these ideas are present in customers in all regions and that Bloomingdale's still appeals to the mass market because it grants these qualities upon the customer.

Gribetz, Lester

N.Y. - NYC - Manhattan - General, 1946-1991

Photocopied, pasted, and laminated articles concerning retail business, urban planning, and rent in Manhattan. This folder also includes shopping maps and a Moving to New York research report.

N.Y. - NYC - Queens, 1978-1991

Photocopied, pasted, and laminated articles concerning retail business, urban renewal, and neighborhoods in Queens, including articles from Crain's New York Business and Daily News. Folder also includes a booklet from the New York Department of City Planning.

Lucile, Ltd. records, 1910-1925

  • US NNFIT SC.1
  • Raccolta
  • 1863-1935

Collection is comprised of model photographs, sketches, photographs of sketches, show programs, some newspaper and magazine clippings with articles about or by Lucile, order forms, advertisements, and fashion plates. Garment designs include theatrical costumes, wedding gowns, day and evening wear, tea gowns, lingerie and pajamas. Bulk of the collection consists of model photographs, fashion sketches, photographs of sketches and official phototransfers. In addition there are clippings of articles from different publications written by or about Lucile, she wrote regular columns for Hearst publications. Programs for the "Model Parades" introducing lines of clothing for several years. There are some photographs of Lucile's clients, and photographs of "Rose room" interiors of Lucile. Ltd from New York and Chicago locations. Inspirational and reference materials collected by Lucile and/or her staff, mainly fashion plates and newspaper clippings from different publications. Dates range from the early 1910s to the mid 1920s. Model photographs were glued in large format (12-14"w to 16-18"h) standard, blank books to order, referred throughout this finding aid as scrapbooks; there are 12 volumes in the collection. Bulk of original drawings that are arranged according to the type of clothing are loose, drawn on a heavy weight board; sketches for 1916 and 197-18 lines were glued into scrapbooks; there are 12 volumes of original drawings and 2 volumes of photographs and phototransfers. It is possible that two types of arrangement seen throughout the collection (most of Model photographs chronologically, most of sketches by type of clothing) are due to different purpose these materials served; sketches of period gowns or theatrical costumes could have been referred to time and time again for different productions or themed social events, whereas model photographs would have documented actual creation of such a garment at a certain point in time. It is also not clear why, but some scrapbooks with model photographs are reproduced in complete entirety, using same photo session materials some fully annotated.

Duff Gordon, Lucy, Lady

Esquire collection, 1933-1976

  • US NNFIT SC.412
  • Raccolta
  • 1933-1976

This collection contains black and white press photographs and tear sheets dating from 1933-1976.

Esquire, inc.

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