Risultati 6

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Symposium records
US NNFIT SC.FITA.3.10.1.2.35 · digital folder · 2020
Parte di Academic Affairs records

This folder includes digital copies of the papers and presentations delivered at the 2020 Symposium, which occurred completely online due to restrictions placed upon students and faculty due to the Coronavirus Pandemic, 2020. The names of the presenters and the title of their presentations contained in this folder are:

  • Bobbi Wall - "Ruth Reeves’ Lasting Imprint on Modern American Fashion"
  • Anna Lucia Uihlein: "Louella Ballerino: Fashioning California"
  • Brynnea Irvine: "The Fall of Luxury: The Forgotten History of Farquharson & Wheelock"
  • Molly Hartvigsen: "Tobé-Coburn School for Fashion Careers"
  • Brigid Gerstenecker: "Elizabeth Hawes: Mass Production for the Millions?"
Arthur Jablow interview, 1982 May 14
US NNFIT SC.FITA.3.20.4.9.8.2 · Unità documentaria · 1982 May 14
Parte di Academic Affairs records

Arthur Jablow reflecting on his father-in-law, Maurice Rentner. There is a most interesting section in the Oral Memoirs of Maurice Rentner, (his father-in-law) which provides considerable insight into other facets of the ready-to-wear business.

Senza titolo
US NNFIT SC.FITA.3.20.4.9.2 · sub-sub-sub-series · 1977 and 1994, bulk 1994
Parte di Academic Affairs records

With an interview of Andrew Goodman conducted by Bob Riley in 1977 as the root, Estelle Ellis and Valerie Steele extended this oral history of Bergdorf Goodman in 1997 by interviewing others who worked for Bergdorf Goodman and knew Andrew Goodman.

Hattie Carnegie sketches, 1940-1955
US NNFIT SC.242 · Raccolta · 1940-1955

This collection is comprised of fashion sketches made for Hattie Carnegie, Inc. from 1940 - 1955. This collection contains millinery (hats) for which some designs can be attributed to Esther A. Kleeper in 1945. The remainder of the collection is ready-to-wear dresses and suits, along with evening wear, mostly ballgowns, that were adapted from French couturiers for the American woman. The sketches have been divided into millinery, ready-to-wear, and evening wear. Many of the sketches are not dated, but based upon a survey of the collection and dates of similar physical garments made by Hattie Carnegie, Inc. it is assumed that the sketches are from the aforementioned dates.

Senza titolo
Liz Claiborne interview, 1986 May
US NNFIT SC.FITA.3.20.4.9.1.11 · Unità documentaria · 1986 May
Parte di Academic Affairs records

In this interview Liz Claiborne sat down with Estelle Ellis to discuss all aspects of Liz Claiborne Inc. Aware that her label represents a promise between her brand and the customer, Claiborne insists on being a part of every aspect of the design process for each label, from the initial color choices (which Claiborne stresses as being of paramount importance) to the final sample edits. Claiborne reveals the difficulties she faces when working with the menswear and childrenswear departments. In explaining why the Liz Claiborne company hires so many interns, Claiborne makes a point to explain the importance of learning on the job.

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Liz Claiborne interview, 1990 July 10 and 17
US NNFIT SC.FITA.3.20.4.9.1.12 · Unità documentaria · 1990 July 10 and 17
Parte di Academic Affairs records

This interview with Liz Claiborne discusses her experiences as she worked her way up as a designer. She describes her past work with designers and firms such as Ben Reig, Omar Kiam, Dave Schwartz, Juniorite, and the Rhea manufacturing company. Claiborne provides insight to the growth of her own company and all of the factors that go into the production of it.

Senza titolo