Carl Levine describes his early years in the home furnishings business working for his small family business before talking about his start at Bloomingdale's. The Sr. VP of Home Furnishings at the time of this interview, Levine traces the major developments of the Home Furnishings department at Bloomingdale's throughout his 30 years at the department store. Describing the department as "having trouble" when he arrived in 1955, Levine speaks at length about Bloomingdale's decision to manufacture exclusive product overseas with a special attention towards accurate period reproductions. He then talks about working with Barbara D'arcy, the creator of Bloomingdale's innovative model rooms in the 1960s. Levine, who studied furniture and crafts and design at Syracuse University as well as the NY School of Interior Design, addresses the role of education in grooming a successful executive, especially in regards to understanding the history of fashion and design. In talking about Bloomingdale's CEO Marvin S. Traub, Levine describes his strong family life, his essential role as a diplomat in the creation of the country promotions, and his tireless determination and sense of humor. Finally, Levine addresses the concept of the "Bloomingdale's customer", taking into account the increasing number of Bloomingdale's stores across various regions.
Web Boodey and Audrey Meyer discuss their time with the Social Science Department. Boodey was a world affairs professor and Meyer a professor of sociology who, though retired, still taught as an adjunct at the time of the interview. They talk about the dress code upheld by Marion Brandriss in the 1960s as well as FIT’s former requirement of 30 hours of mandatory volunteer work. They discuss when FIT’s faculty shared a large office, each with their own cubicle, and the beginnings of the school's union. They talk extensively about the social justice movements of the 1960s and 1970s, especially in the aftermath of the Kent State Massacre. They mention the formation of the Soul Club and the Black Student Club, which published a paper called “Black Rap.” They also discuss the formation of an ad hoc committee on race which advocated for more faculty of color. Boodey and Meyer talk about the affective education movement and the growth of their department. In 1971 Meyer put on a one-day conference called “Dialogue on Women,” which brought in myriad activists including Florynce Kennedy and Bella Abzug. Boodey discusses his time as the chair of the faculty association. The two remember Marvin Feldman and Gladys Marcus fondly, and then discuss other professors in their department when it was coupled with Art History. They touch on linkages with the United Nations as well as student trips, including one to Riker’s Island. They have invited formerly incarcerated people to speak to their students and frequently host lectures on human rights. The two also talk about the growth of environmental activism and clubs in the 1970s.
Random assortment of photographs and contact sheets of events and classes that took place at the Fashion Institute of Technology in the 1960s. Some photographs seem to have been taken with the intention of creating advertising or publication materials.
Contains 61 fragile articles of correspondence from the 1890s, graduation announcement, poem-prayer book, pressed flowers, wedding invitations, 2 book marks, 2 spools of thread, 1 round silk or satin rigid ribbon, and photograph. Publications include E. Marcus Reynolds: Joy Taylor System; Teacher's College: The Domestic Art Review 1909; Boston Dress Cutting College, Directions for Harriet A Brown's Scientific Rules; Unity Union SS Library Catalogue of Books; National School Domestic Arts and Science brochure; Dormitory brochure; The Model House brochure.
This collection contains three programs from the 2018 inauguration of SUNY Chancellor Kristina M. Johnson, a enamel pin commemorating the event and a DVD entitled The SUNY Community Colleges: An Oral History of the First 30 Years.
This interview discusses Barbara D'Arcy's experiences working at Bloomingdale's as the designer of the model rooms from 1958 to 1973. A large part of the conversation focuses on D'Arcy's professional relationship with Marvin Traub, Chief Excecutive of Bloomingdale's and his role in the development of the aesthetic identity of Bloomingdale's. D'Arcy also discusses her transition from model room designer to her role as head of store design.