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Bi-fold program for a Revlon Symposium title The Future of Beauty which was held in New York City on April 6, 1989. Speakers included Nancy Friday, Lionel Tiger, Georgia Witkin, Molly Haskell and Warren Farrell. Also included is a letter from Nancy Friday addressed to the donor David Katzive.

2023 accumulation: three betacam video cassettes with footage of the event and a variety of people, including Joan Rivers, Norman Lear, Gay Talese and others, talking about women in the beauty industry.

This collection contains photographs, print media, correspondence and audiovisual materials pertaining to the career of menswear stylist Robert Bryan.

This collection is comprised of promotional cards for various fashion brands including Calvin Kein, Anna Sui, Ellie Tahari, Bebe, Canal Jean Company, and Levi's, fashion retailers including Urban Outfitters and Style.com, fashion events hosted by Azzedine Alaîa, The Fashion Group International, and Henri Bendel, a pack of illustrated playing cards created by Erin Petson and Maia Adams, issue #29 of Project X magazine, and promotional brochures for Roberto Cavalli, Fayçal Amor, and Ruffo Research for Vogue Italia.

Documents and data related to Edward Moir in his roles as businessman and political activist for the interests of the Carded Woolen Manufactures' Association. However some of the items were collected after Moir's death, and relate mostly to the later years of the mill he ran.

This collection consists of two matted pochoir prints:
-one depicting the torso of a woman in a pink ensemble holding a blue feather, limited edition, 19/30, 1913-1914
-one depicting two woman and one man viewing prints on paper, original 1912, print 1920

This collection consists of six postcards with color lithograph fashion illustrations by Mela Koehler on the face and Wiener Werkstätte graphics on the reverse. From a series of six designs by Koehler created on the occasion of a Wiener Werkstätte fashion show held in April 1911; cards number 518A, 519-522 and 523B.

This collection is comprised of 1 color card and 12 books of No Mend Hosiery Inc.'s historical forecasts from Fall/Winter 1932/1933-Spring/Summer 1941. Includes cloth color samples, swatches, themes, shoes, gloves and hosiery trends.

This collection contains a wide variey of materials documenting the career of Simon Robert Newey. His work as a window dresser and display artist is documented by a series of black & white as well as color photographs. Promotional materials for the Zoli Modeling agency inform his work in the modeling and entertainment industry as both an agent and actor. Newey's own career as an actor is documented with his headshots and on-location photographs, and his work as a photographer is represented via promotional materials for his business.

The Museum at FIT records are arranged into six (6) series; they are Administrative records, Exhibition records, Promotional material, Symposia records, Correspondence, and Fashion Culture records.

Collection is comprised of model photographs, sketches, photographs of sketches, show programs, some newspaper and magazine clippings with articles about or by Lucile, order forms, advertisements, and fashion plates. Garment designs include theatrical costumes, wedding gowns, day and evening wear, tea gowns, lingerie and pajamas. Bulk of the collection consists of model photographs, fashion sketches, photographs of sketches and official phototransfers. In addition there are clippings of articles from different publications written by or about Lucile, she wrote regular columns for Hearst publications. Programs for the "Model Parades" introducing lines of clothing for several years. There are some photographs of Lucile's clients, and photographs of "Rose room" interiors of Lucile. Ltd from New York and Chicago locations. Inspirational and reference materials collected by Lucile and/or her staff, mainly fashion plates and newspaper clippings from different publications. Dates range from the early 1910s to the mid 1920s. Model photographs were glued in large format (12-14"w to 16-18"h) standard, blank books to order, referred throughout this finding aid as scrapbooks; there are 12 volumes in the collection. Bulk of original drawings that are arranged according to the type of clothing are loose, drawn on a heavy weight board; sketches for 1916 and 197-18 lines were glued into scrapbooks; there are 12 volumes of original drawings and 2 volumes of photographs and phototransfers. It is possible that two types of arrangement seen throughout the collection (most of Model photographs chronologically, most of sketches by type of clothing) are due to different purpose these materials served; sketches of period gowns or theatrical costumes could have been referred to time and time again for different productions or themed social events, whereas model photographs would have documented actual creation of such a garment at a certain point in time. It is also not clear why, but some scrapbooks with model photographs are reproduced in complete entirety, using same photo session materials some fully annotated.

Miriam Russo Enders surface designs and FIT records, circa 1960-1989

The Bergdorf Goodman Custom Salon sketches collection contains 8,976 pencil, ink, and watercolor sketches by staff artists representing clothing and millinery available in Bergdorf's custom salon. These garments were made to order either from designs purchased by special arrangement from the leading coutouriers of the day or from sketches by Bergdorf's then well known in-house designers. Representative designers include Dior, Balenciaga, Halson and Courreges. House designers include Leslie Morris, Mary Gleason, and Bernard Newman. There is a complete run from 1950 to 1969. In addition, there is a representative sampling of sketches from the 1930s and 40s.
In addition to the sketches, the collection contains preliminary manuscripts and galley proofs of Booton Herndon's book Bergdorf's on the Plaza (NY: Alfred A. Knopf, 1956) as well as typescripts of his interviews with and about members of the Goodman family and with and about such key members of the staff as Ethel Frankau, Odna Brandeis, and house designers Bernard Newman, Leslie Morris, and Mary Gleason.
The last series contains the original finding aid for the collection.

This collection is comprised of one Banana Republic catalog (Summer 1988), two Bonwit Teller catalogs (1973-undated 1970s), and eleven Lord & Taylor catalogs (1974-undated 1970s).

The collection includes Claire McCardell's sketches and illustrations as a student, as well as sketches, newspaper and magazines clippings, correspondence, advertisements, invitations to fashion-related events and original photographs from her career as a fashion designer.

Miscellaneous fashion plates, sketches, and photographs from various sources. The fashion plates from unknown or miscellaneous publications consist of various styles and techniques of printmaking in both color and black and white. Fashion sketches in pencil, marker, or watercolor on paper represent designs available from department stores and miscellaneous designers. The fashion photograph series includes people in fashionable dress for varying purposes, including advertisements.

This collection contains correspondence, newsletters and Bargaining Agreements pertaining to the operations of the United College Employees of FIT union.