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Lucile, Ltd. records, 1910-1925
US NNFIT SC.1 · Coleção · 1863-1935

Collection is comprised of model photographs, sketches, photographs of sketches, show programs, some newspaper and magazine clippings with articles about or by Lucile, order forms, advertisements, and fashion plates. Garment designs include theatrical costumes, wedding gowns, day and evening wear, tea gowns, lingerie and pajamas. Bulk of the collection consists of model photographs, fashion sketches, photographs of sketches and official phototransfers. In addition there are clippings of articles from different publications written by or about Lucile, she wrote regular columns for Hearst publications. Programs for the "Model Parades" introducing lines of clothing for several years. There are some photographs of Lucile's clients, and photographs of "Rose room" interiors of Lucile. Ltd from New York and Chicago locations. Inspirational and reference materials collected by Lucile and/or her staff, mainly fashion plates and newspaper clippings from different publications. Dates range from the early 1910s to the mid 1920s. Model photographs were glued in large format (12-14"w to 16-18"h) standard, blank books to order, referred throughout this finding aid as scrapbooks; there are 12 volumes in the collection. Bulk of original drawings that are arranged according to the type of clothing are loose, drawn on a heavy weight board; sketches for 1916 and 197-18 lines were glued into scrapbooks; there are 12 volumes of original drawings and 2 volumes of photographs and phototransfers. It is possible that two types of arrangement seen throughout the collection (most of Model photographs chronologically, most of sketches by type of clothing) are due to different purpose these materials served; sketches of period gowns or theatrical costumes could have been referred to time and time again for different productions or themed social events, whereas model photographs would have documented actual creation of such a garment at a certain point in time. It is also not clear why, but some scrapbooks with model photographs are reproduced in complete entirety, using same photo session materials some fully annotated.

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US NNFIT SC.187.1.310 · Item · 20th century
Parte de Frances Neady collection of original fashion illustrations, 1913-

Figure facing forward, wearing coat with sunglasses. Black and white with leopard type print. Trench coat with flare bottom. Graphite or grey charcoal with black and white gouache. Covered by mylar and black paper. Back side writing: Nordstrom's. Front Signed Donovan. writing: 3/17 bja gallery Lori (in blue pen) also on front.

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July, August, September 1986
US NNFIT SC.214.1.1.89 · folder · 1986
Parte de Eleanor Lambert collection, 1942-2003

This folder contains articles written for a syndicated column in July, August and September of 1986. Included are over 30 8x10 black and white photographs including the subjects of, Ralph Lauren, Adele Simpson, Halston, Bill Blass, Fur collections, Valentino, the Haute Couture shows, Coats, Fashionable Lingerie, Loungewear, Designer Coats, and Famous Females Gardening.

Lilly Daché collection, 1935-1966
US NNFIT SC.109 · Coleção · 1935-1966

This collection contains original sketches of clothing and millinery purportedly by Daché herself, as well as sketches of models from Parisian couture houses dating to the 1950s. A selection of black and white press photographs and accompanying press releases documents her millinery output between 1962 and 1966.

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Lilly Daché Sketches, 1950
US NNFIT SC.109.1.6 · folder · 1951
Parte de Lilly Daché collection, 1935-1966

This folder contains nine 9 x 12 3/4" pencil and watercolor sketches of dresses, hats and coats. Many sketches accompanied by fabric swatches. One ink sketch stamped "made in France", "Société des modelistes de France and signed Pierre Fournait.

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Lilly Daché Sketches, 1951
US NNFIT SC.109.1.9 · folder · 1951
Parte de Lilly Daché collection, 1935-1966

This folder contains eight 9 x 12 3/4" pencil and watercolor sketches of dresses, hats and coats. One 8 1/4x 10 1/2" pencil sketch of bodice and jacket variations and one 8 1/4x 10 1/2" pencil sketch of a dress stamped "Création Jacques Griffe."

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Lilly Daché Sketches, 1950
US NNFIT SC.109.1.4 · folder · 1950
Parte de Lilly Daché collection, 1935-1966

This folder contains eleven 9 x 12 3/4" pencil and watercolor sketches of dresses, hats and coats, and one pencil sketch of the floral motif seen in one of the dresses' textiles.

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Lilly Daché Sketches, circa 1950
US NNFIT SC.109.1.10 · folder · 1950
Parte de Lilly Daché collection, 1935-1966

This folder contains ten various sized mixed media sketches (ink, gouache, pencil and watercolor in various permutations) of dresses, hats and coats. Two sketches stamped "S.A.R.L. Carven, 6 Rond Point des Champs-Elysées" and "Made in France", one sketch stamped "Hermes seiilier" and one other stamped "Made in France" with no futher attribution.

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Lilly Daché Sketches, 1950
US NNFIT SC.109.1.3 · folder · 1950
Parte de Lilly Daché collection, 1935-1966

This folder contains eleven 9x12 3/4" mixed media sketches (ink, gouache, pencil and watercolor in various permutations) of dresses, hats and coats. One sketch Madeliene Vramant, another millinery sketch as (Rose) Descat.

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Lilly Daché Sketches, circa 1950
US NNFIT SC.109.1.13 · folder · 1950
Parte de Lilly Daché collection, 1935-1966

This folder contains thirty-one various sized mixed media sketches (ink, gouache, pencil and watercolor in various permutations) of dresses, hats and coats; many with fabric swatches attached. One sketch stamped "S.A.R.L. Carven, 6 Rond Point des Champs-Elysées" and "Made in France", one sketch stamped "Hermes seiilier", one stamped "Paranha, 26, Place Vendrome, Paris", stamped "Made in France" with a hand-written attribution to Gres, and one stamped "Made in France" with no futher attribution.

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Directional folder x03
US NNFIT SC.1.2.2.17-20.x03 · folder · 1920s
Parte de Lucile, Ltd. records, 1910-1925

Directional folder contains 51 black and white photocopies of Coats and Wraps sketches from 1920's. Original sketches are glued in the 1916 scrapbook [SEE--US.NNFIT.SC.1.2.2.1-3 for originals]. Sketches come from Berley Studios (subscription service), signature of Ethel Rabin can be seen on some, but for the most part the Berley Studios imprint is covered by that of Lucile Ltd., in some cases the signature of Ethel Rabin (of Berley Studios) is scratched out or otherwise obscured. They seem to be color phototransfers, not original drawings.

Photographs, Fall, 1916/Spring, 1917
US NNFIT SC.1.1.10-12 · sub-series · 1916-1917
Parte de Lucile, Ltd. records, 1910-1925

Disbound scrapbook, (79 leaves?) (168 photographs?) from the autumn 1916 and spring 1917 lines, in 3 folders. Garments are fully annotated, includes title, number, and short description noting colors and/or fabrics. The program for the premier fashion show of this line is available in--US.NNFIT.SC.1.3.4.1 Each number worn by the model has two to four photographs of the garments from different angles. Many designs of oriental influence, especially tea gowns such as #14 "Djer-kiss" Persian, #11 "Tuan", and evening wear - #47 "Bilitis" evening gown, #28 "Salambo" opera coat. Missing is ensemble #5; ensemble #45 is fully described but has no photographs and a note "not designed". 1 item previously in a separate folder was moved into first folder - #33. Album is of heavier, gray color paper, fits 2 photographs next to each other on a single page. [See: --US.NNFIT.SC.1.1.7-9 for duplicated material, note the inconsistency in titles (1916-1917 vs 1916)] Photographs by Feder, Joel

US NNFIT SC.187 · Coleção · 1913-

The Frances Neady collection of Original Fashion Illustrations was established in 1984 to honor its namesake, an inspirational teacher of fashion illustration. The collection encompasses over a century of fashion art. Its earliest example, a watercolor by Pierre Brissaud for Gazette du Bon Ton, is dated 1913; its most recent donation is by contemporary artist Ruben Toledo. Among other stars represented in the collection are Eric (Carl Erickson), René Bouché, Dorothy Hood, George Stavrinos, and Antonio (Lopez). Donations to the collection come from artists, collectors, and industry professionals. The donated works fulfill criteria established by the Neady Collection Advisory Board, which acknowledges artists who exhibit high standards of draftsmanship and esthetic quality, demonstrate an individual approach, possess technical virtuosity, have worked for high-end magazines, stores or corporations, and have earned the admiration of their peers. The Frances Neady collection’s mission is to encourage and facilitate research by students and industry professionals in the art of fashion illustration. The collection presents a graphic record of the art’s evolution since the 1910s. In addition, it provides a vivid cultural and visual reflection of its time.

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Sketches, drawings, 1916
US NNFIT SC.1.2.2.1-3 · volume · 1916
Parte de Lucile, Ltd. records, 1910-1925

Disbound scrapbook, 182 sketches from 1916, 3 folders in 2 containers. Sketches are named, numbered according to the line(s) sequence(s). Drafted in pencil and painted with gouache, and watercolor. There are 20 unannotated sketches; 62 sketches have fabric swatches. Numbering implies 3 lines. At the end of the 1st folder there are some childrens clothing designs. In the second folder #3 "Brighton South Shore", #40 "Flo, Flo" In addition to these consistently numbered and annotated sketches there are 50 "Coats and Wraps" sketches from mid 1920s, some of these are signed by Ethel Rabin, sketch artist who worked for Berley Studios, a fashion drawing subscription service. These are not original drawings, but reproductions, and pasted randomly on the available pages of this otherwise filled volume. In most of these "out of place" sketches Barely Studios imprint and artist's signature are obliterated (scratched out) or covered up by the imprint of Lucile Limited.

Hampton Coat Co. collection, 1930-1950s
US NNFIT SC.34 · Coleção · 1930-1950s (bulk circa 1930-1949)

The bulk of this collection is comprised of sketches of womens outerwear produced by the Hampton Coat Co. Additional materials include press clippings, reorder charts, correspondance and accounting records.

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