Figure in Walter Albini dress, with greyhound; Color: marker and pastel; Signed
Lopez, Antonio, 1943-1987This folder contains photographic reproductions of Antonio illustrations of designs by Mary McFadden, Perry Ellis, Jhane Barnes, Norma Kamali, Willi Smith, correspondence, a biography of Antonio.
This folder contains press clippings, a press release, and an 8x10 black and white photograph of an Antonio drawing.
This folder contains 26 8x10 black and white photographs pertaining to Perry Ellis, a biography of Perry Ellis, press clippings, press release, 2 photos for Norma Kamali, a photo of Antonio Lopez, 2 photos of pieces by Bill Cunningham, and 2 photos of Karl Lagerfeld and his work at Fendi.
This folder contains a folder of Antonio Lopez materials, containing a press release, headshot, 7 8x10 black and white photographs, 7 8x10 negatives, press release, and an exhibition program, as well as a biography.
This folder contains press releases, 16 8x10 black and white photographs of CFDA award winners, and biographies of Norma Kamali, Perry Ellis, Bill Cunningham, and Antonio Lopez.
This folder contains a short autobiography of Antonio Lopez, and lists of Antonio Lopez exhibitions.
Alex Joseph, Managing Editor of FIT's Hue Magazine interviews Linda Tain, a long-time professor in FIT's department of Fashion Design. Linda Tain talks first about her childhood, and how her life led towards the fashion industry and FIT. Tain reminisces about some of the students she studied with in the 1950s at FIT, including Antonio Lopez, Randy Fenoli, and others who have influenced her throughout her life, as well as the different teaching techniques from then to now. She then recounts her first jobs as an illustrator at Ingenue Magazine, Glamour, and Macy's with Esther Larson, and continues to talk about the development of her career as a fashion illustrator throughout the 1960s and 1970s. She then talks about her becoming a full-time professor at FIT in 1983, how Lou Stollar convinced her to become involved in the union, and how her time as the union's Grievance Officer was very active in the 2000s. She also goes into detail about the uniqueness of FIT's union contract initially created by Lou Stollar and Marvin Feldman. She speaks a bit about her book Portfolio Presentation for Fashion Designers, and then delves into how FIT and the fashion industry have changed from 1963 to 2019.
Tain, Linda