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Marc Bohan for Christian Dior sketches, 1965-1967

  • US NNFIT SC.374
  • Collectie
  • 1965-1967

This collection contains sixty-six original sketches (23 pencil and watercolor and 43 pencil) by Marc Bohan for Christian Dior with fabric swatches attached. All on Christian Dior letterhead.

Bohan, Marc

Robert Dudley collection, 1932-1979

  • US NNFIT SC.100
  • Collectie
  • 1932-1979

This collection, dated 1932-1979, is comprised of 10 folders of press clippings, high-quality photographs, and correspondence relating to New York milliner Robert Dudley's hat collections, as well as 2 scrapbooks containing press, correspendence and photographs related to Robert Dudley.

Dudley, Robert

Thierry Mugler collection, 1982-1993

  • US NNFIT SC.178
  • Collectie
  • 1982-1993

15 sketches of both women’s wear and men’s wear reproduced in color. The sketches are dated from Fall/Winter 1982/83 to Fall/Winter 1992/93 and represent some of Mugler’s sportswear and eveningwear lines.

Mugler, Thierry

Frances Neady collection of original fashion illustrations, 1913-

  • US NNFIT SC.187
  • Collectie
  • 1913-

The Frances Neady collection of Original Fashion Illustrations was established in 1984 to honor its namesake, an inspirational teacher of fashion illustration. The collection encompasses over a century of fashion art. Its earliest example, a watercolor by Pierre Brissaud for Gazette du Bon Ton, is dated 1913; its most recent donation is by contemporary artist Ruben Toledo. Among other stars represented in the collection are Eric (Carl Erickson), René Bouché, Dorothy Hood, George Stavrinos, and Antonio (Lopez). Donations to the collection come from artists, collectors, and industry professionals. The donated works fulfill criteria established by the Neady Collection Advisory Board, which acknowledges artists who exhibit high standards of draftsmanship and esthetic quality, demonstrate an individual approach, possess technical virtuosity, have worked for high-end magazines, stores or corporations, and have earned the admiration of their peers. The Frances Neady collection’s mission is to encourage and facilitate research by students and industry professionals in the art of fashion illustration. The collection presents a graphic record of the art’s evolution since the 1910s. In addition, it provides a vivid cultural and visual reflection of its time.

Neady Collection Advisory Board

Board of Trustees records

  • US NNFIT SC.FITA.1
  • subgroup
  • 1951

The Board of Trustees records consist of nine (9) records series; 1) Miscellaneous records; 2) Executive, Manager, or Administrator's office files; 3) Member records; 4) Bylaws; 5) Procedures for meetings; 6) Official minutes and hearing proceedings (the bulk of the series); 7) Minutes of Auxiliary Meetings; 8) Meeting agendas; and 9) Chartering documents, statutes, and establishment plan.

Fashion Institute of Technology (New York, N.Y.)

Eleanor Lambert collection, 1943-2003

  • US NNFIT SC.214
  • Collectie
  • 1943-2003

This collection is comprised of the papers and records of renowned publicist Eleanor Lambert.

Lambert, Eleanor, 1903-2003

Cheryl Rosenfeld collection, 1961-2006

  • US NNFIT SC.370
  • Collectie
  • 1961-2000

This collection contains materials pertaining to Liz Claiborne including Claiboards which date between 1984 and 1996, business records on the textiles used by the company and a small selection of publications on textile science.

Rosenfeld, Cheryl

The Roundtable of Fashion Executives records, 1949-2011

  • US NNFIT SC.358
  • Collectie
  • 1949-2011

This collection contains records of The Roundtable of Fashion Executives and the life of its founder Faith Keane Reichert, 1949-2011.

The Roundtable of Fashion Executives

Academic Affairs records

  • US NNFIT SC.FITA.3
  • subgroup
  • 1944

Fashion Institute of Technology (New York, N.Y.)

Valerie Fuchs collection, 1940-1986

  • US NNFIT SC.347
  • Collectie
  • 1940-1986

This collection consists of original designer sketches, copies of sketches, advertisements, and related items Valerie Fuchs executed for the Aris Glove Company. Eight albums containing

Fuchs, Valerie

Hattie Carnegie sketches, 1940-1955

  • US NNFIT SC.242
  • Collectie
  • 1940-1955

This collection is comprised of fashion sketches made for Hattie Carnegie, Inc. from 1940 - 1955. This collection contains millinery (hats) for which some designs can be attributed to Esther A. Kleeper in 1945. The remainder of the collection is ready-to-wear dresses and suits, along with evening wear, mostly ballgowns, that were adapted from French couturiers for the American woman. The sketches have been divided into millinery, ready-to-wear, and evening wear. Many of the sketches are not dated, but based upon a survey of the collection and dates of similar physical garments made by Hattie Carnegie, Inc. it is assumed that the sketches are from the aforementioned dates.

Carnegie, Hattie

Esquire collection, 1933-1976

  • US NNFIT SC.412
  • Collectie
  • 1933-1976

This collection contains black and white press photographs and tear sheets dating from 1933-1976.

Esquire, inc.

Martin Unger sketches, 1960s, bulk 1966-1967

  • US NNFIT SC.422
  • Collectie
  • 1960s, bulk 1966-1967

This collection is comprised of 19 folders containing sketches of womenswear by Martin Unger. Some of the sketches have fabric samples attached. There are several photocopied versions of the sketches. Multiple folders within the collection features sketches of designs by other designers. Included within the collection are press materials and a brief article about Martin Unger.

Unger, Martin

Lucile, Ltd. records, 1910-1925

  • US NNFIT SC.1
  • Collectie
  • 1863-1935

Collection is comprised of model photographs, sketches, photographs of sketches, show programs, some newspaper and magazine clippings with articles about or by Lucile, order forms, advertisements, and fashion plates. Garment designs include theatrical costumes, wedding gowns, day and evening wear, tea gowns, lingerie and pajamas. Bulk of the collection consists of model photographs, fashion sketches, photographs of sketches and official phototransfers. In addition there are clippings of articles from different publications written by or about Lucile, she wrote regular columns for Hearst publications. Programs for the "Model Parades" introducing lines of clothing for several years. There are some photographs of Lucile's clients, and photographs of "Rose room" interiors of Lucile. Ltd from New York and Chicago locations. Inspirational and reference materials collected by Lucile and/or her staff, mainly fashion plates and newspaper clippings from different publications. Dates range from the early 1910s to the mid 1920s. Model photographs were glued in large format (12-14"w to 16-18"h) standard, blank books to order, referred throughout this finding aid as scrapbooks; there are 12 volumes in the collection. Bulk of original drawings that are arranged according to the type of clothing are loose, drawn on a heavy weight board; sketches for 1916 and 197-18 lines were glued into scrapbooks; there are 12 volumes of original drawings and 2 volumes of photographs and phototransfers. It is possible that two types of arrangement seen throughout the collection (most of Model photographs chronologically, most of sketches by type of clothing) are due to different purpose these materials served; sketches of period gowns or theatrical costumes could have been referred to time and time again for different productions or themed social events, whereas model photographs would have documented actual creation of such a garment at a certain point in time. It is also not clear why, but some scrapbooks with model photographs are reproduced in complete entirety, using same photo session materials some fully annotated.

Lucile, 1862-1935

Arsho Baghsarian shoe design collection, 1963-2008

  • US NNFIT SC.211
  • Collectie
  • 1963-2008

Donated in March 2009, the Arsho Baghsarian shoe design collection comprises approximately 26 cubic feet (14 cubic feet for the sketches and 12 cubic feet for the sample shoes and embellishments). The collection contains 561 shoe prototypes (210 total pairs and 141 total single shoes), 9 original boxes, 4 accessories (2 pairs of Shin-Shams) and 4752 design sketches, some handbags but mostly shoes shown in profile. Many, especially during the later part of her career are sketch copies since the originals remain at the factory. The original sketches are done in pencil, ink and gouache and photocopied. Additionally, there are numerous fabric and leather swatches, samples of ornament and color charts, roughly 102 pattern pieces, 224 advertisements primarily from The New York Times and Footwear News, 47 photographs primarily from the Margaret Jerrold retrospective exhibition held at Lord and Taylor in 1982, assorted press clippings, and 43 spiral-bound shoe forecasts from the 1950’s and 1960’s from the Mademoiselle Shoe Company. This is undoubtedly an important collection due in part to Baghsarian’s artistry and sculptural sensibility. She was able to utilize and craft a wide variety of materials to produce throughout the world during a career that spanned more than forty years from 1963 through 2008. The range of materials makes the collection an important tool for conservation, while the collection of design sketches, actual shoe prototypes and marketing, sometimes in publications that have greatly transformed or no longer exist, gives students a sense of art marketing and fashion history.

Baghsarian, Arsho

Steven Cervantes illustrations

  • US NNFIT US.NNFIT.SC.289
  • Collectie
  • undated

This collection is comprised of two 10 1/2 x 14" original pen and watercolor illustrations by Steven Cervantes. One depicts the exterior of a building (possible department store?) and the other is a architecture-inspired surface design.

Cervantes, Steven

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