This collection is comprised of 14 original illustrations of academic robes and official robes created for Encyclopaedia Britannica 11th Edition, 1910.
This collection consists of a single, matted pochoir print depicting the torso of a woman in a pink ensemble holding a blue feather by illustrator Georges Lepape. Limited edition, 19/30.
Contains 61 fragile articles of correspondence from the 1890s, graduation announcement, poem-prayer book, pressed flowers, wedding invitations, 2 book marks, 2 spools of thread, 1 round silk or satin rigid ribbon, and photograph. Publications include E. Marcus Reynolds: Joy Taylor System; Teacher's College: The Domestic Art Review 1909; Boston Dress Cutting College, Directions for Harriet A Brown's Scientific Rules; Unity Union SS Library Catalogue of Books; National School Domestic Arts and Science brochure; Dormitory brochure; The Model House brochure.
17 examples of magazines of photographs of nude women: Artists’ notebook; Real art studies; Dawn: psychology of eugenics, art, love; Classic art; Art stories magazine; Art quarterly; Artists and models review; Art group quarterly; French art; Camera art; Studio art studies.
This collection contains a photograph of Eleanor Lambert posing against a wall near a floral arrangement. Stamped en verso, "Ref. Dept./July 16, 1932/N.E.A."
This collection contains fashion illustrations (mainly garments) executed for Harper's Bazaar between the years of 1940-1942 by Dagmar Freuchen-Gale, Sara Johns and Reynaldo Luza. On the back of the illustrations there are Harper's Bazaar issue numbers that the illustrations were published in.
This collection consists of photographs, press clippings, exhibition brochures, personal papers, and sketches that relate to the career of Austrian artist Vally Wieseltheir.
This collection contains two Schocking de Schiaparelli perfume bottles in their original packing and one example of the packaging for Schiaparelli lipstick.
This collection is comprised of 18 folders containing designer sketches, large fabric swatches many of which include embellishment, and press materials.
This collection is comprised of fashion sketches made for Hattie Carnegie, Inc. from 1940 - 1955. This collection contains millinery (hats) for which some designs can be attributed to Esther A. Kleeper in 1945. The remainder of the collection is ready-to-wear dresses and suits, along with evening wear, mostly ballgowns, that were adapted from French couturiers for the American woman. The sketches have been divided into millinery, ready-to-wear, and evening wear. Many of the sketches are not dated, but based upon a survey of the collection and dates of similar physical garments made by Hattie Carnegie, Inc. it is assumed that the sketches are from the aforementioned dates.
