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This folder is comprised of fashion photographs depicting Pauline Trigère designs.

This container consists of awards in the form of glass, plastic, wood and metal. These items have been securely packed into a box.

This folder is comprised of three sketches of Pauline Trigère by Joe Eula.

This folder contains a promotional booklet for Fath's 1949-50 collection.

This folder contains short leather glove samples, some with details which include crochet or contrasting color stitches and a few non-leather samples.

This folder includes press releases from Barbara Kling Publicity and several misc. thank you correspondences.

This folder is comprised of 1 CD containing images of Morton Kaish works.

This folder contains two different versions of a manuscript entitled "Not That Fashion's Gone to Hell" and a undated photocopy of an Joseph Magnin ad.

Volume 1 contains coverage of Mainbocher's back-to corsets movement and the new long torso silhouette he created in undergarments during his collaboration with Warner. It also contains extensive coverage of his famous "Rules for Chic" 12-point plan and his first trip back to his native Chicago. Included are Mainbocher-Warner PR materials, a New Yorker profile, and ads taken from the New Yorker, Vogue and Harper's Bazaar. Folders contain a periodicals list, a brief note from an unidentified woman to the designer and an issue of Look magazine with an article on Mainbocher's business from January 18, 1938.

This sub-series is comprised of fifty-nine black & white photographs of Newey's work as a window dresser and display artist for Bonwit Teller, Greneker Manikin Co., NYC, Zarin Display Co, NYC, Lord & Taylor, the Singer Sewing Machine Pavillion at the 1964 New York World's Fair and Saks Fifth Ave. All but three photos are sized 8x10".

This folder contains four department store charge cards: B. Altman's, Bonwit Teller, E.J. Korvette and Ohrbach's.

This folder contains black and white photographs, film negatives and contact sheets of actors.

This sub-series contains items that were produced as a result of Edward Moir's work as a manager and president of Wool Mills. Most of it relates to Crown Woolen Mills (particularly mill appraisals), but there are some items that relate to earlier jobs he held at other mills. See also US.NNFIT.SC.217.2.4 which contains photos of Crown Woolen Mills over the years.

Copies of several obituaries for Edward Moir.

This folder contains tear sheets pertaining to the work of Pauline Trigère.

This sub-sub-series is comprised of scrapbooks chronicling the career of Pauline Trigère.

This folder contains address books from different states across the United States of America.

This folder contains sheets with handwritten notes that describe Halston hats. Also included are photos of hats.

This series is comprised of designs for womenswear and women and men's costumes.

This folder contains pencil and ink sketches, many with fabric swatches attached.

This folder contains fabric swatches, some of which are embroidered.

This folder contains correspondance, press clippings, sketches with swatches attached and photographs of Cookman's use and promotion of Championship Tweeds, exclusive imported wool tweeds from Scotland which were hand-spun, hand-dyed and hand-woven.

This series contains 7 design sheets of hats created by Yumiko Itoyama. Includes images of completed hat, descriptions, price and fabric swatches. This series also includes one ink sketch of hat design

This folder contains sketches of pencil, watercolor, marker, and pen designs for womenswear.

This folder contains 18 fashion illustrations produced by Reynaldo Luza that consists of garments and accessories: (hats, gloves, belts, umbrellas and shoes) Some illustrations are labeled Bergdorf Goodman on the back.

This folder contains a short biography of Madame (Marguerite) Marge and press clippings, photographs, and fabric samples related to her 1936-37 Javanese Batik collection.

This folder contains original press clippings and press photographs related to Robert Dudley and hats he designed and sold, dating between 1939-1956.

This series is comprised of press-realted material including press kits, collection and garment descriptions, and compilations of press converage.

This folder is comprised of a press kit, and two copies of the Spring/Summer 1995 Collection descriptions.

This series is comprised of 10 folders containing photographs.

This folder contains spiral-bound "Claiboards" detailing the collections between 1984-1996.

This folder contains spiral-bound "Claiboards" detailing the Spring, Spring II, Fall I and Holiday 1984 collections.

Conducted in 2011, the interview covers Adams's entry in modeling, her early career working as a professional model while still in high school, modeling throughout Europe and Scandinavia, meeting Eileen and Jerry Ford and becoming a Ford model, her experiences working as a model in the late 1960s and 1970s, and her transition into acting. Throughout the interview, Adams reflects on her experiences working closely with Eileen Ford , and expresses gratitude for the lessons Ford instilled in Adams. Adams mentions working with Ford senior Vice President, Sue Charney, and booking agent, Rusty Donovan Zeddis, as well as shooting with photographers, Helmut Newton, and Neal Barr. Halfway through the interview, Adams is joined by her friend, Carl Richards, who joins in Adams's interview before being interviewed separately by Sicular. Carl Richards spontaneously joins this interview part way in.

This series consists of production materials used by Anneliese Kapp for illustrated fashion advertisements. This series includes copies of her illustrations on paper and photo negatives.

This folder consists of tear sheets from the New York Times dating between 1963-1970 depicting fashion illustration advertisements by Anneliese Kapp.

This series consists of original fashion illustrations by Anneliese Kapp primarily from the 1970s.

This folder contains almanacs for 1932 and 1933 produced by Le Bon Marché department store.

Video and web material that discusses leadership in social justice, diversity, corporate responsibility, and innovation in the fashion industry. Students, faculty, industry leaders, and entrepreneurs, from FIT and numerous other institutions, discuss emerging trends, network with peers, and share innovative solutions for a sustainable future.

This sub-series includes press clippings about speeches or lectures given by Shirley Goodman.

This sub-series includes President's Reviews and programs from the inauguration of Lawrence L. Jarvie.

This series includes annual reports for the office of academic affairs.

3 folders of Ramona Ramos' school work when she was a student at FIT. Includes sketches, examples of sewing, biographies of designers, paper patterns, report on millinery history, machine skills course work, and collages.

This series is comprised of miscellaneous scrapbooks that highlight major press coverage and other photographs relating to George Simonton's fashion design work.

This folder is comprised of miscellaneous press clippings dating from 1986 to 2011.

This folder is comprised of 5x7 color prints of FIT students and their designs in class and in progress design photos.

This folder is comprised of QVC print outs of designs, price lists, and sales.

This folder is comprised of reference materials including museum and exhibition brochures, fashion calendars, and reference from brands such as Sacha Pacha.

Includes the advertising flyer, schedule of events, papers, and presentations delivered at the 2005 Symposium "Building Style" which occurred on Saturday, May 6, 2005 from 11:00am to 5:00pm. Ten Graduate Students from the School of Graduate Studies delivered presentations. Each presenter's paper and presentation is represented. Keynote address, "Soft Structures," was given by Michelle Fornabal, but her presentation is not included in the file. The names of the presenters and the title of their presentations contained in this folder are: Mary P. Jarvis, "Solving for (x): Drafting the Language of Fashion & Architecture;" Katherine M. Hill, "The Sinuous Line: Art Nouveau Fashion and Architecture;" Marianne Brown, "In Vogue: Edward Steichen at Condé Nast's Apartment;" Jennifer Kay Holley, "Seeing Hats: Millinery and Architecture Through the Lens of Fashion Photography."

The Oral History Project of the Fashion Industries began informally in the late 1970s, and was officially funded by a grant from the Educational Foundation for the Fashion Industries beginning in 1981. The project was guided by an industry advisory committee chaired by Mrs. William Randolph Hearst, Jr., and was largely guided by then director of the Gladys Marcus Library at FIT, John Touhey.