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Affichage de 9141 résultats

Description archivistique
249 résultats avec objets numériques Afficher les résultats avec des objets numériques
Reference
US NNFIT SC.FITA.3.7.9.2.10.1 · folder · undated
Fait partie de Academic Affairs records

This folder is comprised of reference materials including museum and exhibition brochures, fashion calendars, and reference from brands such as Sacha Pacha.

Symposium records
US NNFIT SC.FITA.3.10.1.2.1 · folder · 2005
Fait partie de Academic Affairs records

Includes the advertising flyer, schedule of events, papers, and presentations delivered at the 2005 Symposium "Building Style" which occurred on Saturday, May 6, 2005 from 11:00am to 5:00pm. Ten Graduate Students from the School of Graduate Studies delivered presentations. Each presenter's paper and presentation is represented. Keynote address, "Soft Structures," was given by Michelle Fornabal, but her presentation is not included in the file. The names of the presenters and the title of their presentations contained in this folder are: Mary P. Jarvis, "Solving for (x): Drafting the Language of Fashion & Architecture;" Katherine M. Hill, "The Sinuous Line: Art Nouveau Fashion and Architecture;" Marianne Brown, "In Vogue: Edward Steichen at Condé Nast's Apartment;" Jennifer Kay Holley, "Seeing Hats: Millinery and Architecture Through the Lens of Fashion Photography."

US NNFIT SC.FITA.3.20.4.9.1 · sub-sub-sub-series · 1977-2011 bulk 1977-1990
Fait partie de Academic Affairs records

The Oral History Project of the Fashion Industries began informally in the late 1970s, and was officially funded by a grant from the Educational Foundation for the Fashion Industries beginning in 1981. The project was guided by an industry advisory committee chaired by Mrs. William Randolph Hearst, Jr., and was largely guided by then director of the Gladys Marcus Library at FIT, John Touhey.

Gordon Cooke interview, 1986 November 5
US NNFIT SC.FITA.3.20.4.9.3.1 · Pièce · 1986 November 5
Fait partie de Academic Affairs records

This interview takes place at a time when Bloomingdale's President Marvin S. Traub was being awarded the "Person Who Makes the Difference" award from the Fashion Institute of Technology. Gordon Cooke discusses the various ways in which Traub's style of leadership and business has made a difference in Bloomingdale's success not just as a department store but as an innovator in the world of promotions and business relations. Cooke uses Bloomingdale's country promotions as examples of Traub's creativity and insight regarding promotions. Cooke discusses the team-syle development of ideas, describing the equal value placed on promotions, design, sales, etc. as being instrumental in the creative development of Bloomingdale's. Cooke credits Bloomingale's with opening up trade with various countries before even the U.S. government had fully developed trade with these countries. Finally, Cooke talks about Traub's collaboration with both established and cutting-edge artists in advertisements and promotions.

Sans titre
US NNFIT SC.FITA.3.20.4.9.12.1 · Pièce · 1984 November 1
Fait partie de Academic Affairs records

Rosalind Snyder, Founder Dean Emeritus 1944-1963 of FIT, discusses the Institute’s inception at the Central High School of Needle Trades, it’s founding vision, and it’s progression to a college-level institution. Snyder describes the educational trajectory that led to her initial post as Assistant Director alongside Dr. Mortimer Ritter at the Fashion Institute of Technology (New York, N.Y.). She describes the early demographics of students and the evolution of the Fashion Institute of Technology (New York, N.Y.)’s curriculum and educational policy, detailing close relationships with the fashion industry itself. Snyder discusses the spirit of collaboration and creativity in the early days of the Fashion Institute of Technology (New York, N.Y.), listing founding educators and innovators who helped the Institute flourish. Snyder pays particular attention to the 1950s wherein the Fashion Institute of Technology (New York, N.Y.) found a home on 27th street and, in 1951, was authorized as a community college; cementing its status as an academic institution of note. Snyder retired from her post in 1963, but asserts her continued belief in the permanence of the Fashion Institute of Technology (New York, N.Y.)’s unique vision of creative exploration.

Film records
US NNFIT SC.479.1.1 · folder · 1996-2011
Fait partie de Ethan Minsker collection, 1990-2021

This folder contains original screenplays written by Ethan H. Minsker titled Sunday Service, Killing the Messenger, and The Stick Up Artist or Steal Drive.

Personal and professional records
US NNFIT SC.479.2.1 · folder · 2009-2015
Fait partie de Ethan Minsker collection, 1990-2021

This folder contains the personal resume/CV of Ethan Minsker, film submission to Oscilloscope Laboratories, and a business case study of the Antagonist Art Movement conducted by Judith E. McCaffrey.

Sketches, 1936-1977
US NNFIT SC.105.1.1 · sub-series · 1936-1977
Fait partie de Seymour Troy collection, 1936-1977, bulk 1936-1940

This sub-series contains sketches of shoes by both Seymour Troy and other designers for Seymour Troy. Most of the sketches are loose but there were also a number of sketchbooks, most of which have been disbound. Almost all of the sketches are undated.

Sans titre
Model photographs, 1915-1919
US NNFIT SC.1.1 · Série organique · 1915-1919
Fait partie de Lucile, Ltd. records, 1910-1925

5.5 linear feet - Model photographs series of the collection include documents Lucile Ltd. lines for 1915, 1916, 1917 and 1919 (not all seasons). Some of the lines are annotated with model titles, listing of fabrics and fabric swatches. In some instances a name of the customer or a price is jotted down. Most often there are multiple takes of the model showing front, back, and side views providing complete presentation of a costume. Some volumes repeat in almost complete entirety, (reasons unknown). Some of the annotations are written in careful script, with ruled lines for uniformity of the letter height, and pasted on a heavier board. Women in these photographs are mostly girls hired to model for Lucile Ltd., however there are some photographs of well known theater and film personalities (See series 1.3.2). Lady Duff Gordon was the first one to have specialized events called "Mannequin Parades" for showing clothes on beautiful women in staged settings, a precursor to today's runway fashion shows. In the collection clothes are modeled by models whose full names were not lost to history: Dolores (Kathleen Mary Rose [married name Willkinson]), Phyllis (Phyllis Francatelli), Dinarzade (Lillian Mulligan [married name Farley] in some sources identified as Lillian Fisher, or Petra Clive), Hebe (Constance Vasselier); as well as those known by only trade names - Arjamand, Melisande, Gamela, Corisande and others. Among photographers listed separately as contributors are, Joel Feder, T. Fall, Burke Atwell (Lucile Studio?), White Studio 1546 Broadway

Sketches, 1973-2011
US NNFIT SC.332.1.1
Fait partie de Stephen Burrows collection, 1969-2012

This subseries contains sketches from 1973-2011 (some oversized). The sketches are of Burrows signature style, employing characteristics of movement, color, and slim silhouettes.

Sketches, 1913-
US NNFIT SC.187.1 · Série organique · 1913-
Fait partie de Frances Neady collection of original fashion illustrations, 1913-

The Frances Neady collection of Original Fashion Illustrations was established in 1984 to honor its namesake, an inspirational teacher of fashion illustration. The collection encompasses over a century of fashion art. Its earliest example, a watercolor by Pierre Brissaud for Gazette du Bon Ton,is dated 1913; its most recent donation is by contemporary artist Ruben Toledo. Among other stars represented in the collection are Eric (Carl Erickson), René Bouché, Dorothy Hood, George Stavrinos, and Antonio (Lopez). Donations to the collection come from artists, collectors, and industry professionals. The donated works fulfill criteria established by the Neady Collection Advisory Board, which acknowledges artists who exhibit high standards of draftsmanship and esthetic quality, demonstrate an individual approach, possess technical virtuosity, have worked for high-end magazines, stores or corporations, and have earned the admiration of their peers. The Frances Neady collection’s mission is to encourage and facilitate research by students and industry professionals in the art of fashion illustration. The collection presents a graphic record of the art’s evolution since the 1910s. In addition, it provides a vivid cultural and visual reflection of its time.

Sketches of outerwear, 1960s
US NNFIT SC.422.1 · folder · 1960s
Fait partie de Martin Unger sketches, 1960s, bulk 1966-1967

This folder is comprised of 37 sketches of women's outerwear. 9 of these sketches have attached fabric samples, and some of the sketches are photocopies. The folder also contains one small sketch of a circular skirt.

1982
US NNFIT SC.418.1 · folder · 1982
Fait partie de UCE of FIT records, 1982-2011

This folder contains one copy of the 1982-1983 Bargaining Agreement.

Sketches, circa 1920-1929
US NNFIT SC.147.1.1 · folder · circa 1920-1929
Fait partie de Margé Studios collection, 1919-1953

This folder contains 6 color sketches of day & sport dresses with examples of fabric embellishment including crochet, hand-painting, applique and embroidery.

Sans titre
Photographs, 1940, bulk undated
US NNFIT SC.100.2.1 · folder · 1940
Fait partie de Robert Dudley collection, 1932-1979

This folder contains 30 large, high-quality black and white photographs of of women modeling hats designed by Robert Dudley, dating from 1940 (bulk undated), as well as 3 pages of small or autographed photographs pasted onto scrapbook paper.