This folder contains 18 fashion illustrations produced by Reynaldo Luza that consists of garments and accessories: (hats, gloves, belts, umbrellas and shoes) Some illustrations are labeled Bergdorf Goodman on the back.
Zonder titelThis series is comprised of designs for womenswear and women and men's costumes.
This folder contains pencil and ink sketches, many with fabric swatches attached.
This folder contains fabric swatches, some of which are embroidered.
This folder contains correspondance, press clippings, sketches with swatches attached and photographs of Cookman's use and promotion of Championship Tweeds, exclusive imported wool tweeds from Scotland which were hand-spun, hand-dyed and hand-woven.
This series contains 7 design sheets of hats created by Yumiko Itoyama. Includes images of completed hat, descriptions, price and fabric swatches. This series also includes one ink sketch of hat design
Two photographs of women modelling outfits. One photograph of 4 female students in front the of Needle Trades Building, labelled on back.
This sub-series includes communications written by Marvin J. Feldman to member of the F.I.T. community, and materials relating to events sponsored by the Futures Committee.
This sub-series includes records from Lawrence Bethel's inauguration, correspondence, including a letter from U.S. President Dwight D. Eisenhower, and photos. This sub-series also includes publications, proposals, and reports from 1962-1964 relating to F.I.T.'s international educational initiatives in Mexico, Israel, Nigeria, and Puerto Rico conducted in accordance with the Agency for International Development of the U.S. State Department. One of these reports is in Spanish.
This series consists of production materials used by Anneliese Kapp for illustrated fashion advertisements. This series includes copies of her illustrations on paper and photo negatives.
This folder contains images of the original Lord and Taylor store at 47 Catherine Street, as well as reproduction of an New York City map from 1827.
The Integrated Service-Learning Project is an extension of the Interior Design Relief Project which was founded in 2013. It aims to integrate the efforts of like-minded interior designers, architects, and contractors who believe that the design of the physical environment matters, shapes lives, and can empower people. Documents relate to projects conducted with FIT Interior Design students and various New York and New Jersey area organizations including the Bowery Mission Women’s Center in the renovation of their laundry room, the Community of Friends in Action of Leonia, NJ, the Leonia Presbyterian Church, and Hug-it-Forward, to build a “bottle school” in Guatemala, presented proposals for the renovation of the communal kitchen at Hephzibah House in New York City and Living Waters Community Center in Brooklyn, Restore NYC during the Spring semester and moving on to summer with The Bowery Mission Men's Center and St. Paul's House and more. These projects became part of the curriculum and the content is now taught in the 6th semester in liaison with New York Cares
Conducted in 2011, the interview covers Adams's entry in modeling, her early career working as a professional model while still in high school, modeling throughout Europe and Scandinavia, meeting Eileen and Jerry Ford and becoming a Ford model, her experiences working as a model in the late 1960s and 1970s, and her transition into acting. Throughout the interview, Adams reflects on her experiences working closely with Eileen Ford , and expresses gratitude for the lessons Ford instilled in Adams. Adams mentions working with Ford senior Vice President, Sue Charney, and booking agent, Rusty Donovan Zeddis, as well as shooting with photographers, Helmut Newton, and Neal Barr. Halfway through the interview, Adams is joined by her friend, Carl Richards, who joins in Adams's interview before being interviewed separately by Sicular. Carl Richards spontaneously joins this interview part way in.
Zonder titelThe Marketing Files were a unique research collection created and originally kept in the library's former Vertical Files unit. They were popular resources for researchers before the internet dominated such searches. The files were largely composed of thousands of articles related to the business and marketing side of the fashion industry that were clipped, photocopied, pasted, or laminated by the Vertical Files staff. They also included promotional and informational materials such as pamphlets, booklets, press kits, annual reports, financial reports, industry studies, and catalogs. These collected materials are grouped chronologically within each folder, and the folders are arranged alphabetically by company within each alphabetical topic. These topics include the apparel industry, cosmetics and toiletries, furs, leather, licensing, and retail stores. The dates of these collected materials range from 1949 to 1995. (The Vertical Files unit was closed in January, 1996.) Upon introduction to the College Archives these folders filled 131 archival boxes, but those have been weeded for online redundancy and condition. The remaining hard-to-find materials are now housed in 44 boxes containing 201 folders. These files might appeal to students of Fashion Business Management, Global Fashion Management, and International Trade and Marketing for the Fashion Industries who are researching the history of various aspects of the industry.
Zonder titelPhotocopied, pasted, and laminated articles concerning labor issues within the apparel industry, including articles from Barron's and California Apparel News.
Videos about Zandra Rhodes and her fashion designs including television appearances, fashion shows, museum visits, and interviews. Some were choreographed or directed by Derek Jarman and Ron Link. Some interviews are with Joan Agajanian Quinn.
This folder consists of press clippings dating from 1928-1946.
This series contains personal documents that belonged to Wieselthier including correspondence, receipts, ledgers and budgets, applications, etc.
This folder contains tear sheets pertaining to the work of Pauline Trigère.
This sub-sub-series is comprised of scrapbooks chronicling the career of Pauline Trigère.
This folder contains address books from different states across the United States of America.
This folder is comprised of fashion photographs depicting Pauline Trigère designs.
This container consists of awards in the form of glass, plastic, wood and metal. These items have been securely packed into a box.
This folder is comprised of three sketches of Pauline Trigère by Joe Eula.
Zonder titelThis sub-series contains columns and photos and negatives associated with columns written by Eleanor Lambert.
This folder contains press releases on the history of COTY, general correspondence and biographies of COTY executives and employees, some with head shots of the individual.
This folder contains one black and white photo of a woman modeling jewelry labeled en verso "Luciana Pignatelli-Avedon/Hold".
Zonder titelSix sketches with accompanying shoe pattern cutouts.
Zonder titelContains publicity materials and clippings, all undated. Examples include printed images of shoes and pages from The Dunbar Style Service, a shoe industry publication from the early twentieth century. Also includes a printed advertisement for Troy's early brand, yrto.
Zonder titelThis folder contains a paper placemat, dress sketches, what appears to be a mockup for a print ad, an internal order form, and two 2-D models of shoes made of suede and leather, one undated and one dated 1964.
Zonder titelThis series contains sketches from Hattie Carnegie, Inc. ranging from gowns to millinery.
Zonder titelThis is a Hattie Carnegie Menswear sketch for her boutique on 49st in NYC. High-waisted pleated trousers with a fitted waist and relaxed fit pant leg and a pointed collar button down shirt.
Zonder titelThis folder includes hand written notes which seems to be describing garment styles, fabrics and knits.
Zonder titelDonated in March 2009 and currently housed in 9 boxes and 163 folders, the volume of Arsho Baghsarian shoe design sketch series is approximately 14 cubic feet (approximately 24000 sketches), which covers the complete output of Arsho Baghsarian from 1963 to 2008.
The series starts with a red pump sketch for Christian Dior dated back to 1963. This sketch is also the only Dior shoe sketch in this collection. Most original sketches are from 1960s to 1990s, which involve brands such as I.Miller, Andrew Geller, Shoebiz, and Arsho for Shoebiz. The original sketches were done in pencil, ink and gouache. The sketches for Stuart Weitzman (including Stuart Weitzman, Stuart, Arsho for Stuart Weitzman) account for approximately two-thirds of this series. Since the original sketches especially those in Arsho’s late career remain in the factory, the sketches of this part in the collection are photocopies. Arsho devotes her entire career and talents to shoe designs. She has designed the full spectrum of women’s footwear: from sandals to boots and from wedding slippers to sports shoes.
The range of materials makes the series an important tool for conservation, while the collection of design sketches, actual shoe prototypes and marketing, even those in publications that have been greatly transformed or no longer exist, give students a sense of art marketing and fashion history.