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Includes the advertisitng flyer, schedule of events, papers, and presentations delivered at the 2014 Symposium "Modes of Modernity The Ephemeral & the Eternal in 20th Century Fashion" which occurred on Saturday, May 10, 2014. Eleven Graduate Students from the Department of Fashion and Textile Studies: History, Theory, Museum Practice delivered presentations. Each presenter's paper and presentation is represented. Denyse Montegut delivered the welcoming address and Rachel Baum and Lourdes Font gave an introduction entitled, "Defining Modernism in Fashion," but their presentations are not included in the files. The names of the presenters and the title of their presentations contained in this folder are: Julia Pehrson, "Everything Old is New Again: Egyptomania in 1920s Fashion;" Kyla Ibanez Katigbak, "Modern Metropolis: The New York Skyline in Textile Design, 1890-1940;" Paula M. Sim, "Modesty is Fashion: Dress Reform in Modern Orthodox Judaism;" Diana Dalmas, "Period Films and the Decline of the Modern, 1930-1953;" Virginia Wilking, "A Well Controlled Body: Constructing the New American Woman of Fashion 1900-1940;" Kristen Haggerty, "Shop Girls: Department Stores and the Fashionable Working Woman;" Kathryn Squitieri, "A Tale of Two Elspeths: Forgotten Coutuerières and Their Impact on Modern Fashion."

The Integrated Service-Learning Project is an extension of the Interior Design Relief Project which was founded in 2013. It aims to integrate the efforts of like-minded interior designers, architects, and contractors who believe that the design of the physical environment matters, shapes lives, and can empower people. Documents relate to projects conducted with FIT Interior Design students and various New York and New Jersey area organizations including the Bowery Mission Women’s Center in the renovation of their laundry room, the Community of Friends in Action of Leonia, NJ, the Leonia Presbyterian Church, and Hug-it-Forward, to build a “bottle school” in Guatemala, presented proposals for the renovation of the communal kitchen at Hephzibah House in New York City and Living Waters Community Center in Brooklyn, Restore NYC during the Spring semester and moving on to summer with The Bowery Mission Men's Center and St. Paul's House and more. These projects became part of the curriculum and the content is now taught in the 6th semester in liaison with New York Cares

3 folders of Ramona Ramos' school work when she was a student at FIT. Includes sketches, examples of sewing, biographies of designers, paper patterns, report on millinery history, machine skills course work, and collages.

This collection contains promotional materials, photographs, stationary and a fashion show program pertaining to the Traphagen School of Fashion.

This collection contains printed Comme des garçons promotion materials dating to circa 1999-2012.

Random assortment of photographs. Several copies of a photograph of Madeline Wilson, FBM 1970, who was the runner-up for Miss Black America. Photograph of a group of students at the Carnegie Mansion in period costume. Photograph of students holding signs displaying the names of their departments. Contact sheet of janitorial staff and a woman and man with a dog exiting a building.

This collection contains three programs from the 2018 inauguration of SUNY Chancellor Kristina M. Johnson, a enamel pin commemorating the event and a DVD entitled The SUNY Community Colleges: An Oral History of the First 30 Years.

This collection contains fashion sketches (originals and digital facsimiles), fashion photographs, and press/promotional materials documenting the career of Stephen Burrows in the fashion industry from 1969-2012. There is a gap of press materials from 1990-2000 when he left Henri Bendel to open his own business on seventh avenue. His fragrance named, Stephen B., is briefly documented in photographs, press, and a silver wave necklace solid perfume. Ephemeral materials such as personal photographs and an E.R.A ribbon are also a part of the collection.

This collection is contains 262 original fashion sketches by John Derro.

This collections contain Coty Award programs for 1976-1978 and 1980-1984 and Coty Award press clippings from 1975-1980, 1982 and 1985. Two award show tickets are also included one undated, the other from 1982.

This collection is comprised of working manuscripts and drafts of essays.

The Frances Neady collection of Original Fashion Illustrations was established in 1984 to honor its namesake, an inspirational teacher of fashion illustration. The collection encompasses over a century of fashion art. Its earliest example, a watercolor by Pierre Brissaud for Gazette du Bon Ton, is dated 1913; its most recent donation is by contemporary artist Ruben Toledo. Among other stars represented in the collection are Eric (Carl Erickson), René Bouché, Dorothy Hood, George Stavrinos, and Antonio (Lopez). Donations to the collection come from artists, collectors, and industry professionals. The donated works fulfill criteria established by the Neady Collection Advisory Board, which acknowledges artists who exhibit high standards of draftsmanship and esthetic quality, demonstrate an individual approach, possess technical virtuosity, have worked for high-end magazines, stores or corporations, and have earned the admiration of their peers. The Frances Neady collection’s mission is to encourage and facilitate research by students and industry professionals in the art of fashion illustration. The collection presents a graphic record of the art’s evolution since the 1910s. In addition, it provides a vivid cultural and visual reflection of its time.

This collection contains black and white press photographs and tear sheets dating from 1933-1976.

This collection consists of sketches, shoe patterns, embellishments, photographs, promotional materials, scrapbooks, and metal stamps from women's footwear company Seymour Troy Originals. The majority of the collection is undated, although it is estimated that most of it is from the 1930s and 1940s. At least one piece of promotional material is from yrto, and there is a scrapbook cover stamped with yrto. Previous documentation of the collection noted that some sketches were by other designers for Seymour Troy, and specifically named Emery Blau, Al Lewis, and "Cohen." It appears that the collection was added to after Seymour Troy's death, as there are at least two sketches dated 1977.

This collection consists of illustrations, photographs, print materials, awards, and other ephemera relating to the career of American fashion illustrator Jane Bixby Weller.