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Mechanically reproduced print of nineteen of Maria Monica Gallenga's design illustrations.

This folder contains ten 9 x 12 3/4" pencil and watercolor sketches of dresses, hats and coats. Many sketches accompanied by fabric swatches.

Black and white carte-de-visite showing ethnic costume of a Dutch Prior. Full caption: "Costumes des Pays-Bas. Un prieur d'enterrement Protestant d'Amsterdam. Publié par A. Jager. Water 110, Amsterdam. Le droit de reproduction réservé."

Hand-colored carte-de-visite depicting Neapolitan fishers, a man and a woman, with baskets.

Hand-colored carte-de-visite depicting a Swiss woman. Full caption: "Costumes Suisses. T. Richard Phot. Maenedorf. Lucerne Ville Dépose Attenhofer & co. Zurich."

Hand-colored carte-de-visite depicting a woman and child in ethnic costume.

Hand-colored carte-de-visite depciting a man playing a bagpipe. Full caption: "Stuart Inverness. When ordering duplicates please give the No."

Carte-de-visite depicting a woman who is a milk maid and her dog. Full caption: "Antwerp Sept. 13 1876 Vues d'Anvers. Views of Antwerp. Charette de Laitière. (151) C.K. Manley"

Carte-de-visite depicting a woman who is a milk maid and her dog. Full caption: "Antwerp Sept. 13 1876 C.K. Manley"

Hand-colored carte-de-visite depicting a man and a boy with a goat. Full caption: "N. 195 Fotografia Gior (obscured) rad Strada (obscured) dina 54 Napoli"

This folder contains sketches of pencil, watercolor, marker, and pen designs for womenswear.

This collection holds documents and photographic materials including correspondence between Robert Riley, Janet Gaynor, and others concerning research for the FIT exhibition, Adrian Retrospective, 1971.

Old man in wheelchair with male and female figures; Black and white: charcoal; Signed

Sketches by three fashion designers collected by Pierre Simon. 248 of the drawings are by Pierre Balmain (198 b/w and watercolor and 49 b/w pencil sketches). Collection also includes 1 black white drawing each by Christian Dior and Elsa Schiaparelli.

This collection is comprised of 121 black marker millinery sketches.

This series contains 1,539 8x10" color photographs of runway presentations.

This folder contains black and white photographs depicting clothed women and mannequin heads wearing Victor hats from 1946. Most photographs include typed descriptions attached and some have handwritten notes on the reverse side.

This folder contains black and white photographs depicting clothed women and mannequin heads wearing Victor hats from the 1940s. Most photographs include typed descriptions attached and some have handwritten notes on the reverse side.

This folder contains black and white photographs depicting clothed women wearing Victor hats from 1942. Most photographs include typed descriptions attached and some have handwritten notes on the reverse side. Also, included are promotional materials.

This folder contains black and white photographs depicting clothed women wearing Victor hats from 1943. Most photographs include typed descriptions attached and some have handwritten notes on the reverse side.

Framed black and white photograph of model Alva Chinn wearing Halston while rehearsing on stage for the Grand Divertissements à Versailles.

This collection contains a 187 page transcript of an oral history with Andrew Goodman.

Videos about Zandra Rhodes and her fashion designs including television appearances, fashion shows, museum visits, and interviews. Some were choreographed or directed by Derek Jarman and Ron Link. Some interviews are with Joan Agajanian Quinn.

Challenge and Change: Fashion in the Industrial Age, May 11, 2013

In this interview Liz Claiborne sat down with Estelle Ellis to discuss all aspects of Liz Claiborne Inc. Aware that her label represents a promise between her brand and the customer, Claiborne insists on being a part of every aspect of the design process for each label, from the initial color choices (which Claiborne stresses as being of paramount importance) to the final sample edits. Claiborne reveals the difficulties she faces when working with the menswear and childrenswear departments. In explaining why the Liz Claiborne company hires so many interns, Claiborne makes a point to explain the importance of learning on the job.

This interview with Liz Claiborne discusses her experiences as she worked her way up as a designer. She describes her past work with designers and firms such as Ben Reig, Omar Kiam, Dave Schwartz, Juniorite, and the Rhea manufacturing company. Claiborne provides insight to the growth of her own company and all of the factors that go into the production of it.

In this interview, Robert L. Green interviews award-winning costume designer Patricia Zipprodt in her studio. They discusses the process of designing costumes for the theater and her use of apprentices to help with costume research.