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US NNFIT SC.187 · Coleção · 1913-

The Frances Neady collection of Original Fashion Illustrations was established in 1984 to honor its namesake, an inspirational teacher of fashion illustration. The collection encompasses over a century of fashion art. Its earliest example, a watercolor by Pierre Brissaud for Gazette du Bon Ton, is dated 1913; its most recent donation is by contemporary artist Ruben Toledo. Among other stars represented in the collection are Eric (Carl Erickson), René Bouché, Dorothy Hood, George Stavrinos, and Antonio (Lopez). Donations to the collection come from artists, collectors, and industry professionals. The donated works fulfill criteria established by the Neady Collection Advisory Board, which acknowledges artists who exhibit high standards of draftsmanship and esthetic quality, demonstrate an individual approach, possess technical virtuosity, have worked for high-end magazines, stores or corporations, and have earned the admiration of their peers. The Frances Neady collection’s mission is to encourage and facilitate research by students and industry professionals in the art of fashion illustration. The collection presents a graphic record of the art’s evolution since the 1910s. In addition, it provides a vivid cultural and visual reflection of its time.

Sem título
September 4-5 1993
US NNFIT SC.214.1.1.406 · folder · 1993
Parte de Eleanor Lambert collection, 1942-2003

This folder contains a column on shoes and black and white photos of shoes by Joan Halpern of Joan and David, Kenneth Cole, Yves Saint Laurent, and Roger Vivier.

September 23-24, 1995
US NNFIT SC.214.1.1.536 · folder · 1995
Parte de Eleanor Lambert collection, 1942-2003

This folder contains a column on accessories and color photos of accessories by Paloma Picasso, Judith Leiber, Cartier and black and white photocopies of photos of wigs by Karl Lagerfeld and shoes by Joan & David.

April 19-20, 1997
US NNFIT SC.214.1.1.637 · folder · 1997
Parte de Eleanor Lambert collection, 1942-2003

This folder contains a Joan Halpern and color photos of shoes by Joan and David and black and white photocopies of photos of shoes by Joan and David.

Lucile, Ltd. records, 1910-1925
US NNFIT SC.1 · Coleção · 1863-1935

Collection is comprised of model photographs, sketches, photographs of sketches, show programs, some newspaper and magazine clippings with articles about or by Lucile, order forms, advertisements, and fashion plates. Garment designs include theatrical costumes, wedding gowns, day and evening wear, tea gowns, lingerie and pajamas. Bulk of the collection consists of model photographs, fashion sketches, photographs of sketches and official phototransfers. In addition there are clippings of articles from different publications written by or about Lucile, she wrote regular columns for Hearst publications. Programs for the "Model Parades" introducing lines of clothing for several years. There are some photographs of Lucile's clients, and photographs of "Rose room" interiors of Lucile. Ltd from New York and Chicago locations. Inspirational and reference materials collected by Lucile and/or her staff, mainly fashion plates and newspaper clippings from different publications. Dates range from the early 1910s to the mid 1920s. Model photographs were glued in large format (12-14"w to 16-18"h) standard, blank books to order, referred throughout this finding aid as scrapbooks; there are 12 volumes in the collection. Bulk of original drawings that are arranged according to the type of clothing are loose, drawn on a heavy weight board; sketches for 1916 and 197-18 lines were glued into scrapbooks; there are 12 volumes of original drawings and 2 volumes of photographs and phototransfers. It is possible that two types of arrangement seen throughout the collection (most of Model photographs chronologically, most of sketches by type of clothing) are due to different purpose these materials served; sketches of period gowns or theatrical costumes could have been referred to time and time again for different productions or themed social events, whereas model photographs would have documented actual creation of such a garment at a certain point in time. It is also not clear why, but some scrapbooks with model photographs are reproduced in complete entirety, using same photo session materials some fully annotated.

Sem título
Susan Rietman interview, 2019 February 20
US NNFIT SC.FITA.3.20.4.9.10.23 · Item · 2019 February 20
Parte de Academic Affairs records

Alex Joseph, Managing Editor of FIT's Hue Magazine interviews Susan Rietman, a professor from FIT's Textile Service Design and Fabric Styling program. Susan recalls her childhood and how her life led to fashion, particularly how a serigraphy course led her into the field textiles. She talks about her mother's designer clothing collection that she has kept, and about her move to New York right after college in 1961. Her first job was with Leslie Tillet at "D.D. and Leslie Tillett" where she helped him design bathing suits, and custom fabric, including fabrics for the 1964 American Worlds Fair pavilions. She talks about her freelance work with Jack Lenor Larsen, and the shoe company she worked on with the Tillets called Shoe Fou, which led to her work for Magnin. She then talks about how she began teaching for the Textile Department at FIT in 1966, a year before the union was introduced, what the college looked like, as well as what the students were like at that time (beehive hairdos, patent leather mascara, classroom smoking), and how things have changed. She recounts her time as acting dean, and the transition the textile department made to using digital technology. She discusses her husband's art book store Jaap Rietman, and how she kept the books after the store closed. She finally discusses the first sustainable project conducted in the Textile program called SOS, Save our Surface, and about a book she's writing about a journalist's archive that was donated to her.

Sem título
1993 March
US NNFIT SC.214.1.1.378 · folder · 1993
Parte de Eleanor Lambert collection, 1942-2003

This folder contains a column on shoe designers Joan and David Helpern and black and white portraits of the Helperns and color photos of the Helperns' shoes and accessories and black and white photocopies of these photos.

January 21-22, 1995
US NNFIT SC.214.1.1.493 · folder · 1995
Parte de Eleanor Lambert collection, 1942-2003

This folder contains a column on shoes black and white and color photocopies of shoes by Sam & Libby and black and white photos of shoes by Yves Saint Laurent and Joan and David.

January 11-12, 1997
US NNFIT SC.214.1.1.618 · folder · 1997
Parte de Eleanor Lambert collection, 1942-2003

This folder contains a column on Joan Halpern and color and black and white photos of Joan and David Halpern and photos of ensembles and shoes by Joan and David and black and white photocopies of photos of ensembles and shoes by Joan and David and press materials.

Seymour Troy collection, 1936-1977, bulk 1936-1940
US NNFIT SC.105 · Coleção · 1936-1977

This collection consists of sketches, shoe patterns, embellishments, photographs, promotional materials, scrapbooks, and metal stamps from women's footwear company Seymour Troy Originals. The majority of the collection is undated, although it is estimated that most of it is from the 1930s and 1940s. At least one piece of promotional material is from yrto, and there is a scrapbook cover stamped with yrto. Previous documentation of the collection noted that some sketches were by other designers for Seymour Troy, and specifically named Emery Blau, Al Lewis, and "Cohen." It appears that the collection was added to after Seymour Troy's death, as there are at least two sketches dated 1977.

Sem título
Ellen Goldstein interview, 1994 December 15
US NNFIT SC.FITA.3.20.4.9.4.7 · Item · 1994 December 15
Parte de Academic Affairs records

Ellen Goldstein, the Chair of the Accessories Design and Millinery Department, started with FIT’s Fashion Design Department as a part-time instructor. In 1981, the school received a federal grant for industries affected by imports and was able to start an accessories department. With additional support from the industry, the department has taken off. Goldstein explains her beginnings as a tapestry weaver and how she got into handbag design. She then describes the demographics of her department’s diverse student body. She discusses how both the 1-year and 2-year program are feeding the accessories industry and how FIT’s millinery program has revitalized an industry thought to be dead.

Sem título
February 26-27, 1994
US NNFIT SC.214.1.1.436 · folder · 1994
Parte de Eleanor Lambert collection, 1942-2003

This folder contains a column on minimalist styles and black and white photos of ensembles by , with press releases en version, of ensembles by Donna Karan, shoes by Joan and David, Joan Vass, and black and white photocopies of photos by Carolina Herrera.

May 27-28, 1995
US NNFIT SC.214.1.1.515 · folder · 1995
Parte de Eleanor Lambert collection, 1942-2003

This folder contains a column on shoes and black and white photos of shoes by Yves Saint Laurent, Joan Halpern and black and white photocopies of photos of shoes by Joan and David.