Showing 147 results

This collection is comprised of four books of Alberto & Roy (Firm)'s historical forecasts for 1986/1987 Fall/Winter, 1997 Spring/Summer, 1998 Spring/Summer and 1998/1999 Fall/Winter. Includes cloth color samples, and fabric swatches for menswear and womenswear.

This collection is comprised of forty books and 7 folders of Beryl Tucker Young Trends Inc.'s historical forecasts and newsletters for October 1959 through January 1975. Includes cloth color samples, swatches, silhouettes, trends, and shoes for girls and boyswear.

This collection is comprised of two binders of Zes Studio's historical forecasts for 1998 and 2003. Includes cloth color samples, swatches, themes, and color and fabric for accessories.

Collection is comprised of model photographs, sketches, photographs of sketches, show programs, some newspaper and magazine clippings with articles about or by Lucile, order forms, advertisements, and fashion plates. Garment designs include theatrical costumes, wedding gowns, day and evening wear, tea gowns, lingerie and pajamas. Bulk of the collection consists of model photographs, fashion sketches, photographs of sketches and official phototransfers. In addition there are clippings of articles from different publications written by or about Lucile, she wrote regular columns for Hearst publications. Programs for the "Model Parades" introducing lines of clothing for several years. There are some photographs of Lucile's clients, and photographs of "Rose room" interiors of Lucile. Ltd from New York and Chicago locations. Inspirational and reference materials collected by Lucile and/or her staff, mainly fashion plates and newspaper clippings from different publications. Dates range from the early 1910s to the mid 1920s. Model photographs were glued in large format (12-14"w to 16-18"h) standard, blank books to order, referred throughout this finding aid as scrapbooks; there are 12 volumes in the collection. Bulk of original drawings that are arranged according to the type of clothing are loose, drawn on a heavy weight board; sketches for 1916 and 197-18 lines were glued into scrapbooks; there are 12 volumes of original drawings and 2 volumes of photographs and phototransfers. It is possible that two types of arrangement seen throughout the collection (most of Model photographs chronologically, most of sketches by type of clothing) are due to different purpose these materials served; sketches of period gowns or theatrical costumes could have been referred to time and time again for different productions or themed social events, whereas model photographs would have documented actual creation of such a garment at a certain point in time. It is also not clear why, but some scrapbooks with model photographs are reproduced in complete entirety, using same photo session materials some fully annotated.

This collection, dated 1932-1979, is comprised of 10 folders of press clippings, high-quality photographs, and correspondence relating to New York milliner Robert Dudley's hat collections, as well as 2 scrapbooks containing press, correspendence and photographs related to Robert Dudley.

This collection consists of sketches, shoe patterns, embellishments, photographs, promotional materials, scrapbooks, and metal stamps from women's footwear company Seymour Troy Originals. The majority of the collection is undated, although it is estimated that most of it is from the 1930s and 1940s. At least one piece of promotional material is from yrto, and there is a scrapbook cover stamped with yrto. Previous documentation of the collection noted that some sketches were by other designers for Seymour Troy, and specifically named Emery Blau, Al Lewis, and "Cohen." It appears that the collection was added to after Seymour Troy's death, as there are at least two sketches dated 1977.

This collection contains original sketches of clothing and millinery purportedly by Daché herself, as well as sketches of models from Parisian couture houses dating to the 1950s. A selection of black and white press photographs and accompanying press releases documents her millinery output between 1962 and 1966.

This collection consists of primary source material from various fashion-related sources from the nineteenth and early twentieth centuries. The majority of the sources are fashion plates and tear sheets, but there are also sketches, photographs, and advertisements. Most of the images reflect women's and men's fashions, with some children's fashions, as indicated.

This collection contains scrapbooks and company records related to the Lord and Taylor department stores, primarily focused on the original stores in New York City. The scrapbook series consists of unbound pages of newspaper and magazine clippings of Lord and Taylor stores in New York City and the greater New York Area. Company records include advertising, photographs and illustrations of Lord and Taylor buildings, company catalogs, press releases and clippings, as well as internal company histories authored by Lord and Taylor. A small subseries relates to biographical information and photographs of former Lord and Taylor president Dorothy Shaver.

This collection holds mostly advertisements and newspaper clippings, along with photographs relating to the work of fashion designer Lee Evans.

38 hand-colored carte de visite photographs of individuals and groups wearing European national dress.

This collection is comprised of 22 folders containing sketches presumed to be done by Robert Knox. The only information on the boxes was Knox (firm). Through research the archivist was able to find the Knox hat company or the designer Ribert Knox. As far as she could tell the Knox hat company never produced anything besides hats. As these sketches do not have heads and are primarily designs of suits and coats which Robert Knox was known for it is assumed through research that these may be some free-lance sketched he did or sketches for Ben Gershel that have not been labeled.

This collection contains scrapbooks from 1949-1953. These scrapbooks include print ads, editorial copy, and biographical sketches. Photographs from 1949-1974 include portraits of Fath, Halpert and their wives, and highlights from the 1952 collection. It also contains press clippings regarding both men and their businesses.

This collection is comprised of A. Beller & Co. sketches for womenswear designs, 1914 - 1929

This collection is comprised of 18 folders containing designer sketches, large fabric swatches many of which include embellishment, and press materials.

This collection is comprised of working manuscripts and drafts of essays.

Advertisements for lingerie, corsets, and brassieres ranging in size from 26 x 31 to 28 x 53 cm. Includes advertisements from 1906 to the 1930s.

This collections contain Coty Award programs for 1976-1978 and 1980-1984 and Coty Award press clippings from 1975-1980, 1982 and 1985. Two award show tickets are also included one undated, the other from 1982.

15 sketches of both women’s wear and men’s wear reproduced in color. The sketches are dated from Fall/Winter 1982/83 to Fall/Winter 1992/93 and represent some of Mugler’s sportswear and eveningwear lines.

The Frances Neady collection of Original Fashion Illustrations was established in 1984 to honor its namesake, an inspirational teacher of fashion illustration. The collection encompasses over a century of fashion art. Its earliest example, a watercolor by Pierre Brissaud for Gazette du Bon Ton, is dated 1913; its most recent donation is by contemporary artist Ruben Toledo. Among other stars represented in the collection are Eric (Carl Erickson), René Bouché, Dorothy Hood, George Stavrinos, and Antonio (Lopez). Donations to the collection come from artists, collectors, and industry professionals. The donated works fulfill criteria established by the Neady Collection Advisory Board, which acknowledges artists who exhibit high standards of draftsmanship and esthetic quality, demonstrate an individual approach, possess technical virtuosity, have worked for high-end magazines, stores or corporations, and have earned the admiration of their peers. The Frances Neady collection’s mission is to encourage and facilitate research by students and industry professionals in the art of fashion illustration. The collection presents a graphic record of the art’s evolution since the 1910s. In addition, it provides a vivid cultural and visual reflection of its time.

The Vuokko collection consists of materials dated 1970 as well as undated (circa 1975). It includes Vuokko style and model guide, two (2) advertisement leaflets and a presentation folder. Both A4 leaflets present "Vuokko idea" in design - simple over complicated in both textile patterns and clothing silhouette. Both leaflets feature similar photographs of models wearing Vuokko clothing. Leaflet dated 1970 is tri-fold in English, the undated leaflet from the same campaign as the folder is in Dutch and bi-fold. The Vuokko style and model guide, is in twenty-four (24) loose sheets, underneath each garment drawing, the name of the garment, fabrics and retail price in Finnish Marks are indicated. Some of these garments are pictured in the leaflets described above.

The Bergdorf Goodman Custom Salon sketches collection contains 8,976 pencil, ink, and watercolor sketches by staff artists representing clothing and millinery available in Bergdorf's custom salon. These garments were made to order either from designs purchased by special arrangement from the leading coutouriers of the day or from sketches by Bergdorf's then well known in-house designers. Representative designers include Dior, Balenciaga, Halson and Courreges. House designers include Leslie Morris, Mary Gleason, and Bernard Newman. There is a complete run from 1950 to 1969. In addition, there is a representative sampling of sketches from the 1930s and 40s.
In addition to the sketches, the collection contains preliminary manuscripts and galley proofs of Booton Herndon's book Bergdorf's on the Plaza (NY: Alfred A. Knopf, 1956) as well as typescripts of his interviews with and about members of the Goodman family and with and about such key members of the staff as Ethel Frankau, Odna Brandeis, and house designers Bernard Newman, Leslie Morris, and Mary Gleason.
The last series contains the original finding aid for the collection.

Donated in March 2009, the Arsho Baghsarian shoe design collection comprises approximately 26 cubic feet (14 cubic feet for the sketches and 12 cubic feet for the sample shoes and embellishments). The collection contains 561 shoe prototypes (210 total pairs and 141 total single shoes), 9 original boxes, 4 accessories (2 pairs of Shin-Shams) and 4752 design sketches, some handbags but mostly shoes shown in profile. Many, especially during the later part of her career are sketch copies since the originals remain at the factory. The original sketches are done in pencil, ink and gouache and photocopied. Additionally, there are numerous fabric and leather swatches, samples of ornament and color charts, roughly 102 pattern pieces, 224 advertisements primarily from The New York Times and Footwear News, 47 photographs primarily from the Margaret Jerrold retrospective exhibition held at Lord and Taylor in 1982, assorted press clippings, and 43 spiral-bound shoe forecasts from the 1950’s and 1960’s from the Mademoiselle Shoe Company. This is undoubtedly an important collection due in part to Baghsarian’s artistry and sculptural sensibility. She was able to utilize and craft a wide variety of materials to produce throughout the world during a career that spanned more than forty years from 1963 through 2008. The range of materials makes the collection an important tool for conservation, while the collection of design sketches, actual shoe prototypes and marketing, sometimes in publications that have greatly transformed or no longer exist, gives students a sense of art marketing and fashion history.

This collection is comprised of the papers and records of renowned publicist Eleanor Lambert.

Documents and data related to Edward Moir in his roles as businessman and political activist for the interests of the Carded Woolen Manufactures' Association. However some of the items were collected after Moir's death, and relate mostly to the later years of the mill he ran.

Contains 61 fragile articles of correspondence from the 1890s, graduation announcement, poem-prayer book, pressed flowers, wedding invitations, 2 book marks, 2 spools of thread, 1 round silk or satin rigid ribbon, and photograph. Publications include E. Marcus Reynolds: Joy Taylor System; Teacher's College: The Domestic Art Review 1909; Boston Dress Cutting College, Directions for Harriet A Brown's Scientific Rules; Unity Union SS Library Catalogue of Books; National School Domestic Arts and Science brochure; Dormitory brochure; The Model House brochure.

Three works of art including a fashion sketch of woman in dress from the 1950s by Christian Dior, pencil sketch on paper of Francine Gray by Joe Eula and a drawing by Yves Saint Laurent in marker.

Seventeen pencil renderings of interior elevations for retail design on paper. Brands represented include Estée Lauder, Jordan Marsh, Bamberger's, and Liz Claiborne.

This collection consists of over 2500 sketches by designer Eric de Juan, from 1927 through 1989. The sketches include several done for Josephine Baker in 1949, as well as sketches from de Juan's two years spent as the in-house designer for the Bergdorf Goodman custom salon. Some sketches from the Bergdorf Goodman custom salon have swatches attached.

This collection is comprised of fashion sketches made for Hattie Carnegie, Inc. from 1940 - 1955. This collection contains millinery (hats) for which some designs can be attributed to Esther A. Kleeper in 1945. The remainder of the collection is ready-to-wear dresses and suits, along with evening wear, mostly ballgowns, that were adapted from French couturiers for the American woman. The sketches have been divided into millinery, ready-to-wear, and evening wear. Many of the sketches are not dated, but based upon a survey of the collection and dates of similar physical garments made by Hattie Carnegie, Inc. it is assumed that the sketches are from the aforementioned dates.

This collection is comprised of sketch designs for children's clothing, handwritten notes, promotional materials and magazine and newspaper clippings.

This collection is comprised of two 10 1/2 x 14" original pen and watercolor illustrations by Steven Cervantes. One depicts the exterior of a building (possible department store?) and the other is a architecture-inspired surface design.

This collection cotains both original and photocopied sketches by Arnold Scassi ranging from 1966-1992. Each sketch is accompanied by a fabric swatch and is separated into 21 folders by the collection season ( i.e., Boutique Fall 92) Fabric content is often noted alongside an indication of its use. For example "Printed silk dress and jacket - dress has printed silk ruffle at neckline with white guipure lace edging. Jacket has matching ruffle cuffs." Included in some folders are pricelist, order forms and handwritten notes.

Publications, blank and completed test answer sheets, and ephemera.

This collection is comprised of 121 black marker millinery sketches and photographs.

This collection is comprised of 18 folders containing black and white photographs depicting women wearing fashions from various designers (1954-1955).

This collection contains a wide variey of materials documenting the career of Simon Robert Newey. His work as a window dresser and display artist is documented by a series of black & white as well as color photographs. Promotional materials for the Zoli Modeling agency inform his work in the modeling and entertainment industry as both an agent and actor. Newey's own career as an actor is documented with his headshots and on-location photographs, and his work as a photographer is represented via promotional materials for his business.

This collection contains fashion sketches (originals and digital facsimiles), fashion photographs, and press/promotional materials documenting the career of Stephen Burrows in the fashion industry from 1969-2012. There is a gap of press materials from 1990-2000 when he left Henri Bendel to open his own business on seventh avenue. His fragrance named, Stephen B., is briefly documented in photographs, press, and a silver wave necklace solid perfume. Ephemeral materials such as personal photographs and an E.R.A ribbon are also a part of the collection.

Two paper and wood promotional fans for the French perfume company Rosine, which was founded by couturier Paul Poiret in 1911. Printed on both sides, one side with abstract botanicals and the other side with the name of the company and a selection of perfumes. Each fan bears a red sticker with the name of a single perfume. The fan would have been scented with that perfume. The fans were part of a series promoting different fragrances. Advertisements, the perfume bottles, and associated products like perfumed cards or fans were all part of Poiret's merchandising artistry.

The bulk of this collection is comprised of sketches of women's outerwear produced by the Hampton Coat Co.. Additional materials include press clippings, reorder charts, correspondence and accounting records.

This collection consists of original designer sketches, copies of sketches, advertisements, and related items Valerie Fuchs executed for the Aris Glove Company. Eight albums containing

This collection contains records of The Roundtable of Fashion Executives and the life of its founder Faith Keane Reichert, 1949-2011.

Souvenir folio produced by the Armani permanent collection, Armani/Silos, in conjunction with Posteitaliane containing an Italian Armani stamp, one Armani stamped post card, one Armani notecard with Armani stamped envelope.

This collection contains materials related to Ruth Finley (b.1920, Massachusetts, USA). The majority of the collection consists of published versions of the periodicals Fashion Calendar and the Fashion International from 1947-2014. The collection also includes published and draft copies of Fashion Calendar, Fashion International, Home Furnishing Calendar, Fashion Trade Calendar, and New York Fashion Council. It also includes business related materials in the form of advertising, membership and subscription information for each publication. The collection includes personal records collected by Ruth Finley, including emails, programs from fashion shows, information about awards, and images.

This collection contains promotional materials, photographs, stationary and a fashion show program pertaining to the Traphagen School of Fashion.

This collection contains fashion illustrations (mainly garments) executed for Harper's Bazaar between the years of 1940-1942 by Dagmar Freuchen-Gale, Sara Johns and Reynaldo Luza. On the back of the illustrations there are Harper's Bazaar issue numbers that the illustrations were published in.

This collection contains materials pertaining to Liz Claiborne including Claiboards which date between 1984 and 1996, business records on the textiles used by the company and a small selection of publications on textile science.

This collection contains sixty-six original sketches (23 pencil and watercolor and 43 pencil) by Marc Bohan for Christian Dior with fabric swatches attached. All on Christian Dior letterhead.

This collection contains a photograph of Eleanor Lambert posing against a wall near a floral arrangement. Stamped en verso, "Ref. Dept./July 16, 1932/N.E.A."

This collection contains one partially full cardboard tube of Shocking de Schiaparelli bath sponges.