This folder contains various photographs and drawings from Ethan Minkser's "Negative Portraits Series".
This folder contains hand drawings, modified photographs, and small sculpture artworks created by Ethan Minsker.
This folder contains artwork created by Ethan Minsker including drawings, book cover sketches, logo sketches for the Antagonist Art Movement, stickers, patches and modified photographs for The Man in Camo.
This folder includes digital copies of the papers and presentations delivered at the 2020 Symposium, which occurred completely online due to restrictions placed upon students and faculty due to the Coronavirus Pandemic, 2020. The names of the presenters and the title of their presentations contained in this folder are:
- Bobbi Wall - "Ruth Reeves’ Lasting Imprint on Modern American Fashion"
- Anna Lucia Uihlein: "Louella Ballerino: Fashioning California"
- Brynnea Irvine: "The Fall of Luxury: The Forgotten History of Farquharson & Wheelock"
- Molly Hartvigsen: "Tobé-Coburn School for Fashion Careers"
- Brigid Gerstenecker: "Elizabeth Hawes: Mass Production for the Millions?"
This collection is comprised of 46 folders containing primarily black and white photographs depicting clothed women wearing Victor's hats (1930's to 1960's).
Victor, Sally, 1905-1977This collection contains three programs from the 2018 inauguration of SUNY Chancellor Kristina M. Johnson, a enamel pin commemorating the event and a DVD entitled The SUNY Community Colleges: An Oral History of the First 30 Years.
State University of New YorkIncludes the papers and presentation delivered at the 2017 Symposium "Dressing New York" on Saturday, May 13, 2017. The names of the presenters and the title of their presentations contained in this folder are: Lucy Carey "The Great Divide of 1960: Norman Norell's Coulotte" ; Sarah Jean Culbreth "'Who Are the Mystery Girls?': Deconstructing the New York Doll's Image ; Loggans "Fantaies of Opulence: Racial Dynamics of Drag Balls in New York City, 1890-1969" ; Daniel Gustina "Depression Era New York: Dress & Photographs of Fashionable Society" .
Includes the papers and presentation delivered at the 2017 Symposium "Dressing New York" on Saturday, May 13, 2017. The names of the presenters and the title of their presentations contained in this folder are: Chelsea Payne "A Fading Custom: The Reluctant Disappearance of Dressmaking in New York" ; Hannah Benson "Hickson: Unraveling a New York City Fashion House 1914-1923" ; Harper Franklin "Eternally Ladylike: Sophie of Saks, 1929-1969" ; Lily Fehler "Protest and Professionalism: Dress of Early Female Doctors who Chose Reform Costume or Masculine Attire" .
Includes the papers and presentation delivered at the 2017 Symposium "Dressing New York" on Saturday, May 13, 2017. The names of the presenters and the title of their presentations contained in this folder are: Nancy MacDonell "'A Good Designer Need Not Breathe the Air of Paris.' Lois Long on Elizabeth Hawes and Muriel King" ; Blair Lenz "Through the Glass: A Look at New York City Window Dressing, 1935-1950" .
In this interview, Rebecca Arnold interviews Gavrik Losey about his mother, American fashion designer Elizabeth Hawes.
Losey, GavrikThis folder contains selected sketchbooks by Ethan Minsker containing personal sketches and notes.
Includes the papers and presentation delivered at the 2014 Symposium "Modes of Modernity The Ephemeral & the Eternal in 20th Century Fashion." The names of the presenters and the title of their presentations contained in this folder are: Jasmine Helm, "Abstract Becoming Modern: The Directoire Revival Style;" Diana Dalmas, "Period Films and the Decline of the Modern 1930-1953;" Danielle Morrin, "Clara Bow: The Rise and Fall of the Fashionable Flapper;" Tae In Ahn, "All that Glitters is not Gold: Shine in Modern Fashion;" Vanessa Garver, "Clothed in the Cosmos: Astronomy in Fashion and Textile Design, 1920-1945."
Includes the advertisitng flyer, schedule of events, papers, and presentations delivered at the 2014 Symposium "Modes of Modernity The Ephemeral & the Eternal in 20th Century Fashion" which occurred on Saturday, May 10, 2014. Eleven Graduate Students from the Department of Fashion and Textile Studies: History, Theory, Museum Practice delivered presentations. Each presenter's paper and presentation is represented. Denyse Montegut delivered the welcoming address and Rachel Baum and Lourdes Font gave an introduction entitled, "Defining Modernism in Fashion," but their presentations are not included in the files. The names of the presenters and the title of their presentations contained in this folder are: Julia Pehrson, "Everything Old is New Again: Egyptomania in 1920s Fashion;" Kyla Ibanez Katigbak, "Modern Metropolis: The New York Skyline in Textile Design, 1890-1940;" Paula M. Sim, "Modesty is Fashion: Dress Reform in Modern Orthodox Judaism;" Diana Dalmas, "Period Films and the Decline of the Modern, 1930-1953;" Virginia Wilking, "A Well Controlled Body: Constructing the New American Woman of Fashion 1900-1940;" Kristen Haggerty, "Shop Girls: Department Stores and the Fashionable Working Woman;" Kathryn Squitieri, "A Tale of Two Elspeths: Forgotten Coutuerières and Their Impact on Modern Fashion."
The Integrated Service-Learning Project is an extension of the Interior Design Relief Project which was founded in 2013. It aims to integrate the efforts of like-minded interior designers, architects, and contractors who believe that the design of the physical environment matters, shapes lives, and can empower people. Documents relate to projects conducted with FIT Interior Design students and various New York and New Jersey area organizations including the Bowery Mission Women’s Center in the renovation of their laundry room, the Community of Friends in Action of Leonia, NJ, the Leonia Presbyterian Church, and Hug-it-Forward, to build a “bottle school” in Guatemala, presented proposals for the renovation of the communal kitchen at Hephzibah House in New York City and Living Waters Community Center in Brooklyn, Restore NYC during the Spring semester and moving on to summer with The Bowery Mission Men's Center and St. Paul's House and more. These projects became part of the curriculum and the content is now taught in the 6th semester in liaison with New York Cares
This folder contains periodical articles and interviews featuring Ethan Minsker and his work.
This folder contains the personal resume/CV of Ethan Minsker, film submission to Oscilloscope Laboratories, and a business case study of the Antagonist Art Movement conducted by Judith E. McCaffrey.
This folder contains full size movie posters titled, The Man in Camo, This is Berlin not New York, and Self Medicated.
Includes the papers and presentation delivered at the 2007 Symposium "Focus on Fashion Journalism." The names of the presenters and the title of their presentations contained in this folder are: Meghan Grossman, "Fashion in the Desert Sun: Louise Dahl-Wolfe and Diana Vreeland;" Mai Vu, "Picture Perfect? Retouching Practices in Fashion Photography;" Kristena Graebar, "Joe Eula."
This folder contains issues numbered 15-32 of the Psycho.Moto zine created by Ethan H. Minsker.
This folder contains promotional materials for events and exhibition catalogs for Ethan Minsker and the Antagonist Art Movement.
This collection contains printed Comme des garçons promotion materials dating to circa 1999-2012.
Comme des Garçons (Firm)This folder contains a schedule of Met exhibitions from January- April 1998.
This series contains works of art and sketches created by Ethan Minsker.
This folder contains photographs and movie stills taken by Ethan Minsker and of Ethan Minsker.
This folder contains an invitation letter from Anna Wintour to attend a Versace retrospective at the Costume Institute and an invitation to the Board of Trustees dining room at the Met.
This series contains related material to Ethan H. Minsker's films.
This folder contains various media including the original films The Dolls of Lisbon and Anything Boys Can Do. Movie posters, critic reviews, press clippings, promotional materials, and screening information are included in this folder.
This folder contains a personal notebook of Ethan Minsker containing his sketches and personal notes. This folder also contains a copy of Dictionary of the Arts written by Martin L. Wolf which Minsker modified with drawings within the text.
This folder contains a large book of press clippings in relations to the CFDA awards and a program for the 1963 Washington DC fashion show.
This folder contains press releases and drafts of press releases for the 1992 "Fashion and History" exhibition at the Costume Institute.
This folder contains press clippings, correspondence, press releases, press contacts, lists of attendees pertaining to events held at the Costume Institute.
This folder contains press releases for the 1992 exhibition "Fashion and History" at the Costume Institute.
This interview with Ralph Lauren explores his life growing up in the Bronx and how he started his career in the fashion industry. He provides insight to his design process and the company products, which vary from clothing to furnishings and linens.
Lauren, RalphThis folder contains correspondence, press clippings, invitations, press contacts,
This folder contains published paperbacks titled Rich Boy Cries for Momma and Barstool Prophets, Antagonist Press zine no. 3, East Coast Exchange articles written by ethan H. Minsker, and short illustrated works.
This series contains personal records of Ethan Minsker and his published works.
This folder contains correspondence, lists of chairmen, stationary and invitations pertaining to the establishment of the Diana Vreeland Fund at the Costume Institute.
This collection contains the art, film, published zines and unpublished works by Ethan H. Minsker created betweeen 1990-2021.
Minsker, Ethan H., 1970-Bi-fold program for a Revlon Symposium title The Future of Beauty which was held in New York City on April 6, 1989. Speakers included Nancy Friday, Lionel Tiger, Georgia Witkin, Molly Haskell and Warren Farrell. Also included is a letter from Nancy Friday addressed to the donor David Katzive.
2023 accumulation: three betacam video cassettes with footage of the event and a variety of people, including Joan Rivers, Norman Lear, Gay Talese and others, talking about women in the beauty industry.
Revlon, Inc.This folder contains invitations, correspondence, CFDA voting procedure and lists of voting committees, minutes of meeting at the Carolyne Roehm showroom, a thrift shop proposal, Council of the arts contact list, minutes for the meeting for the Educational Foundation for the Fashion Industries. list of nominating committee, fashion group international list, and various correspondence with FIT.
This folder contains a CFDA awards program.
This folder contains correspondence and budget information pertaining to the 1987 Costume Institute exhibition "American Fashion 1900-1960."
This conversation covers very little of Lester Gribetz' life and career at Bloomingdale's. There is a brief intro in which Gribetz lays out his professional trajectory from trainee under Martin S. Traub to his role in merchandising. Like most of Traub's employees at Bloomingdale's, Gribetz praises Traub as a boss and as a person. He describes him as exciting, challenging, enlightened, and demanding. Gribetz attributes Traub's high standards to keeping workers excited and motivated. Traub is described as charitable in a number of the Bloomingdale's interviews but Gribetz shares a specific story of Traub organizing a massive fundraising effort for AIDS research after one of his buyers passed away from the disease. In describing the retail environment, Gribetz explains that a retail career is demanding and varied, and the hard work has discouraged many where others have thrived. Prompted several times to define Bloomingdale's milestones, Gribetz first discusses the team before Martin S. Traub's era and then the transitions and departmental changes that marked a real turning point with Traub. Bloomingdale's food business is discussed as a distinction among other retailers as well as the elaborate country promotions which were at their peak success at the time of this interview. The Bloomingdale's customer is described as being educated, affluent, adventuresome, and inventive. While Gribetz describes these qualities as being somewhat inherent in New Yorkers, he goes on to say that these ideas are present in customers in all regions and that Bloomingdale's still appeals to the mass market because it grants these qualities upon the customer.
Gribetz, LesterThis conversation takes place only a few weeks after Schaefer had joined Bloomingdale's as the Vice President of Marketing. Schaefer gives a quick recap of the previous 13 years of his career before talking about his thoughts on his new boss, Marvin S. Traub, as well as his new position at Bloomingdale's. Coming from first a marketing background and then, briefly, a retail background, Schaefer discusses the importance of retailers being fully aware of what people are reading, wearing, listening to, and even eating. This awareness is a qaulity of Traub's that Schaefer praises and which he attributes, in part, to making Bloomingdale's stand out in the retail industry. Schaefer also talks about Bloomingdale's distinguising itself by being a place of diversion, entertainment, and fun as opposed to being simply a mode of distribution. When discussing his job interview for Bloomingdale's, Schaefer recalls being impressed by the amount of thought and planning that evidently went into the future of the store and uses the country promotions as an example.
Schaefer, TerronThis folder contains correspondence, minutes for the meeting at the Bill Blass showroom, press clippings, a CFDA awards invitation, the minutes for the meeting at the Perry Ellis showroom, and a copy of the CFDA bylaws.
This folder contains one press release.
This folder contains press clippings, press releases, invoices, notes for Mary McFadden presentation at awards, and correspondence.
This folder contains press releases, correspondence, and an award jury proposal.
This folder contains an award program.
Arthur Jablow reflecting on his father-in-law, Maurice Rentner. There is a most interesting section in the Oral Memoirs of Maurice Rentner, (his father-in-law) which provides considerable insight into other facets of the ready-to-wear business.
Jablow, ArthurThis folder contains material for the CFDA awards ballots including copies of blank ballots and a members list.
This folder contains a CFDA awards dinner invitation, correspondence, typed remarks for Donna Karan, Oscar De La Renta, Roger Stevens, and Bill Blass.
This folder contains a press release.
This folder contains correspondence, black and white portraits of unidentified individuals, fashion and jewelry designs, press releases.
This collection contains correspondence, newsletters and Bargaining Agreements pertaining to the operations of the United College Employees of FIT union.
United College Employees of the Fashion Institute of Technology (UCE of FIT)This folder contains a draft of the letter sent to jury members for the CFDA awards.
This folder contains correspondence, jury lists, and questions regarding the finalization of jury.
This folder contains jury invitations and envelopes.
This folder contains press releases, an 8x10 photograph of the CFDA awards statuette, press lists, and a fashion presentation list.
This folder contains returned ballots.