Mostrando 17 resultados

Descripción archivística
2 resultados con objetos digitales Muestra los resultados con objetos digitales
Bergdorf Goodman hatbox
US NNFIT SC.381 · Colección · 2017 November 03

This collection consists of a single 9 1/4" x 14" silver round Bergdorf Goodman hatbox.

Sin título
US NNFIT SC.FITA.3.20.4.9.2 · sub-sub-sub-series · 1977 and 1994, bulk 1994
Parte de Academic Affairs records

With an interview of Andrew Goodman conducted by Bob Riley in 1977 as the root, Estelle Ellis and Valerie Steele extended this oral history of Bergdorf Goodman in 1997 by interviewing others who worked for Bergdorf Goodman and knew Andrew Goodman.

Andrew Goodman interview, 1973
US NNFIT SC.473 · Colección · 1973

This collection contains a 187 page transcript of an oral history with Andrew Goodman.

Sin título
CFDA 1962
US NNFIT SC.214.4.7 · folder · 1962
Parte de Eleanor Lambert collection, 1942-2003

This folder contains correspondence, press releases, press clippings, and two 8 x 10 black and white photographs of hats designed by Halston for Bergdorf Goodman.

Reynaldo Luza, 1940-1942
US NNFIT SC.369.1.1 · folder · 1940-1942
Parte de Harper's Bazaar Fashion illustrations, 1940-1942

This folder contains 18 fashion illustrations produced by Reynaldo Luza that consists of garments and accessories: (hats, gloves, belts, umbrellas and shoes) Some illustrations are labeled Bergdorf Goodman on the back.

Sin título
US NNFIT SC.369 · Colección · 1940-1942

This collection contains fashion illustrations (mainly garments) executed for Harper's Bazaar between the years of 1940-1942 by Dagmar Freuchen-Gale, Sara Johns and Reynaldo Luza. On the back of the illustrations there are Harper's Bazaar issue numbers that the illustrations were published in.

Sin título
US NNFIT SC.20 · Colección · 1930s-1969

The Bergdorf Goodman Custom Salon sketches collection contains 8,976 pencil, ink, and watercolor sketches by staff artists representing clothing and millinery available in Bergdorf's custom salon. These garments were made to order either from designs purchased by special arrangement from the leading coutouriers of the day or from sketches by Bergdorf's then well known in-house designers. Representative designers include Dior, Balenciaga, Halson and Courreges. House designers include Leslie Morris, Mary Gleason, and Bernard Newman. There is a complete run from 1950 to 1969. In addition, there is a representative sampling of sketches from the 1930s and 40s.
In addition to the sketches, the collection contains preliminary manuscripts and galley proofs of Booton Herndon's book Bergdorf's on the Plaza (NY: Alfred A. Knopf, 1956) as well as typescripts of his interviews with and about members of the Goodman family and with and about such key members of the staff as Ethel Frankau, Odna Brandeis, and house designers Bernard Newman, Leslie Morris, and Mary Gleason.
The last series contains the original finding aid for the collection.

Sin título
US NNFIT SC.FITA.3.20.4.9.4.15 · Unidad documental simple · 1994 December 20
Parte de Academic Affairs records

Jeannette Jarnow, former Chair of the Fashion Buying and Merchandising Department (FBM), discusses the small and intimate nature of FIT when she joined in 1956. She discusses the founding of the school by Morris Haft, Virginia Pope, and a handful of fashion industry insiders. She then describes the birth of the FBM department thanks to an endowment by Bergdorf Goodman as well as close relationships with Lord & Taylor, Abraham and Strauss, and Bloomingdale's. Jarnow touches on influential people from each department store and then goes into the student demographic make-up of the 1950s. Jarnow describes the changes at FIT over her 38 year career such as the former dress code. She then describes fundraising events and field trips to wholesalers and retailers. Jarnow also remembers famous speakers coming to the school such as Yves Saint Laurent and Givenchy. She recalls that Virginia Pope used to take students to the opera and other public events to experience fashion and culture. Jarnow briefly touches on her time as Chair and describes the publication of her book, “Inside the Fashion Business.” Jarnow also emphasizes FIT’s international reach and the vast array of career options alumni have experienced. Finally, she mentions the Oral History of FIT taken by Mildred Finger which was housed in the library.

Sin título