Affichage de 14 résultats

Description archivistique
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US NNFIT SC.FITA.3.20.4.9.4.7 · Pièce · 1994 December 15
Fait partie de Academic Affairs records

Ellen Goldstein, the Chair of the Accessories Design and Millinery Department, started with FIT’s Fashion Design Department as a part-time instructor. In 1981, the school received a federal grant for industries affected by imports and was able to start an accessories department. With additional support from the industry, the department has taken off. Goldstein explains her beginnings as a tapestry weaver and how she got into handbag design. She then describes the demographics of her department’s diverse student body. She discusses how both the 1-year and 2-year program are feeding the accessories industry and how FIT’s millinery program has revitalized an industry thought to be dead.

Sans titre
US NNFIT SC.211 · Collection · 1963-2008

Donated in March 2009, the Arsho Baghsarian shoe design collection comprises approximately 26 cubic feet (14 cubic feet for the sketches and 12 cubic feet for the sample shoes and embellishments). The collection contains 561 shoe prototypes (210 total pairs and 141 total single shoes), 9 original boxes, 4 accessories (2 pairs of Shin-Shams) and 4752 design sketches, some handbags but mostly shoes shown in profile. Many, especially during the later part of her career are sketch copies since the originals remain at the factory. The original sketches are done in pencil, ink and gouache and photocopied. Additionally, there are numerous fabric and leather swatches, samples of ornament and color charts, roughly 102 pattern pieces, 224 advertisements primarily from The New York Times and Footwear News, 47 photographs primarily from the Margaret Jerrold retrospective exhibition held at Lord and Taylor in 1982, assorted press clippings, and 43 spiral-bound shoe forecasts from the 1950’s and 1960’s from the Mademoiselle Shoe Company. This is undoubtedly an important collection due in part to Baghsarian’s artistry and sculptural sensibility. She was able to utilize and craft a wide variety of materials to produce throughout the world during a career that spanned more than forty years from 1963 through 2008. The range of materials makes the collection an important tool for conservation, while the collection of design sketches, actual shoe prototypes and marketing, sometimes in publications that have greatly transformed or no longer exist, gives students a sense of art marketing and fashion history.

Sans titre
November 19-20, 1994
US NNFIT SC.214.1.1.482 · folder · 1994
Fait partie de Eleanor Lambert collection, 1942-2003

This folder contains a column on handbags and black and white photocopies of handbags by De Vecchi, Carlos Falchi, Joan and David, Barry Keiselstein-Cord, Tiffany & Co., Judith Leiber and a black and white portrait of Leiber with a selection of her bags.

August 17-18, 1996
US NNFIT SC.214.1.1.593 · folder · 1996
Fait partie de Eleanor Lambert collection, 1942-2003

This folder contains a column on Judith Leiber and color photos of handbags by Leiber and black and white photocopies of handbags by Leiber.

April 26-27, 1997
US NNFIT SC.214.1.1.638 · folder · 1997
Fait partie de Eleanor Lambert collection, 1942-2003

This folder contains a column on Judith Leiber and color and black and white photos of accessories by Leiber, promotional materials and 8x10" negatives.

December 25-26, 1993
US NNFIT SC.214.1.1.424 · folder · 1993
Fait partie de Eleanor Lambert collection, 1942-2003

This folder contains a column on Paloma Picasso and black ad white photocopies of photos of handbags by Paloma Picasso and black and white photo of Paloma Picasso modeling one of her handbags.

May 20-21, 1995
US NNFIT SC.214.1.1.514 · folder · 1995
Fait partie de Eleanor Lambert collection, 1942-2003

This folder contains a column on handbags and black and white photos of handbags by Robert Lee Morris and black and white photocopies of photos of handbags by Paloma Picasso and Joan and David.