Showing 15 results

Archivistische beschrijving
US NNFIT PERS.HFC.AR · Collectie · 1986/1987; 1997-1998/1999

This collection is comprised of four books of Alberto & Roy (Firm)'s historical forecasts for 1986/1987 Fall/Winter, 1997 Spring/Summer, 1998 Spring/Summer and 1998/1999 Fall/Winter. Includes cloth color samples, and fabric swatches for menswear and womenswear.

Zonder titel
New Vision
US NNFIT PERS.HFC.AR.NV.1986/1987.Fall/Winter · Stuk · 1986/1987 Fall/Winter
Part of Alberto & Roy (Firm) historical forecasts

1 book from Fall/Winter 1986/1987 containing cloth color samples and fabric swatches for womenswear

Zonder titel
US NNFIT SC.2 · Collectie · 1967-1980

The Marimekko collection includes sample books of pattern designs, textile swatches, pictures of modeled garments, fashion catalogues for different seasons , leaflets, a brochure, few photographs and promotional items.

Zonder titel
US NNFIT SC.214 · Collectie · 1943-2003

This collection is comprised of the papers and records of renowned publicist Eleanor Lambert.

Zonder titel
US NNFIT SC.297 · Collectie · 1966-1992

This collection cotains both original and photocopied sketches by Arnold Scassi ranging from 1966-1992. Each sketch is accompanied by a fabric swatch and is separated into 21 folders by the collection season ( i.e., Boutique Fall 92) Fabric content is often noted alongside an indication of its use. For example "Printed silk dress and jacket - dress has printed silk ruffle at neckline with white guipure lace edging. Jacket has matching ruffle cuffs." Included in some folders are pricelist, order forms and handwritten notes.

Zonder titel
US NNFIT SC.369 · Collectie · 1940-1942

This collection contains fashion illustrations (mainly garments) executed for Harper's Bazaar between the years of 1940-1942 by Dagmar Freuchen-Gale, Sara Johns and Reynaldo Luza. On the back of the illustrations there are Harper's Bazaar issue numbers that the illustrations were published in.

Zonder titel
Reynaldo Luza, 1940-1942
US NNFIT SC.369.1.1 · folder · 1940-1942
Part of Harper's Bazaar Fashion illustrations, 1940-1942

This folder contains 18 fashion illustrations produced by Reynaldo Luza that consists of garments and accessories: (hats, gloves, belts, umbrellas and shoes) Some illustrations are labeled Bergdorf Goodman on the back.

Zonder titel
Sara Johns, 1942
US NNFIT SC.369.1.4 · folder · 1942
Part of Harper's Bazaar Fashion illustrations, 1940-1942

This folder contains 5 copies of Harper's Bazaar magazine pages and 19 fashion illustrations signed by Sara Johns. The illustrations consist of two-piece ensembles, dresses and jumpsuits. Some garments shown are attributed to Claire McCardell, Abercrombie & Fitch; department stores Bonwitt Teller and Arnold Constable & Company labeled on the back. There are also 3 loose notes attributing designs to Tina Leser, Tom Brigance for Lord & Taylor, and B.H. Wragge.

Zonder titel
US NNFIT SC.38 · Collectie · 1927-1975

The collection includes Claire McCardell's sketches and illustrations as a student, as well as sketches, newspaper and magazines clippings, correspondence, advertisements, invitations to fashion-related events and original photographs from her career as a fashion designer.

Zonder titel
US NNFIT SC.FITA.3.20.4.9.1.89 · Stuk · 1982 June 02
Part of Academic Affairs records

This interview opens with Mollie Parnis talking about her latest project, a prize for three young journalists that she began in memory of her son. She then segues into the origins of her company and her early biography. She commenced her career by designing blouses after being frustrated at the quality of the designs while working in a design showroom on Madison Avenue. The Parnis-Livingston company began in a studio Seventh Avenue about five-years after Mollie Parnis and Leon Livingston married in 1930, with Mollie designing and Leon managing the business needs. After her husband died in 1960 she closed the business for three-months. Diana Vreeland convinced Mollie to stay open by putting two of her sketches in Harper’s Bazaar. The name of the business remained Parnis-Livingston until 1970 when it changed to Mollie Parnis. She now has three divisions: Mollie Parnis, Inc.; Mollie Parnis Studio; and Mollie Parnis at Home. Upon success, she began doing philanthropic work, including a grant foundation called “Mollie Parnis Dress up Your Neighborhood”; scholarships at FIT and Parsons; and the aforementioned journalistic prizes. Topics touched on include: the impersonalization of the current fashion industry; her friendship with various First Ladies, including Mamie Eisenhower, Lady Bird Johnson, and Nancy Reagan; how the changes in the industry have necessitated changes in her business-model, including the prevalence of licensing from designers in the 1980s.

Zonder titel