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This collection contains scrapbooks and company records related to the Lord and Taylor department stores, primarily focused on the original stores in New York City. The scrapbook series consists of unbound pages of newspaper and magazine clippings of Lord and Taylor stores in New York City and the greater New York Area. Company records include advertising, photographs and illustrations of Lord and Taylor buildings, company catalogs, press releases and clippings, as well as internal company histories authored by Lord and Taylor. A small subseries relates to biographical information and photographs of former Lord and Taylor president Dorothy Shaver.

Collection is comprised of model photographs, sketches, photographs of sketches, show programs, some newspaper and magazine clippings with articles about or by Lucile, order forms, advertisements, and fashion plates. Garment designs include theatrical costumes, wedding gowns, day and evening wear, tea gowns, lingerie and pajamas. Bulk of the collection consists of model photographs, fashion sketches, photographs of sketches and official phototransfers. In addition there are clippings of articles from different publications written by or about Lucile, she wrote regular columns for Hearst publications. Programs for the "Model Parades" introducing lines of clothing for several years. There are some photographs of Lucile's clients, and photographs of "Rose room" interiors of Lucile. Ltd from New York and Chicago locations. Inspirational and reference materials collected by Lucile and/or her staff, mainly fashion plates and newspaper clippings from different publications. Dates range from the early 1910s to the mid 1920s. Model photographs were glued in large format (12-14"w to 16-18"h) standard, blank books to order, referred throughout this finding aid as scrapbooks; there are 12 volumes in the collection. Bulk of original drawings that are arranged according to the type of clothing are loose, drawn on a heavy weight board; sketches for 1916 and 197-18 lines were glued into scrapbooks; there are 12 volumes of original drawings and 2 volumes of photographs and phototransfers. It is possible that two types of arrangement seen throughout the collection (most of Model photographs chronologically, most of sketches by type of clothing) are due to different purpose these materials served; sketches of period gowns or theatrical costumes could have been referred to time and time again for different productions or themed social events, whereas model photographs would have documented actual creation of such a garment at a certain point in time. It is also not clear why, but some scrapbooks with model photographs are reproduced in complete entirety, using same photo session materials some fully annotated.

The Frances Neady collection of Original Fashion Illustrations was established in 1984 to honor its namesake, an inspirational teacher of fashion illustration. The collection encompasses over a century of fashion art. Its earliest example, a watercolor by Pierre Brissaud for Gazette du Bon Ton, is dated 1913; its most recent donation is by contemporary artist Ruben Toledo. Among other stars represented in the collection are Eric (Carl Erickson), René Bouché, Dorothy Hood, George Stavrinos, and Antonio (Lopez). Donations to the collection come from artists, collectors, and industry professionals. The donated works fulfill criteria established by the Neady Collection Advisory Board, which acknowledges artists who exhibit high standards of draftsmanship and esthetic quality, demonstrate an individual approach, possess technical virtuosity, have worked for high-end magazines, stores or corporations, and have earned the admiration of their peers. The Frances Neady collection’s mission is to encourage and facilitate research by students and industry professionals in the art of fashion illustration. The collection presents a graphic record of the art’s evolution since the 1910s. In addition, it provides a vivid cultural and visual reflection of its time.

20 Model photographs of outer wear, day-wear, tea gowns and evening wear from 1910s. "Ideal scrapbook" is indicated as the original/previous location on several of these photographs.

The collection includes Claire McCardell's sketches and illustrations as a student, as well as sketches, newspaper and magazines clippings, correspondence, advertisements, invitations to fashion-related events and original photographs from her career as a fashion designer.

Male and female figures in a dancing setting with a jazz group. Female wearing a dress and a shawl with a fur trim, the male wears a suit & a top hat. Black and white ink; Signed.

Figure in fringed blue bustier over black sheer gown (framed); Color: watercolor; Signed lower right.

Female figure in a pleated skirt, knit top, polka dotted scarf and hat. Standing facing back in a country inn restaurant setting. Black and white ink; Signed front and back.

Standing female figure facing front in fur shawl, knee length dress, hat & pearl necklace. Standing in a country restaurant setting. Black and white ink; Signed.

"Comtesse de Munoz" Seated female figure on an arm chair wearing a pearl necklace, a black dress and a cloche hat; Black and white ink; Signed

This folder contains one-hundred and two 8 1/2x11" notebook pages (lined and unlined) of pencil sketches and design notations for garments, mostly dresses. Many sketches have fabric swatches attached.

This collection contains original sketches of clothing and millinery purportedly by Daché herself, as well as sketches of models from Parisian couture houses dating to the 1950s. A selection of black and white press photographs and accompanying press releases documents her millinery output between 1962 and 1966.

This collection contains fashion illustrations (mainly garments) executed for Harper's Bazaar between the years of 1940-1942 by Dagmar Freuchen-Gale, Sara Johns and Reynaldo Luza. On the back of the illustrations there are Harper's Bazaar issue numbers that the illustrations were published in.

This folder contains 8 illustrated fashion illustrations signed by Dagmar, mostly dresses and evening gowns.

This folder contains 5 copies of Harper's Bazaar magazine pages and 19 fashion illustrations signed by Sara Johns. The illustrations consist of two-piece ensembles, dresses and jumpsuits. Some garments shown are attributed to Claire McCardell, Abercrombie & Fitch; department stores Bonwitt Teller and Arnold Constable & Company labeled on the back. There are also 3 loose notes attributing designs to Tina Leser, Tom Brigance for Lord & Taylor, and B.H. Wragge.

This folder contains eleven 9 x 12 3/4" pencil and watercolor sketches of dresses, hats and coats, and one pencil sketch of the floral motif seen in one of the dresses' textiles.

This folder contains ten various sized mixed media sketches (ink, gouache, pencil and watercolor in various permutations) of dresses, hats and coats. Two sketches stamped "S.A.R.L. Carven, 6 Rond Point des Champs-Elysées" and "Made in France", one sketch stamped "Hermes seiilier" and one other stamped "Made in France" with no futher attribution.

This folder contains twenty-two 9x12 3/4" mixed media sketches (ink, gouache, pencil, crayon and watercolor in various permutations) of dresses, hats and coats.

"Junior Bazaar." Two junior figures in party dresses; Color: charcoal and watercolor; Signed