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Archival description
Only top-level descriptions United States Evening gowns
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Arnold Scaasi fashion sketches and swatches, 1966-1992

  • US NNFIT SC.297
  • collection
  • 1966-1992

This collection cotains both original and photocopied sketches by Arnold Scassi ranging from 1966-1992. Each sketch is accompanied by a fabric swatch and is separated into 21 folders by the collection season ( i.e., Boutique Fall 92) Fabric content is often noted alongside an indication of its use. For example "Printed silk dress and jacket - dress has printed silk ruffle at neckline with white guipure lace edging. Jacket has matching ruffle cuffs." Included in some folders are pricelist, order forms and handwritten notes.

Scaasi, Arnold

Frances Neady collection of original fashion illustrations, 1913-

  • US NNFIT SC.187
  • collection
  • 1913-

The Frances Neady collection of Original Fashion Illustrations was established in 1984 to honor its namesake, an inspirational teacher of fashion illustration. The collection encompasses over a century of fashion art. Its earliest example, a watercolor by Pierre Brissaud for Gazette du Bon Ton, is dated 1913; its most recent donation is by contemporary artist Ruben Toledo. Among other stars represented in the collection are Eric (Carl Erickson), René Bouché, Dorothy Hood, George Stavrinos, and Antonio (Lopez). Donations to the collection come from artists, collectors, and industry professionals. The donated works fulfill criteria established by the Neady Collection Advisory Board, which acknowledges artists who exhibit high standards of draftsmanship and esthetic quality, demonstrate an individual approach, possess technical virtuosity, have worked for high-end magazines, stores or corporations, and have earned the admiration of their peers. The Frances Neady collection’s mission is to encourage and facilitate research by students and industry professionals in the art of fashion illustration. The collection presents a graphic record of the art’s evolution since the 1910s. In addition, it provides a vivid cultural and visual reflection of its time.

Neady Collection Advisory Board

Harper's Bazaar Fashion illustrations, 1940-1942

  • US NNFIT SC.369
  • collection
  • 1940-1942

This collection contains fashion illustrations (mainly garments) executed for Harper's Bazaar between the years of 1940-1942 by Dagmar Freuchen-Gale, Sara Johns and Reynaldo Luza. On the back of the illustrations there are Harper's Bazaar issue numbers that the illustrations were published in.

Harper's Bazaar

Lucile, Ltd. records, 1910-1925

  • US NNFIT SC.1
  • collection
  • 1863-1935

Collection is comprised of model photographs, sketches, photographs of sketches, show programs, some newspaper and magazine clippings with articles about or by Lucile, order forms, advertisements, and fashion plates. Garment designs include theatrical costumes, wedding gowns, day and evening wear, tea gowns, lingerie and pajamas. Bulk of the collection consists of model photographs, fashion sketches, photographs of sketches and official phototransfers. In addition there are clippings of articles from different publications written by or about Lucile, she wrote regular columns for Hearst publications. Programs for the "Model Parades" introducing lines of clothing for several years. There are some photographs of Lucile's clients, and photographs of "Rose room" interiors of Lucile. Ltd from New York and Chicago locations. Inspirational and reference materials collected by Lucile and/or her staff, mainly fashion plates and newspaper clippings from different publications. Dates range from the early 1910s to the mid 1920s. Model photographs were glued in large format (12-14"w to 16-18"h) standard, blank books to order, referred throughout this finding aid as scrapbooks; there are 12 volumes in the collection. Bulk of original drawings that are arranged according to the type of clothing are loose, drawn on a heavy weight board; sketches for 1916 and 197-18 lines were glued into scrapbooks; there are 12 volumes of original drawings and 2 volumes of photographs and phototransfers. It is possible that two types of arrangement seen throughout the collection (most of Model photographs chronologically, most of sketches by type of clothing) are due to different purpose these materials served; sketches of period gowns or theatrical costumes could have been referred to time and time again for different productions or themed social events, whereas model photographs would have documented actual creation of such a garment at a certain point in time. It is also not clear why, but some scrapbooks with model photographs are reproduced in complete entirety, using same photo session materials some fully annotated.

Lucile, 1862-1935