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US NNFIT SC.396.1.5 · Stuk · 1941-1947
Part of Mainbocher collection

Volume 5 contains coverage of Mainbocher's designs for the stage from 1941-1947. The productions and actresses he designed for in this time were: "Blithe Spirit" starring Leonora Corbett and Peggy Wood; "The Smiling Visitor" (also known as "Rose Burke") starring Katharine Cornell; "A Lady Comes Home" starring Ruth Chatterton; "Over Twenty-One" starring Ruth Gordon; "One Touch of Venus" starring Mary Martin; "Foolish Notion" starring Tallulah Bankhead; "Dream Girl" starring Betty Field; "Dunnigan's Daughter" starring June Havoc; "Born Yesterday" starring Judy Holliday; and "Park Avenue" starring Leonora Corbett. He also dressed Libby Holman for her stint at La Vie Parisienne in April 1943 and contributed gowns for overseas productions of "Blithe Spirit" and "Over Twenty-One" to the National War Fund, which financed USO camp shows. Included in this volume are original photographs of Leonora Corbett and Peggy Wood from "Blithe Spirit," as well as various Playbills. Folders include a typed contents page; a "Blithe Spirit" Playbill (sans cover); an article entitled "For the Career Woman," featuring Katharine Cornell in "Rose Burke" from the New York Times Magazine, March 1, 1942; Six photographs of Katharine Cornell in "Rose Burke;" the Playbill for "Foolish Notion" sans cover; Eleanor Lambert's press release for "Foolish Notion;" Five Vandamn photographs of Tallulah Bankhead in "Foolish Notion" with descriptions of her costumes by Eleanor Lambert; and the Playbill for "Dunnigan's Daughter."

Newspaper Clippings, 1941
US NNFIT SC.38.2.1.16 · folder · 1941
Part of Claire McCardell collection, 1927-1975

This folder contains newspaper and magazine clippings, including Vogue, New York Times and Harper's Bazaar. In the folder is a report on her work designing Civilian Defense Uniforms along side designers such as Bonnie Cashin, William Bloom and Lilly Dache among others. Also in this folder are examples of a wide range of her designs, including wedding dresses, costume jewelry and maternity wear.

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Design Clippings, 1942-1943
US NNFIT SC.38.2.1.5 · folder · 1942-1943
Part of Claire McCardell collection, 1927-1975

This folder contains Xeroxed clippings of McCardell's designs including swimwear, daywear and examples of her warp dress and other styles that have become her signature over time. Also in the folder are several profile articles of the designer herself and her collections.

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US NNFIT SC.396.1.4 · Stuk · 1942-1945
Part of Mainbocher collection

Volume 4 covers the designer's bi-annual collections from the fall of 1942 through the spring of 1945. During this time, he created his "changeabout basic dress," "glamour belts," and bejeweled cardigans. The press continuously reiterated Mainbocher's belief that a woman need only a simple black dress sans ornament and various accessories to make that one dress do the work of a dozen. The volume includes a Harper's Bazaar article from November 1941 about Mrs. John C. Wilson (Natalie Paley), "the 9-to-5 muse at Mainbocher," as well as a copy of the May 1944 cover that features a Mainbocher white straw hat with two white roses on the brim worn with his silk patterned dress and jacket. Folders include a typed list of the contents in the scrapbook, press lists, a loose page from Harper's Bazaar November 1943 and a card that credits Mainbocher for dressing singer Libby Holman in "Early American Blues."

US NNFIT SC.38.2.1.17 · folder · 1942
Part of Claire McCardell collection, 1927-1975

This folder contains clippings from publications such as WWD, Bazaar, Vogue and Glamour among others. It includes examples of the 'surprise alert' suit designed by McCardell that year as well as 'was savings' clothes using minimal yardage of fabric and side closure of buttons instead of metal zipper.

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US NNFIT SC.382.7 · folder · 1942
Part of Sally Victor collection, 1930s-1960s

This folder contains black and white photographs depicting clothed women wearing Victor hats from 1942. Most photographs include typed descriptions attached and some have handwritten notes on the reverse side. Also, included are promotional materials.

Sara Johns, 1942
US NNFIT SC.369.1.4 · folder · 1942
Part of Harper's Bazaar Fashion illustrations, 1940-1942

This folder contains 5 copies of Harper's Bazaar magazine pages and 19 fashion illustrations signed by Sara Johns. The illustrations consist of two-piece ensembles, dresses and jumpsuits. Some garments shown are attributed to Claire McCardell, Abercrombie & Fitch; department stores Bonwitt Teller and Arnold Constable & Company labeled on the back. There are also 3 loose notes attributing designs to Tina Leser, Tom Brigance for Lord & Taylor, and B.H. Wragge.

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Rogers, Ginger
US NNFIT SC.214.7.33 · folder · 1943
Part of Eleanor Lambert collection, 1942-2003

This folder contains one 8x10" black and white publicity shot of Ginger Rogers for the film Lady in the Dark with press release attached.

COTY Awards, 1943-1984
US NNFIT SC.214.3 · Reeks · 1943-1984
Part of Eleanor Lambert collection, 1942-2003

This series contains press materials, photographs, correspondance and miscellaneous ephemera related to the American Fashion Critics Awards sponsored by Coty, Inc.

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Design Clippings, 1943
US NNFIT SC.38.2.1.18 · folder · 1943
Part of Claire McCardell collection, 1927-1975

This folder contains clippings with examples of day dresses and summer cotton dresses. It also includes several articles about McCardell's work featuring her pictures, as well as reports on the Mademoiselle Magazine Merit Award she won that year.

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US NNFIT SC.214 · Collectie · 1943-2003

This collection is comprised of the papers and records of renowned publicist Eleanor Lambert.

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US NNFIT SC.400.1 · folder · 1943-1967
Part of Madame Eta collection, 1933-1967

This folder contains the pages of a deconstructed scrapbook comprised of press clippings from 1943-1967 pertaining to women's fashions designed by Eta. The Greek Revival gowns of 1944 are featured, as well as sketches and press relating to the Metropolitan Museum of Art exhibit, "The Greek Revival in the United States," which featured Madame Eta designs. The folder also contains correspondence from Metropolitan Museum of Art and the Museum of Fine Arts in Boston pertaining to Madame Eta donations to their institutions.