- circa 1980s (Creation)
Level of description
Extent and medium
16 1/2 x 15 inches. Marker drawing.
Name of creator
"Antonio Lopez was born in 1943, in Utuado, Puerto Rico. He was the son of a couturier, and moved to New York at the age of eight. He studied at the High School of Industrial Art and the Fashion Institute of Technology.
In the early 60's, he worked as a sketch artist on 7th Avenue, until in 1964, he met the designer Charles James, who was to be an enormous influence on him. Antonio worked with James, drawing all the designer's clothes, for a number of years.
With the advent of fashion photography, Vogue magazine used lesser and lesser of the illustrator's art, with the exception only of Antonio, who was almost the only artist to be found in Vogue after 1963, because of the stylistic quality and great verve of his drawings.
In 1969, while on a working trip for Elle Magazine in Paris, he met fashion designer Karl Lagerfeld, who encouraged him to set up a studio in Paris. He did so and became the leader of a group of celebrities.
He established himself as the foremost fashion illustrator on both sides of the Atlantic. It can be said of Antonio that his work helped create a return to the almost forgotten art of fashion illustration in magazines. He exerted a strong influence on many younger artists.
He was the only artist commissioned by fashion magazines with any regularity during the lean years of the 60's and 70's. His was a style completely in tune with the rebellious clothes and free attitudes of the 60's. From the moment they were first published in Women's Wear Daily and the New York Times, Antonio's drawings were much in demand.
He was sought out by designers, stores and magazines around the world. For over 20 years, Antonio remained the most consistently influential fashion illustrator and his career bridges the gap between the 60's and the renaissance of fashion illustration in the 80's.
He died in 1987 at the age of 44."
Immediate source of acquisition or transfer
Content and structure area
Scope and content
Second of four in Surreal Robe Series: robe with classical heads; Black and white: marker rough; Signed
Appraisal, destruction and scheduling
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
Language of material
Script of material